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Fantastic!

This movie was so-so. It had it's moments, but wasn't the greatest.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This film tells the story of a failing novelist who turns to be a private detective to make ends meet. He has a gambling problem unfortunately, therefore his salary goes to gambling instead of child support. His ex wife is less than happy, and threatens to stop monthly visits if he doesn't pay.The story is slow and uneventful, even though a storm is approaching. Viewers get a glimpse of the novelist's failing life, and it can be seen that he still lives in his pride from his award winning novel from over a decade ago. His interpersonal relationships are quite messed up, as he alienated his family members with his previous financial failures. On one hand, I do wish that his life will pick up and be great again, but on the other hand, I can't really care less. Most of the screen time, especially towards the end, I just wished​ the film would end soon because I was quite bored.

In modern times, foreign language movies have made a huge and long lasting impression on cinema and have pulled many viewers towards them. With movies such as Children of Heaven, A Separation, The lives of others and Incendies, foreign cinema has contributed a lot to the film industry. Iranian and Japanese cinemas, in specific, have amazed us with some masterpieces in the past. After the Storm is one of many Japanese movies which not only have entertained us with its solid screenplay but have also raised a lot of questions to put our minds to some exercise. After the Storm, directed by Hirokazu Koreeda, circles around a private detective who loses his money in gambling and then struggles to pay child support money. He undergoes several problems and issues to reconnect with his son and ex-wife. Hirokazu have made some very good movies in the past such as Nobody Knows and After Life but After the Storm is the best of his work. The movie doesn't include any major plot twist rather it's entirely based on family dynamics and it's a domestic melodrama, filled with emotional speeches and ferocious acts of parental selfishness. Ryota, the lead character, works for a private detective agency and has a son but after the death of his father he seems to have lost the control of his life, wastes all his money on racing tracks and ends up as same kind of father as the man who raised him. His ex-wife Kyoke is also shown as a confused individual who is worried about her future prospects and Shingo, his son, seems to be on the same path of uncertainty and struggle as his parents. The best thing I have extracted from the movie is the idea that there are so many things of great value in our life but we never realize their true significance till we lost them. It also reminds us that nothing is more important than the moment you are currently in. Koreeda's After the Storm is slow-paced, sad and apologetic. The movie questions one of the basic human behavior that how to move forward amidst all the frustration and loss and leaves it to the viewers to find their own answer. The character of Ryota tells us a lot about how time can change so drastically and how things go wrong for you all at once. A former prize winner for his novel ends up as a failure to his own self, to his son and his family. But life isn't about giving up rather it's about standing up every time it tries to keep you down. And Ryota tries to overcome his loss although he falls short every time. The movie tells us that even if we lose control of our lives we can take it back, it's all about our attitude towards our loss. Life demands a lot from us, sometimes it tests our resolution and calls for our persistence because we can try for what we want, but achieving it not easy as it is exhibited by Hirokazu through his masterpiece. After the Storm is about the intimate struggle of moving forward and brings forward the lesson of keep on trying, no matter how hard the life is, because you can only achieve when you're ready to endure the pain beyond your limits. What is lost can be won again, it's only the matter of belief and grit. Screenplay of After the Storm is beyond any admiration as Hirozaku has beautifully portrayed the life of a common man and have magnificently summed up the struggle of moving forward in this life. The story doesn't have any loopholes in it, it connects the characters with such perfection that viewers never lose the plot. It binds its viewers with such strong force that make them able to both enjoy the movie and listen to the truth the movie speaks. Although the direction of the movie is flawless but its screenplay has come out as the most promising production element. Above discussion can be concluded with the biggest truth we learn from the movie, life is less about getting what you want than it is wanting what you get.

Most films these days do not have something to 'say' anymore. They don't have a deeper meaning. And if they do, it's mostly superficial or so complex you don't really understand. 'After the Storm' by Hirokuzu Kore-eda has something to say, it's like a condensed moment of life. You will be dumbstruck by it's beauty.The story deals with Ryota, struggling with financial problems, and trying to keep contact with his son after divorcement. He works as a private detective, spying on affairs and looking for lost cats while his real passion lies in writing literature.The entire film is built around a central story part where they take shelter from a taifun, it involves scenes of such profound beauty, you will be moved to tears. The beauty lies in the things that are not spoken out, yet linger in the air like rain: the missed opportunities to be happy, love gone by and yet - still there.To say the film deals with abandoned dreams in the face of reality is wrong, it's the contrary. The film says: If you keep waiting for beauty in life, you will not realize that it has already arrived. Just not the way you thought it would.

Fear that your children may mimic your worst qualities is the driving force in Hirokazu Koreeda's ("Our Little Sister") After the Storm (Umi yori mo mada fukaku), a compassionate look at the struggles of a Japanese family. Its title derived from the lyrics of an old pop song, the film is set in Kiyose, a city near Tokyo where it is beautifully shot in the housing compound where Koreeda grew up by cinematographer Yutaka Yamasaki. Ryota Shinoda (Hiroshi Abe, "Everest: The Summit of the Gods") is a novelist who has not had a story published in fifteen years and is forced to work for a private detective agency, which he claims is solely to do research for his next novel. Using his detective job to spy on Kyoko's new boyfriend with the help of his young detective-partner (Sosuke Ikematsu, "Mubansô"), he learns that she is dating a wealthy businessman who is intrusive in Shingo's life.A gambling addict who squanders much of his earnings, Ryota's relationship with his young son Shingo (Taiyo Yoshizawa) is in jeopardy as his ex-wife Kyoko Shiraishi (Yoko Maki, "Like Father, Like Son") threatens to keep him from seeing Shingo until he catches up on his child support payments. The first time we see Ryota we are not impressed. He is going through his recently deceased father's private belongings to see if he can find anything that he could sell. It seems, however, that his father was also a gambler and Ryota's search might have been better conducted at the local pawn shop. While it is clear that he is not a role model for parenting, Ryota is man of considerable charm and Koreeda does not stand in judgment of his actions but depicts his travails with warmth and humor. We see that in spite of his dubious habits, his sister (Satomi Kobayashi) and his employer are both willing to lend him money.With the help of his own mother, the spunky and very astute Yoshiko (Kirin Kiki, "Our Little Sister"), Ryota has his sights set on reuniting with Kyoko and Shingo. His love for his son is very real but he seems incapable of breaking from his demons, the same ones that dominated his father's life. Attempting to win back Shingo's love, he takes him out for a hamburger, buys him new shoes, and visits Yoshiko, the boy's beloved grandmother. Knowing that a typhoon is on the way, the family comes together to spend the night and to wrestle with the direction that their lives will take. "Why can't men ever love the present," Yoshiko wonders, highlighting an important message of the film, that people must accept the reality of how they really are.While there is truth to the idea that we must accept who we are, there is a thin line between accepting your limitations and recognizing that you have the power to transform your life, to live the life you want rather than the life you are resigned to. Also, while the idea that sons will always take after their father is accepted without question, the reality in my experience is that sons will either take after their fathers or make very sure that they do not. After the Storm is one of Koreeda's best films and, as always, he elicits exceptional performances from children as well as brilliant takes by Kiki and Hiroshi Abe, but, in my view, its message is debatable.