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The Imposter
In 1994 a 13-year-old boy disappeared without a trace from his home in San Antonio, Texas. Three-and-a-half years later he is found alive thousands of miles away in a village in southern Spain with a horrifying story of kidnap and torture. His family is overjoyed to bring him home. But all is not quite as it seems.
Release : | 2012 |
Rating : | 7.5 |
Studio : | Film4 Productions, Passion Pictures, Red Box Films, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Frédéric Bourdin Ivan Villanueva María Jesús Hoyos Ken Appledorn Mary Twala |
Genre : | Crime Documentary Mystery |
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People are voting emotionally.
The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
An old-fashioned movie made with new-fashioned finesse.
The story behind "The Imposter" is almost impossible to believe - yet it is true. It's the perfect material for the making of a documentary film, yet the filmmakers seem to prioritize stylistic devices and dramatic suspense over the story itself. Documentary cinema is a unique form wherein journalism meets visual storytelling, and yet "The Imposter" seems to act in conflict with every aspect that is unique to the form, despite being in possession of the perfect source material. Interviews with the subjects are spliced together with dramatic re-enactments that verge on mimicking an actual drama film - one would think that, in doing so, a successful merging of drama and real life would be accomplished. Instead, the film teeters between an ostentatious documentary and a drama composed of nothing but exposition-oriented dialogue. In an attempt to imbue the documentary with further dramatic aspects, a musical score is ever-present - yet this only serves to hinder the film. The score is unremarkable in every aspect, and serves to hold the viewer by the hand - instructing them on what emotions to feel, rather than add any sort of sensual dimension to the experience. This, combined with the film's devotion to overt stylistic devices that seek to weld the non-fiction portions with the dramatic, results in an overall gimmicky film that ultimately interferes with the very story that has served as its bedrock. Throughout the film, the aspects unique to documentary cinema are often identifiable by the regard in which they are blatantly disregarded - it's not that they are ignored, but specifically refuted. During the film's final act, the story takes a completely unexpected turn, and the film is doused in suspense. Suddenly, everything we've been led to believe about the situation being reported appears uncertain, and the viewer is hooked. This is a strong moment in the film, and while it does serve to lift the quality at this point, it also highlights where the film has gone so wrong - the strongest moment in the film is as a direct result of events within the chosen story line, and not as a result of forged drama or artistic flourish. While documentary films and artistic style are not mutually exclusive - in fact, certain films demonstrate that they can work remarkably well together - the style should serve to heighten the material being worked with. In "The Imposter('s)" case, the added showmanship and dramatic techniques only serve to impose, as though a documentary and a drama film collided with one another and were forced upwards, lifting from the chaos and rubble a rough and jagged product, as tectonic plates impacting to form a mountain.
This is one of those flicks that I think I have seen before or rather tried to watch before but could not finish it. Well, it happened again. For the life of me I cannot fathom how these people fell for this fraud. I really don't. It is not like Six Degrees of Separation. It is not like the whole town did not know what Nicholas looked like. I don't care what kind of sex slave you were, your eyes do not change from blue to brown and you don't end up with a French accent having been abducted to Spain either.As for the real Nicholas, why does a 13-year-old have so many tattoes and how in less than 24 hours, did the impostor get them made to match with no scarring or anything by the time the sister arrived? And the sister said he had said kiss my ass to the family and run away for a day or two several times before - a little kid?I don't know. I just don't know. But I cannot finish the movie. IT hurts too much to see the family falling for this guy.
I read a few reviews which admonished me not to discover too much about this "mysterious and compelling" story beforehand so I didn't.I really enjoy good documentary films so I watched it with an open mind and was ready to be compelled and mystified but I wasn't in the least.I found it all too obvious. A dark-haired French-speaking young man pretends to be a missing blond-haired English-speaking American boy and is apparently welcomed by his clearly dysfunctional family with open arms.So what's going to happen? He is discovered to be a fake(duh)and the family fall under suspicion and we eventually discover that one of them was a junkie and killed himself shortly after the boy went missing.Not much mystery or compulsion there. We are told of the mesmerising abilities and evil nature of the bogus heir apparent but he is no more than a failed chancer,more intelligent than he wants to appear but not as bright as he thinks he is.I've met plenty of those.The only surprise I found was how unbelievably thick and incompetent the relevant American officials were.It was like watching a thriller where you work out the entire plot in the first five minutes and then sit there bored stiff as it unfolds exactly thus. I'm sorry to review this film so negatively when many people obviously enjoyed it but if you are looking for mystery and intellectual challenges,you won't find them here in my opinion. A well-crafted but spuriously sensational film.
This was a stunning documentary movie about the 1997 incident. Tells the story of a Texas boy who returned home after the 3 years of disappearance. Created a lot thrilling excitation that equals to any masterpiece crime-thriller movie. Particularly to say it is what Hitchcock would have chosen to do if he was alive today. Sadly, it was a documentary movie, that does not really stop anyone from a watch. It is one the documentary you should watch if you are a Hitchcock fan, especially if you are interested in the crime-thrillers that deals about identity crises. As it is a true story, it was unbelievable.A 16 year-old Nicolas Barclay from Texas was missing for 3 years. All the sudden one day he appears with the changed personality. That brings joy in his family who was praying for his return. But Nicolas tells the strange story about his disappearance that convince his family, but authorities suspect that something is not right. What is true and what is not is the remaining narration that reveals as it happened.''I saw the opportunity.''This movie is what reminds me the Indian movie 'Naan'. Same kind of narration that does not keep the secret from the viewers, but each other from the movie characters. It was about claiming the fake identity, that was not done perfectly because of the faultless display, but failed to recognize the truth, especially in the modern world with all the facilities are available to detect such flaws. Like saying, all is well when everybody is happy. There are lots of similar incidents happening, but everything won't come into the lights. I am glad this story brought into the silver screen.It was awesome, I thoroughly stuck with it till the end. Yes, the end leaves behind many doubts about the whole structure of the case that could possibly take us to the day since Nicolas was missing. But in another angle it is a kind of offense to believe where the story leaves everything and finger points the other way. Whatever the truth is, it leaves us on a thin border of the two possibilities and we have to take what way we think could possibly would have happened. In the meantime the mystery about Nicolas keeps unanswered. I hope this puzzle will be solved one day in the near future.