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Special Forces
Afghanistan. War correspondent Elsa Casanova is taken hostage by the Taliban. Faced with her imminent execution, a Special Forces unit is dispatched to free her. In some of the world’s most breathtaking yet hostile landscapes, a relentless pursuit begins between her kidnappers who have no intention of letting their prey escape them and a group of soldiers who risk their lives in pursuit of their single aim – to bring her home alive. This strong, independent woman and these men of duty are thrown together and forced to confront situations of great danger that inextricably bind them – emotionally, violently and intimately.
Release : | 2012 |
Rating : | 6.3 |
Studio : | Canal+, StudioCanal, TPS Star, |
Crew : | Head Decorator, Production Design, |
Cast : | Diane Kruger Djimon Hounsou Benoît Magimel Denis Ménochet Raphaël Personnaz |
Genre : | Drama Action War |
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Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
While a tad overlong and light on character development, SPECIAL FORCES nevertheless delivers a fairly solid entry in the modern warfare genre. The plot is rather simple: a French special forces unit (the movie is French/French-produced) is sent in to rescue a journalist from Afghanistan who has been captured by a Taliban warlord. Right off the bat, you are introduced to the principal characters, but not much is given in the way of character development or making the audience care, aside from some small character moments interspersed throughout the latter half of the film. The performances are adequate, with the best being given by Diane Kruger (as the journalist) and Djimon Hounsou (one of the special forces guys). The actor who portrays the Taliban warlord also does a good job, probably adding some depth to his character by having him be Western-educated and somewhat caught between Western culture and his own culture and beliefs, but not much attention is paid to his character either. It also doesn't help that his demise later in the film is done so haphazardly and unceremoniously. As far as the combat sequences go, they were fine and done in current "en vogue" style of somewhat shaky "cinema verite" realism to give a sense of the chaos of battle. The violence was effective and not gratuitous in any way. However, towards the end the movie drags a little bit as we're shown day after day passing of the core group trying to get away from their pursuers and safely back into Afghanistan (they've been wandering around in the Pakistani desert for most of the movie). Overall, the movie is effective in the combat sequences and showing how the special forces team bond with the people they try to rescue. Over the course of the film, you do grow to care a little bit more about the characters but not because you feel like you really know them, just because you empathize with the sticky situation they're in. The movie aspires to be SAVING PRIVATE RYAN (made by the French, and set during the Afghan war), but it falls short of the mark. Still, it makes for a somewhat entertaining, slightly taxing, viewing experience.
Without going into a plot summary, others have done that, it is almost impossible to list the things wrong - in a technical sense - with this movie. None of the characters who play soldiers have a clue about basic combat, they fire standing and grouped together, ignoring available cover. They abseil slowly, one at a time, from a chopper in a situation where there would have been less risk to the men and the aircraft if it landed to disembark them. The story might be fine for those who do not have a military background or training, but for me it was almost a comedy. They had an initial pick-up point a ludicrous distance from the operation, considering that right from the start they were expected to be transporting possibly wounded civilians. Not one part of the story was likely or plausible to me. It was the sort of thing you could imagine being dreamed up by a teenage girl whose sole experience was based on comic books. Very disappointing.
Sometimes movies require a certain suspension of the accepted laws of reality, and for various reasons every plot device is not explained by a bread trail. This movie, Special Forces (2011), requires a certain indulgence of both. I've read other critical reviews that take exception to various scenes that to me aren't that mysterious or unclear, while certain things I've noticed on repeated viewings aren't mentioned. So let me say, this is a good movie, with very good (and realistic, in conflict with some reviewers opinions) action scenes about French Special Forces on a rescue mission of a French journalist. She happens to be a female, and one of the SF guys is single, so there's that subplot. The main plot is of the SF group who are sent on a recon mission, then pressed into a rescue mission. That particular plot point seems to escape some, who have unrealistic views of why potentially sacrifice many (the SF team) for a stubborn journalist who didn't get out even with repeated warnings to do so. Apparently this makes her less attractive to rescue, as this is her fault, after all. The SF group does the job, as that is what they do. They are not fans of the press or this journalist in particular (another plot thread) but, as it is in real life - soldiers do what they are told. The best do it with a passion that makes failure worse than any feelings they have about the mission. This is also real. At least from what I've seen. There are other plot directions, e.g., the new guy on the team who hasn't proved he has the right stuff, then takes an unbelievable risk to divide the forces in chase and does prove exactly who he is. Who lives, who dies, this is all familiar ground for anyone who watches the "Rescue movie." Some claim they know, saw it a mile away, no surprises; yet I've seen this same thing play out many different ways. (The unexpected death; that's what makes a Director "edgy".) The tactics, the weapons, the scenery, and the journey - Yes you've seen it before (with variation). This version was an enjoyable (with subtitles, as much of it is in different languages) tale, beautifully filmed that is worth watching more than once. I would recommend it without hesitation. 8/10, because some of the extreme human effort that the entire group of survivors achieves, and the curious coincidence of the lucky Taliban group who find what the French Army and Navy can't.
I saw this movie but unfortunately in 59.00.00 was a big mistake. they asked from village chief "where are the children s?" answers "Taliban toked them away " reporter carry on " to teach them SHIA rules and because of this there is some hate " I want to say Taliban is Sunni and the are killing Shea and in them rule if can kill even one non Sunni (Shea) they will go to paradise.i think this is media war but its not fair. i think they try to erase Sunni crimes and wash the blood to Shea countries like Iran. i have to write 10 lines and its not fair too:( i have to write 10 lines and its not fair too:( i have to write 10 lines and its not fair too:( regards