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Creepshow

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Creepshow

Five tales in the style of classic '50s horror comics, involving a murdered man emerging from the grave, a meteor's ooze that makes everything grow, a snack for a crated creature, a scheming husband, and a malevolent millionaire with an insect phobia.

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Release : 1982
Rating : 6.8
Studio : Warner Bros. Pictures,  Laurel Entertainment,  Creepshow Films Inc., 
Crew : Art Direction,  Production Design, 
Cast : Hal Holbrook Adrienne Barbeau Fritz Weaver Leslie Nielsen Carrie Nye
Genre : Horror Comedy

Cast List

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Reviews

Artivels
2018/08/30

Undescribable Perfection

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Tedfoldol
2018/08/30

everything you have heard about this movie is true.

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SpecialsTarget
2018/08/30

Disturbing yet enthralling

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Hattie
2018/08/30

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Smoreni Zmaj
2018/04/20

Too stupid to be scary, not stupid enough to be funny.5,5/10

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donaldricco
2018/01/07

This was fun to re-watch! All 5 stories have their high points, and low points, but the campiness of it all is a treat! The special effects are rubbery, the soundtrack goofy, and the whole attempt to make it look comic booky is spookily effective! Leslie Nielsen and Hal Holbrook as bad guys? Awesome! And Adrienne Barbeau is perfecty as the harpy wife! As is a foul mouthed E.G. Marshall in his role! Now I want to re-read the book. No one better have thrown it away...

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Dr Jacques COULARDEAU
2017/05/27

The film hasn't changed one iota since 1982 and what's more it does not seem to have aged too much. Special effects maybe, but that's about all. The stories are absolutely funny more than frightening. They might have been gross and frightening in 1982 but today we are used to that kind of make-believe cinema. Every single story or moment is pleasure and nothing but pleasure. The Prologue and epilogue are so nice about the abusive father and the voodoo son, Stephen King's own son by the way. Let's think his father wasn't that kind of a father. But you may be surprised if you really analyzed the "rapport" between a father and a son. Abusiveness is at times in excess gentleness. "Father's Day" is the hilarious vengeance of an old and decrepit father killed by his own daughter: the vengeance comes from the grave, from beyond the grave. Never ever neglect celebrating father's day even for a father who does not deserve it. "The Lonesome Death of Jordy Verrill" with Stephen King in the main and only human role is even more than funny with his meteor that brings some kind of invasive green algae, fungus or whatever from outer space. Nothing to do with Superman, nor Aliens actually. The only solution is to evade the invasion by committing suicide I guess, slightly like a terrorist blows himself up in order to kill as many miscreants as possible to clean up the world of its perversion. The world is clean for the terrorist for sure after his own sacrifice. "Something to Tide You Over" is even more than hilarious because of another case of vengeance from beyond the grave and in this case the grave is the sea itself. I am not sure Stephen King intended this story to be hilarious but it is true that since Michael Jackson living dead creeping out of their graves and chasing you have become very entertaining. "The Crate" is nothing but justice or some just vengeance or some just balancing of grievances in a married couple. Don't let children watch that one: they could get some good idea of how to take care of an invasive mother who does not know what a bathroom or toilet door is when her son is using these facilities, or who does not know why she is not supposed to look under her son's bed. That's when the monster in the closet is really useful, and should be cultivated, for such sons: let it come out and take care of the mother. It is all the same when the son has become a husband and the mother has become a wife since all husbands choose their wives to correspond to what their mothers were. How can you be so pessimistic? But that is no pessimism: it is pure truth and reality. "They're Creeping Up on You" is the final touch about some rich man who is obnoxious with everyone and at the same time is obsessed with cleanliness and his germless and bugless environment. That is a killing obsession and the bugs will always have the last word and bring justice to the poor. You can imagine what I may dream about the fate of Trump who should be trumped by bugs and mulched by germs. And the epilogue gives us hope: all nasty people will sooner or later be trumped and mulched into oblivion and inexistence 1- beyond making friends with nasty Sunni dictators or autocrats; 2- beyond making fun of the Pope by being a grinning giant puppet next to the serious look of this grave charismatic religious leader; 3- beyond pushing some Prime Minister out of his right way to be in the front of the family picture; 4- beyond chastising 23 out of 28 of his allies and trying to bully them into paying for his own bills to make America great again; 5- beyond his gripping handshake that a French President turned into a gripping-back handshake that he could not escape anymore; 6- beyond his leaking confidential details of a criminal investigation in a terrorist attack in Manchester; 7- beyond his attempt to sink any climate agreement, including the one in Paris, for his egotistic promises to completely failed professions overdue in their coming to their own end; 8- beyond his sending 23 million people out of insurance coverage; 9- beyond his cutting federal funds for Medicaid by 50% and food stamps by 25% just to be able to cut the taxes of the wealthiest in proportion.And NINE is of course the apocalypse, the dragon, the beast and we are all the pregnant woman escaping this Babylon RED(RUM) Witch Doctor (https://www.youtube.com/watch?v=TYgOlqinH7A or https://www.youtube.com/watch?v=0ttGgIQpAUc) of a President.Yes There is hope beyond the worst possible horror story in real life and that's what makes Romero's film and Stephen King's stories so beautifully good, funny and true to life down to our deepest guts. When These masters of literature and the cinema die we will have to reinvent them under a new skin. It is true Stephen King leaves two sons beyond himself, though they do not have the same level of creativity as the father. But Romero is more complicated as for descent. Dr. Jacques COULARDEAU

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thelastblogontheleft
2017/01/15

Oh man, you guys, THIS WAS SO MUCH FUN TO WATCH. Like grinning from ear to ear for most of it. Directed by George A. Romero and written by Stephen King (both his screen writing debut AND his acting debut, as he stars in the second story), what's not to love? The entire anthology is an homage to the EC and DC horror comics of the 50's, and Romero made sure some of that imagery came through with each story starting and ending with the comic book illustration version. The collection is also framed in the premise of a young boy – Stephen King's actual son, Joe – being scolded for reading such nasty comics. The characters in the story are perfect caricatures, intentionally going above and beyond more subtle acting into something much more ridiculous. I'll go story by story for my more specific reviews…#1: Father's Day – If you remember one thing about this collection, you remember Nathan Grantham (Jon Lormer) – the crabby, abusive father – moaning "Bedeliaaaaa, you b***h!" and wanting his Father's Day cake. It's so absurd that it's hilarious, and yet, true to any good black comedy, you have the very real and disturbing topics of lifelong abuse, alcoholism, and planned murder. You THINK it's the silliest story of all (though dad coming out with Sylvia's severed head on a plate is pretty awesome), until you see the next one…#2: The Lonesome Death of Jordy Verrill – This is the one story where we get to see Stephen King acting, and it is glorious. He is the perfect backwoods bumpkin, down to the denim overalls and unibrow. He finds a meteorite that has crash landed in his backyard, and his daydream about being lauded at the "Department of Meteors" is just too good. But then he gets some mysterious blue liquid on him – "meteor s**t!" – and things start spiraling out of control as he – and everything he touches – becomes more and more covered in these bright green weeds. I love the way they amped up the effect of said weeds with green lighting – it makes the whole yard seem like it's glowing, very ethereal. But for the silliness in this story, it's also really sad and kind of terrifying… him dying alone in his home, knowing there's likely nothing that can be done for him, and shooting himself after his last conversation with his (deceased) father.#3: Something to Tide You Over – This one was probably my least favorite of the bunch. It's definitely more psychological horror than anything, which I appreciate, but it just didn't do much for me. Richard Vickers (Leslie Nielsen) is quite clearly psychopathic as he plans out the torture and eventual murder of his unfaithful wife, Becky (Gaylen Ross), and her lover, Harry (Ted Danson). He lures each of them to his private beach and buries them up to their necks in sand, telling them their only chance of survival is to hold their breath long enough to escape once the tide has come in and loosened the sand. He has also set up closed-circuit TV cameras so he can enjoy watching their torture from the comfort of his luxury beach home. There's definitely some anxious feelings watching them be buried and seeing them sputter and gasp as the tide comes in and starts to cover them more and more often with salty water. And the ending – with Vickers himself buried in sand, laughing and exclaiming "I can hold my breath for a looooong time!" is quite satisfying.#4: The Crate – This was another great one. A college custodian finds a mysterious crate that has been hidden under some basement stairs. He contacts one of the professors and they explore the contents of the crate together, only to find it contains an extremely violent and dangerous creature who then proceeds to wreak havoc. This one doubles as both a great monster story – the creature itself is pretty terrifying, both in looks and in the fact that it's been cooped up for almost 150 years and is now hungry for blood – and a great black comedy, with Henry (Hal Holbrook) seeing the creature as a perfect means to get rid of his drunk, belligerent, and abusive wife, Wilma (Adrienne Barbeau). His daydreams about shooting her to the crowd's applause and strangling her with a tie are brilliant. He is successful, of course, and is cocky about his disposal of the creature, but the story ends with a good cliffhanger as we see the beast is in fact alive and well…#5: They're Creeping Up on You – The best story by a mile. Upson Pratt (E.G. Marshall) is the standout of the entire anthology — he's ruthless, cold, and living holed up in his hermetically sealed penthouse. The whole thing feels like a bizarre dream, exaggerated in the scenes where he is talking through the door's peephole. As the roaches seemingly multiply and invade, you feel this kind of suffocation watching his panic and attempts to escape. He locks himself in his panic room but quickly realizes they've made their way in there, too, and soon dies of a heart attack. The story finishes when it shows his now-empty panic room and his corpse… which soon bursts open with hordes of cockroaches (one of the freakiest, scariest things I've seen in a long time). Brilliant from top to bottom.Really, do yourself a favor and watch this anthology!

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