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Excellent but underrated film

As Good As It Gets

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This is literally one of the best movies to watch while under effects of alcohol or other drugs.it simply doesn't make sense, but the movie itself is well shot, has a good cinematography and the actors are good (not perfect, but good on their respective roles).overall, watch with your friends and don't try to take this movie too seriously

At the beginning of the film, it is explained that in a lot of movies a lot of things happens for no reason and even in our daily lives a lot of things happens for no reason and that the life itself has no reason. A Tyre which has psionic powers keeps blowing people's head's off for no reason. what kind of a story is it.?Everything in this movie happens for no reason. And that's why there is absolutely no reason to watch this movie.

Robert was fantastic, the nuance, the soundtrack, the director went the extra mile and got a far from flat performance finding inner depths.You could get stretch this review with a lot of puns - not necessarily bad, even the poster can't resist. If you can't handle that or you can't think about the media you consume lightly, sideways, then this is not for you.If you did enjoy it then seek out Man Bites Dog or anything in the 50p section of the video shop on Fratton Road, Portsmouth in 1992 probably with Rutger Hauer.( Clearly international time travel may be required; if you've prepared for the Zombie Apocalypse then this really is your next area requiring planning).

A perfectly good idea ruined by over-explanation and "look how clever we are" winks. Good jokes don't give the punchline away before the setup, great art doesn't demand you read a thesis to walk you through it. The introduction and frame story here did nothing but detract from the perfectly acceptable conceptual element of this film. It feels like a "Mulholland Drive" or "Lost Highway" if David Lynch had filmed an additional 45 minutes of footage to both pad out an inconsistent idea as well as spoon-feed his audience the point he was making. If the point is "just because", SHOW it. Don't tell us straight out. Let us see/experience it through the visuals and story. Take the idea and run with it, don't falter and just blurt it out. What's the point in watching the rest? Overall: a terrible failure that could have been something great.