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Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Exactly the movie you think it is, but not the movie you want it to be.

By the time the dramatic fireworks start popping off, each one feels earned.

"Human Capital" (2013 release from Italy; 110 min.) brings the story of two families, whose fates are so different yet intertwined. As the movie opens, we see a staff person bike home late at night after having worked at a big event of some sort. We also see a speeding SUV and the SUV appears to accidentally hit the biker, but doesn't stop. Whoa! Who was that? What just happened? After the opening credits, we are told we are "Six Months Earlier - Chapter 1 - Dino" and we get to know a number of characters: there is Dino, the real estate guy whose daughter Serena is dating Massimiliano, the son of a hedge-fund manager. Dino convinces the latter to let him buy in, but soon regrets doing so when the market tanks. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: first, this is the big screen version of American author Stephen Amidon's acclaimed 2005 novel of the same name. How often do you see a big screen adaptation of an American novel that is made abroad, rather than in the US? Director Paolo Virzi transposes the story from Connecticut to Northern Italy very nicely, and along the way adds other elements to make this his own story. Second, the movie works on different levels: there is the immediate question as to what exactly happened at that hit-and-run late night accident (?). Then there is the social commentary about today's society and the influence of money on people (keep in mind: this is Italy, where they have been going through a Great Recession for YEARS now). The movie is split into 4 chapters, and we rehash more or less the same events from different people's perspectives (Dino, Carla, Serena). It's a technique that has been used before, but when executed well, as in this movie, it elevates the movie, as you discover new details in each new perspective of the same events. Last but not least, the movie features a great ensemble cast (there are about 7 or 8 key characters to keep track of). Bottom line: this is a movie that caught my attention from start to finish.This movie is the May, 2015 release of Film Movement's on-going DVD Of the Month club. No idea why a 2013 release only now gets exposed to US audiences but better late than never I suppose. As always, the Film Movement DVD comes with a number of bonus materials, including an okay "making of", but far better is the bonus shortie. This time we get "Job Interview", an excellent 9 min. shortie from Germany about a woman (Lisa) being interviewed by another woman for a job. Just watch! Meanwhile, "Human Capital" is a worthwhile addition to Film Movement's ever-growing library of foreign and indie movies. HIGHLY RECOMMENDED!

Greetings again from the darkness. The financial crisis-manslaughter-class warfare-thriller from novelist Stephen Amidon shifts from Connecticut (in the book) to just outside of Milan for director Paolo Verzi's look at class and character. A term used by insurance companies to calculate the value of a human life in settlement cases, "human capital" carries even more meaning in this twisted tale of greed and broken dreams.After an opening sequence that shows an off-duty waiter getting knocked from his bicycle by a swerving SUV in the dark of night, the story is divided into chapters that provide the various perspectives of different characters affected by this hit-and-run. Dino (Fabrizio Bentivoglio) is a middle-class real estate business owner whose girlfriend (the too rarely seen Valeria Golino) is pregnant with twins, and his daughter Serena (Matilde Gioli) is dating a private school classmate Massimiliano (Guglielmo Pinelli) who comes from the upper crest Bernaschi family that is living the dream thanks to the dad's (Fabrizio Gifuni) hedge-fund success.It's easy to see how the lives of these two families become intertwined, and how a few other characters are also affected, but the real joy here is in getting to know each through their own actions. Dino desperately wants a taste of the finer things in life, and risks everything by fraudulently obtaining a bank loan in order to buy into Bernaschi's hedge fund. His wife Roberta is a trusting and pure-hearted woman who accepts her place in society and warmly looks forward to being a new mom. Their daughter Serena proves to be the best judge of character and soon enough boots the spoiled kid Massimiliano to the curb, while connecting with the artistic and misunderstood Luca (Giovanni Anzaldo), though even Serena's moral compass shows its cracks.Bernaschi is a smooth operator and the perfect face for a hedge fund so dependent on the financial collapse of its own country. His wife Carla (Valeria Bruni Tedeschi) is a lost soul … enjoying the perks of a wealthy lifestyle, but still holding on to her artistic dreams of youth. Life as a trophy wife is evidently not so fulfilling for those with their own aspirations. Their son Massimiliano, as you might imagine, is unable to live up to the expectations of his father, and frequently handles his perceived lack of parental attention by over-boozing at every opportunity.This film was Italy's submission to the Academy in the Best Foreign Language category, but unfortunately did not make the final cut. It is rich in texture and remarkable in its ability to convey depth in so many characters. The basic story has some similarities to the film 21 Grams, in that we witness the many ways in which people handle crisis. In this case, the mystery of the initial sequence is left unsolved until near the end, but there are so many personal "fork in the road" moments, that solving the case of the cyclist death somehow doesn't monopolize our thoughts.Excellent acting throughout allows us to connect with each of the key characters, and especially worth noting are Valeria Bruni Tedeschi and Matilde Gioli. Ms. Gioli is a newcomer with a bright future. She brings believability and strength to a teenager role that would more typically be over-the-top or one-dimensional in the hands of a lesser actress. Even more impressive is the performance from Ms. Bruni Tedeschi who perfectly captures the heartbreak of a woman living a life others can only dream about, while her own dreams are but shadows from the past.With source material from a U.S. novelist, and subject matter involving the 1% and crisis of conscience, it's not difficult to imagine an American remake, but this version is highly recommended for those who enjoy a multi-faceted dramatic thriller.

Knowing nothing about this other than it featured Valeria Bruni Tedeschi that was all that was needed to sell it to me. I've known, admired, and probably been a little in love with Valeria for several years on the strength of her performances in things like Marion Vernoux's Rien a faire and here, once again she is back to what she does best, playing fragile and vulnerable and beautiful with it. By pure coincidence I got hold of a DVD of her third film as writer-director-actress Un Château en Italie on the same day I watched this so I got a double shot of Tedeschi. Although I went for Tedeschi the film wasn't exactly chopped liver; okay, derivative, with more than a touch of the Rashomon's about it as a tragic accident is seen through the eyes of several protagonists with the truth that has eluded us revealed in the final segment. Along the way there are swipes at Ponzi schemes in all but name, capitalist societies, the dark side of Italian life just for starters. Certainly holds the interest.

I went to see this movie mainly because it was shot in surroundings I know very well (the surroundings of Varese, in the north of Italy)and was more curious than interested. In the end, I had to say I saw a good movie, with a good photography but also a convincing story, based on an American novel, but fit for a movie which lies between a thriller and a social portrait, showing some evils of contemporary Italy. The splitting of the story into four chapters, seen from the point of view of three characters, plus a final chapter, may not be that original but works effectively and keeps the viewer's attention alive for almost two hours. So, considering the mediocrity of Italian contemporary cinematography, it is a good product and I also appreciated the performances of the whole cast, with Fabrizio Bentivoglio and Fabrizio Gifuni at their best. In my country the movie was criticized for pointing the finger at the north of Italy as the source of contemporary decadence: on the whole, besides its ideological orientation, I found it more entertaining than socially committed or politically sided.