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it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Great movie. Not sure what people expected but I found it highly entertaining.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

This review contains spoilers.Murder on the Orient Express follows a detective on a vacation as a murder unfolds. The detective becomes interested after investigating and realizes something is amiss in the case. The suspects are passengers from all backgrounds and the detective interviews all of them to uncover any clues.The movie a great murder mystery. There is not any massive chases or action scenes. The movie relies on the audience being engaged with the story. By the final act, I was very interested in the story and how things would play out. All of the characters will become known to the audience and they are all distinct. There are a staggering number of characters here and all of which feel different. The movie has many scenes where the detective interviews the passenger. These scenes were fun to watch and added a lot to the story.The movie's weakness is its slow pace. The beginning of the movie can be slow with each of the characters boarding the Orient Express. The main mystery is introduced when a man confronts Hercule Poirot in an effort to stop his murder. I liked the slow pace as it sets the tone of the rest of the movie, but to some the movie's beginning can feel pointless.Overall, I would recommend Murder on the Orient Express. The movie is a great murder mystery.On a side note, I watched this movie using Amazon prime and suffered a lot of skipping in its video and audio. Customers looking to watch this on the Amazon stream are warned.

The casting was really good with actors like Johnny Deep. The film is a good detective film with Hercule Poirot who solves a crime in the Orient Express train. I like the film because there are many turnaround. The suspens was always present during the movie and the end was also really good and surprising.

Decent mystery plot, intelligent but not intense flow of the story. Story revolves around the murder motives, but personally I feel not all motives were strong enough to carry out the murder, like the chauffeur. And how the detective knows all the character's background is also a mystery that wasn't solved.Like sherlock holmes used to keep a journal for all the crime happened in past with details. But how this detective remembers that god knows. Most of the charterer's played well deserved role, specially detective poirot. Ending is a twist and I liked that. A nice movie to watch who loves classic mystery films.

Opening in classic decor title cards salmon-colored silk followed by a Film Noir styled montage of light and shadow paired with newspaper bulletins and cinematographic shutter speed changes initiated by lighting cameraman Geoffrey Unsworth gives the otherwise classical content of an infant kidnapping inspired by actual event from March 1st 1932 of baby boy Charles Lindbergh Jr., Director Sidney Lumet establishes a visual mystery that will last to the premising shot conclusion.The director had been able to be blessed by one of the major casting ensemble of its time, produced in Season 1973/1974, starting all out-going screen presence from Albert Finney as the main character private investigator Hercule Poirot to Lauren Bacall as the supporting character of Mrs. Hubbard over to Richard Widmark performing as the business criminal Ratchett, who becomes the object of murder on an express train from Istanbul to Paris, which gets stuck in ice and snow in the middle of nowhere, a scenario which had been repeated in production season 2016/2017 from Director Kenneth Branagh, who does not shy away to take on the main role of Hercule Poirot himself and further fostering a major ensemble cast with Johnny Depp as Ratchett and Michelle Pfeifer as Mrs. Hubbard and more to revealed in November 2017. Beauty, excellency and splendor on the train, which departs at around 20 minutes into the "Murder On The Orient Express", Director Sidney Lumet keeps tight focus on any of his twelve murder-involved characters to give them some screen-time to make a mark towards an investigating streak by the character of Hercule Poirot, which still seeking an equal in emotional sophistication, mental navigation and a portion of humorous ease at work, which makes the film another candidate for multiple revisits.Nevertheless some characters established with extraordinary effort at on-location exteriors as the hidden affair of Mary Debenham & Colonel Arbuthnot, performed by Venessa Redgrave and Sean Connery, have one or two decisive moments as striking couple in the film, but their relationship never gets the flourishing beat besides practicing murder as within an unit of twelve, which probably let screenwriter Michael Green of the 2017 remake exchange the character of Mary Debenham to a young, in this case Star Wars actress Daisy Ridley, and making the character of Arbuthnot become a doctor instead of a military officer. When it comes to the blue-lit 12 hit-stabbing of the character of Ratchett, every character dies alone in the moment of committing murder, before reviving each and everyone's spirit in the contradicting scene of drinking a glass of champagne after getting exposed by Hercule Poirot, who does not loose his temper once to be the master of persistence and as to say breaking the ice with anybody he encounters.Director Sidney Lumet and Cinematographer Goeffrey Unsworth had everything under controlling timetables with building constant suspense and excitement with skillful scenario camera pan, as on the train station platform, catching three major supporting character delivering beats in one single panning shot from left to right, which presented editor Anne V. Coates with the coverage to keep the pace for an exceptional Thriller, which finishes without one single action sequence.© 2017 Felix Alexander Dausend (Cinemajesty Entertainments LLC)