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Birdsong
As an English soldier fights in the horrific trenches of northern France, he is haunted by the memories of his forbidden love affair with a French woman.
Release : | 2012 |
Rating : | 7.3 |
Studio : | NBC Universal Television, Working Title Television Production, |
Crew : | Director, Writer, |
Cast : | Matthew Goode Clémence Poésy Eddie Redmayne Thomas Turgoose Joseph Mawle |
Genre : | Drama History Romance TV Movie |
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Overrated
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
I have no idea what The BBC TV movie, 'Birdsong' cost to make, but I'm sure it was a fraction of the cost of the average Hollywood movie. 'Birdsong' is a 3-hour drama, based on a best-selling book of the same name and is about the horrors of the 2nd World War, interspersed with a lingering, tragic love story involving the lead character. There are a number of trench warfare action scenes, and I have to say that the BBC has done incredibly well on what must have been an infinitesimal budget compared to the average Hollywood war movie budget. I am not saying that the BBC war scenes were superior to Hollywood's versions of WW1 warfare, but they more than held their own. This BBC adaptation was, in this reviewer's opinion, a high-class production.The characters are finely drawn and believable and we are comfortable with listening to the French characters speak English, as it is clear that they were all highly educated and the story required that they spoke English for the benefit of their 'English guests'. They even occasionally lapsed into their own tongue, (with appropriate sub-titles), when the occasion demanded it.Sure, Birdsong is a slow moving drama, and may lack some of the 'commercial' impact that a Hollywood movie might provide, but it certainly has its tense, dramatic moments; both in the trenches and in the French châteaus - and boudoirs! Indeed, the hero – or some may say anti-hero – comes back, seemingly from the dead - on no less than two occasions, and surely there was enough blood and guts, loss of life and dramatic moments to satisfy most viewers. It is a love story; a man's love of a woman who doesn't belong to him; and is set against the background of a terrible war; amongst the horrific battlefields of the Somme, Verdun, and elsewhere.
First let me say that there are not enough movies made about WWI. Thats a shame.I didn't read the book, in fact I had never heard of this until one night in May of 2012, when I had promised to take my daughter to see "The Avengers" only to discover it was sold out when we got to the theater. We came back home and turned on the TV set and this movie was about to come on. Being a fan of WWI movies like "The Lost Battalion","Flyboys" and "The Trench", I thought that I'd give this movie a look.I was so glad I watched this movie. I was glued to my TV for both nights that it was on. I found the story gripping and moving. I didn't want to get out of my chair (not even to go get a soda from the refrigerator). I found the cinematography to be absolutely beautiful. The battle scenes were very moving, I felt like I was down in that crawlspace with them. I know that most people will call this a love story, but I would call it a human story. Amazing Story about coming of age, falling in love and going to war. I cant praise this movie enough.The acting is very well done, The Cinematography is amazing, the sets are very realistic, and the music score is good. I loved this movie. After watching a serious emotional movie like this, I wasn't in the mood to see cartoon-ish movie like "The Avengers" for a while.I loved this movie I purchased a copy on DVD
This movie has fine production values, good actors, moving music...but the love story left me cold. There is zero chemistry between the lovers, and its seems a cheat to make her (otherwise quite desirable) husband impotent.More to the point...what was the point? After showing us just how miserable WWI was, and how degraded human institutions are (sending young men to die horribly for no good reason), and how pointless love and human relationships are, because life leads inevitably to suffering and death...our transcendent ending comes with the revelation that a child has been born--so hooray, the cycle of misery can just go on and on. This is the standard "uplifting" ending to many a novel and movie, but for me, it just won't cut it any more. The "miracle" of progeny is the exact opposite, no miracle at all but one of the most common things in the world. Two people screwed and created a baby. Big deal.I respect the integrity and the ambitious nature of this movie--but only up to a point. If you want to bite off a really big theme (human futility), you'll have to take me somewhere else. Making a baby merely plays the hand dealt to us by the Selfish Gene, our only true lord and master. It's not a solution or a resolution to anything, not even a made-up story.
In 'Birdsong,' which is overall dismal, self-indulgent, plodding, and almost lethally dull, there is one good thing, just one: Marie-Josée Croze, whose acting in this miniseries made her character, Jeanne, stand out to convince the audience that, among the series' other bloodless uninteresting characters, Jeanne alone is flesh and blood, heart and soul - a genuine, fully-dimensioned human being jam-packed with sense and emotion. Ten stars, then, for Ms. Croze's performance.To my wits and sense the rest of the characters appeared to be cardboard cutouts - yes, even Jack Firebrace, who struck me as inhabiting the BBC's stock role of the working class stand-in who delivers the BBC's notional ration of the homely wisdom of the Great Unwashed whom the bien pensant of the BBC unfailingly show themselves to hold in contempt, except when it suits the British political class's worship and imposition of dead dull Marxist tropes.Great, memorable filmmaking succeeds at showing that less is more. 'Birdsong' lavishes an immense surfeit of less, bereft even of the pretense to have even lethargically hinted at more.