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Head Over Heels

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Head Over Heels

Ordinary single girl Amanda Pierce unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston. That is, until one night...

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Release : 2001
Rating : 5.4
Studio : Robert Simonds Productions, 
Crew : Art Direction,  Production Design, 
Cast : Monica Potter Freddie Prinze Jr. Shalom Harlow Ivana Miličević Sarah Murdoch
Genre : Comedy Romance

Cast List

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Reviews

Alicia
2021/05/13

I love this movie so much

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Mjeteconer
2018/08/30

Just perfect...

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Sameer Callahan
2018/08/30

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Sarita Rafferty
2018/08/30

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Python Hyena
2015/05/05

Head Over Heels (2001): Dir: Mark Waters / Cast: Monica Potter, Freddie Prinze Jr., Shalom Harlow, Sarah O'Hare, Tomiko Fraser: Exaggerated mess about wrong impressions and curiosity that leads to trouble. Monica Potter preserves portraits and lives with four brainless supermodels and they believe that Freddie Prinze Jr. murdered someone in the apartment across the way. She goes undercover with the brainless supermodels to find out whether this seemingly sweet guy is a killer. Mark Waters directs this crap half-heartedly and the reference to the great Alfred Hitchcock masterpiece Rear Window is obvious but the difference is that the Hitchcock film is engaging and suspenseful while the Waters film is merely stupid. Then we are given the Russian mob plus toilet humour complete with sound effects. Potter plays an idiot with weak knees who is constantly saying the wrong thing. She is featured in a scene where a dog jumps her from behind and appears to be humping her. This cannot be her best moment. This also ranks in a long list of terrible performances by Prinze Jr. whose identity will surprise no one. The four supermodels are also a bad distraction of complete overacting. None of them are given an ounce of personality and they greatly subtract any credibility every time they open their mouths. Absurd comedy should be tossed head over heels into the back of a garbage truck. Score: 2 / 10

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MeloDee
2007/05/29

Yet, I found myself laughing. Perhaps it can be attributed to a possible chemical imbalance at the time or not enough sleep, but I enjoyed it.I suppose the reason why was that I immediately began to recognize it as a parody. It isn't meant to be realistic or serious.Amanda Pierce's beginning dialogue is what immediately caught my attention. She was always attracted to the wrong guys, who, when caught in the middle of cheating, would say "This isn't what it looks like".As a result of one too many heartbreaks, she tried to envelope herself in her work, which was restoring old paintings. That's a profession you don't see very often in the movies, but it was fitting for Amanda.What can I say? I feel a little guilty, but the movie was "cute" for lack of a better word. Monica Potters and Freddie Prinze Jr. had good on-screen chemistry.Though again, I repeat- the movie isn't realistic, serious, or deep. So if you're not in the mood for fluff? You'll probably want to avoid it.

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Devotchka
2004/09/27

Head Over Heels is a brainless and totally forgettable movie, but it works well for a midnight showing on USA. I wouldn't pay a cent to see it, but I don't regret having blown two hours on it. It's an awkward and weird comedy, too, one that made me wonder whether I was actually awake while watching it. Looking over the comments confirms my fear: yes, there is a scene where the dumb ingenue gets humped by a giant dog. (We're not just talking her leg here, either.)Very, very creepy. Not funny. The dog in question is being walked by Freddie Prinze Jr, and the unfortunate woman is the breathlessly ditzy Monica Potter. Is this supposed to serve as a romantic "meet cute"? (To use Ebert's term!) Blech. The supermodels are nice eye-candy but not terribly entertaining or charismatic, though they seem to enjoy poking fun at their industry. That fact alone makes them a lot more personable. The "dumb model" jokes get old fast, though. Yeah, yeah, we know that they're ditzy. The fact that they seem completely out of touch with reality is a little more amusing, but there's only so many times you can make the same crack about plastic surgery.I'm not totally sure where all the comparisons to Rear Window come in, incidentally. The plot is completely and entirely different with the exception of the fact that both movies involve a potential murder and a window. C'mon, people--if you think that Head Over Heels is anything like Rear Window, you weren't paying attention to one or both of them.The movie does go downhill fast, though, going from entertainingly stupid to boring and disjointed about halfway through. Freddie Prinze Jr. doesn't help, of course; in 2001 he was just the flavor-of-the-month as far as romantic leads go. He's not very talented. Monica Potter isn't much better; she's basically a low-rent version of Julia Roberts with a smaller and less demonic mouth. (But seeing as how I don't like Roberts either, maybe I'm not the best person to ask.) The movie attempts to make her seem like the intelligent roommate, but she comes out looking like an insecure moron whose main charm comes from the fact that she's clumsy and falls down a lot. How in the world does someone like her get a job restoring 600 year old paintings? Seriously now.

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dabearkat
2004/03/28

I caught this movie on TNT today and am honestly surprised by how many people on this board think it's a delightful romantic comedy. Almost everything about it is contrived, ill- conceived, and just plain un-funny. It annoyed me from the very beginning, when the woman's co-worker brought her a coffee whilst she was RESTORING A RENAISSANCE PAINTING. I'm usually not nit-picky about little details like this, but come on! It's highly unlikely, nay impossible, that the Metropolitan Museum of Art would allow their restorers to sip coffee around 600 year old paintings. It's a little thing yes, but it just goes to show how slipshod this movie really is. Don't ask me why I actually sat through the entire thing, because I honestly don't know. It was a little like rubbernecking a trainweck, I guess.

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