Watch A Tale of Love and Darkness For Free

the audience applauded

Excellent but underrated film

Absolutely the worst movie.

By the time the dramatic fireworks start popping off, each one feels earned.

"A tale of love and darkness" tells the story of young Amos Oz, living with his parents in the newly-born state of Israel. Under the pressure of war, the new environment and illness, cracks start to show in what seemed to be a happy family life once.Shortly into the movie, you notice that the style of telling the story diverges noticeably from your usual Hollywood film. Everything is a bit more poetic, more though-through and melancholic. This leads to a situation where you don't really notice what is about to unravel until it actually happens. A lot of warmth and humility accompanie this very personal story and make it universal. While some reviewers here mind that there's not a bigger picture evolving from this, I say that exactly this mixture of emotions and happenings is what makes it a bigger picture in the life of a boy.All in all this is a beautiful movie, that tells about misery whitout any anger. It shows how everyone has his own story and how others can just accompany you on this journey.

Natalie Portman undertook the difficult task of adapting (for Film) renowned author Amos Oz's wistfully poetic, insightful and humane memoir of early life in Jerusalem just before and slightly after Israel had earned Statehood.**Spoiler Alert**This is challenging material in terms of both the deeply-personal and tumultuous historical perspectives presented as Natalie Portman courageously navigated the tragically despairing pathways encountered by Fania Mussman-Klausner, Amos Oz's beloved mother who appeared mysteriously plagued by unidentifiable but  relentless emotional  torment, seeking momentary escape within the World of imagination & dreams but never able to fully-reconcile the transitional upheaval from her once comfortable-cultured Life in Eastern-Europe vs. the more unpredictable-tenuous one encountered in pre & post-WWII Jerusalem.The key to this film's believability is Portman's ability to pinpoint the heart +soul of Fania Mussman (with all the inner-torment inherent), also allowing little Amos Oz's burgeoning brightness & curiosity to intermittently shine-thru at times.A slight warning to viewers is that there exists a near oppressive bleakness to some of Amos Oz's recollections, especially with regards to his beloved mother's trials & travails (but thankfully peppered with momentary respite in the form of dreamlike scenes infused with poetic escapism).  In the current Day (2017), it is sometimes easy to forget the fact that the numerous pre & post WWII arrivals to Jerusalem/ Israel were mainly beleaguered refugees barely escaping the holocaust dreaming of a land where they could once again simply Live as Jews without relentless persecution and death attached to the horrific WWII Epoch. Amos Oz's book and Natalie Portman's important film ruminate on historical recollections that although sometimes deeply-painful must occupy a hallowed eternal space in memory.

I have not read the book upon which the film was based, so my comments are purely on the film. Maybe fifteen or twenty minutes in I was thinking, okay, what's going on here? Why should I care about this story and these characters? As I continued to watch my caring about the characters and their story increased, until, by the end, I was very moved and cared deeply. At some point beyond halfway, I thought the greatest feat here is the creation of mood, not only of the characters but of the whole world presented in the film, and then, transferred to me, by virtue of my watching and listening to it. It's a visual and auditory feast.A lot happens in this film, both personally and historically, but ultimately what I was left with was a sense of a man recalling his childhood and the emotion that he carried with him through his life. As other reviewers have indicated, it's a poetic film, and I wound up absorbing it the way I might a poem. And in that way, it worked beautifully.

Greetings again from the darkness. The establishment of the state of Israel and the memoir of Amos Oz are the foundation of the feature film directorial debut of Natalie Portman. First time directors don't typically fight over such source material, but it has always seemed that Ms. Portman was headed towards bigger (and more important) things.She was born in Jerusalem and this story opens in that city during 1945. The narrator is the elderly Amos and the story is told through the eyes of young Amos (a very effective Amir Tessler) … though the focus is on his mother Fania (played by Ms. Portman).The tensions between Jews and Arabs are ever-present, but this is the mostly personal and intimate struggle of Fania and her family. She has survived the atrocities of the Holocaust, though many of her family and friends did not. In fact, her inability to overcome this past and adjust to the new world is what has the biggest impact on young Amos and his scholarly father Arieh (Gilad Kahana). Amos soon figures out that the litmus test for his mother's mood is whether she is telling stories of the old days, or staring blankly into a void.Watching someone fade away and experience death by depression/disappointment/unfulfilled dreams goes so against what we typically see on screen – the emotionally strong and heroic types. Portman's performance makes it believable, but no less difficult to watch … for us or young Amos.The film is well shot and well acted, and much more is conveyed through faces and movement than spoken words … somewhat unusual for the recollections of a writer. The color palette and the silence dominate many scenes, and it seems appropriate given the situation of this family. Expect to see many more projects from director Portman, as she obviously has much to say.