Watch Moontrap: Target Earth For Free

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I suppose, no ever taught the "director" what continuity was. In spite of the fact there were several "well known" actors in this summer camp play, it just didn't make it. It was so disjointed I suppose the "director" was trying to be Quentin Tarantino. It didn't work. It was so bad, at one point the main male character was killed by the bad guy's black helicopter, then a second later the female "wakes up" and we see that it was a dream,. That he didn't die. Then a few minutes later the guy is dead again, for real. When did that happen? Maybe the "directer" was trying to make a really bad 40's B or D movie? If that's the case, then he did a good job of it.

This was seriously one of the two worst movies I've seen in my life. Worse than Surf Nazis Must Die, worse than Ilsa: She-Wolf of the SS, worse than Bloodsucking Freaks, worse than The Piano. The only movie I've seen that was about this bad was Stuff Stephanie in the Incinerator. It starts sort of OK, except the dialogue is ham-handed and painful, and the main characters seem to live in a warehouse full of radiators. There's a definite furniture shortage in the whole movie. They intuit an entire divinely-inspired love poem from eight heiroglyphics carved into a sheet of drywall. Bizarre illuminati who meet people from the balcony of a ballroom (also with no furniture) are unimpressed. And that's the end of the part of the movie that even halfway makes sense. The rest is just so weird, and painful weird, not kooky fun weird. The robot duel, the mystery god prison, the weird hitwoman, the unexplained sidekick in the party hat, the two-second knife sharpening, the plucky waitress in the contaminated restaurant, the requirement to strip naked that comes out of nowhere and is just accepted, the murder followed by it's a dream followed by no wait it was a murder, the race of paleolunar humans whose defining characteristic is sideboob, and all of the shit that went down on the moon - none of it makes any sense.I was left with a profound sense of sorrow and self-loathing. This was a terrible movie.

Just a really bad movie on every level. Not sure how they convinced the two lead actors to be a part of this movie but I can only imagine they both hate themselves for it. The director needs to give up the craft or perhaps enroll in film school. I am not certain of a single positive to take from this experience.

Well, this is a good example how the power of will of an actor can save ... its own performance. Sarah Butler does endure in good to acceptable acting, despite, and AGAINST, the worst case scenario: awful directing, bad dialogues (both unconvincing and simple language), absurd story, ridiculous actions, sometimes (not absolutely all) terrible co-actors, and a quality of image in effects and post-processing which can't be called bad quality, it can't be called quality at all! (so let us call it Sam, as D.A. did with weather. Sam-CGI ).Often, very good actors are taken apart by bad direction. Sometimes their work can survive. But I never saw, so far, an actor enduring against such a quality-hostile environment. Chapeau, Sarah Butler = my respects. How did she manage to maintain her own motivation despite the absurdity of the filming conditions? Just to observe it, I fast forward through this piece of - you know. I didn't know her, I investigate her after this movie. And I surely will try to see her in other films.