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Being Flynn
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
Release : | 2012 |
Rating : | 6.4 |
Studio : | Depth of Field, Focus Features, Tribeca Productions, |
Crew : | Director of Photography, Stunts, |
Cast : | Robert De Niro Paul Dano Julianne Moore Olivia Thirlby Eddie Rouse |
Genre : | Drama |
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People are voting emotionally.
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
We had thought we were getting a comedy. The story however is compelling enough to maintain interest. Some of the sex scenes at the beginning are gratuitous and don't add to the story itself. The relationship between Jonathan and Nicholas is the central theme, and as Nicholas makes sense of his own story through his encounter with his father, and he gradually differentiates his own life. The relationship between Jonathan and Nicholas provide a good family systems theme along the lines of family systems pioneer Murray Bowen. The theme of addictions, single parenthood, and absentee fathers add to the poignancy of the story. Veteran Robert De Niro is masterful as Jonathan Flynn, and inspires the work of the younger and lesser known actors as well.
"Being Flynn" is an awkward, semi-detached autobiographical movie based on the memoirs of Nick Flynn written down in his acclaimed book "Another Bullshit Night in Suck City". Nick Flynn (played with true zest by rising quality actor Paul Dano) recaps a period of his life, when still uncertain of having any publishing future encourages him to take up a temporary post at a homeless shelter in Boston. Once there he comes across his estranged and increasingly manic father (a masterful return by Robert De Niro), a self-proclaimed classic writer, who approaches the facility after losing his apartment and livelihood in the form of a taxi business. Left during childhood Nick feels a need for attachment, but simultaneously cannot garner to trust the unfatherly figure. Instead this enhances memories of his mother (played by Julianne Moore), who worked two jobs in an attempt to raise him as a single mother, until finally committing suicide. The situation forces a collision in an extreme situation, as Flynn's father falls from grace with Nick reluctant to help pick up the pieces.A somewhat surprising entry by Paul Weitz, probably best known for being the culprit behind the "American Pie" franchise. Rarely comedic, instead it dabbles in the underbelly of both society and family life, engaging throughout mostly due to the terrific performances by its lead cast. The drama lingers creating atmospheric tension between the two main characters, so even if the movie fails to convey a powerful story and has its moments of prolonged lack of direction, the end result brings about a realistic dark portrait. Somewhat depressing in tone "Being Flynn" above all marks a return to greatness by De Niro and a further marked rise as a future great actor by Paul Dano. Despite some script frailties and occasional incapability for dramatic direction by Weitz, it is still a worthwhile watch and at least a very intriguing character study about generational relations.
Again, I find it a challenge to write a review after reading the one by David Ferguson (ferguson-6); don't want to copy another reviewer. Read his review, hopefully after mine. I agree with David about the non traditional Hollywood ending. I also did not have the pleasure of reading the book by Nick Flynn and I don't plan to; I've had enough of the movie's realism to quench that thirst. The performances by De Niro and Dano are captivatingly dark, gripping and absolutely discomforting, when they are the most believable. You must understand the storyline before considering watching the movie.It's hard to tell if De Niro is overplaying the character or if the real Flynn was that bad of a drunk; either way that makes the veteran of the screen's performance a memorable one. I tend to believe the performance of Robert De Niro here, and like to think he does portray what Jonathan Flynn must have been like, as it feels too real not to be. Anyone who's known a problematic alcoholic knows the De Niro's role was very demanding. I have a soft spot for movies with narration and the one delivered by Paul Dano, playing Nick Flynn to perfection, was both well done and required, in the context of the story.The ending, after a roller coaster ride of the life of an author with unyielding self confidence, was guaranteed to bring a sigh of relief and it won't surprise me a bit if you exclaim 'son of a bit**' as I did. If I was an actor, I'd want to have played a part in this movie. It's not for everyone, but I recommend it for movie-lovers who crave intense performances now and then.
Mr. DeNiro, I review movies by addressing a person involved. This is a first. You are the man. It is Your snake film.Here is what it meant to me. Some ten years ago I read about the ruins down south, how the two civilizations united their galactic mythologies. It seemed convincing, an exact orbital extrapolation corresponding with the centre in exactly 2002, Hendaye, France. Leaving the Earth out of this, I remember thinking about Christmas Eve, and all the magic my parents entertained uniquely around that time, thinking how much longer that would take with the illusion, about seventy years a degree would give St. Nick another 200 years or so, no end to the miracle.With respect to just us men, there is this idea I came across only yesterday, in a way You may agree could not be more appropriate, however childish [ BearPublishing ]. It is the idea of a "Guardian of the Threshold". Having thoroughly smoothed this bump over myself with Neil's metaphysical bulldozer and (more recently) a rationalization of my having destroyed the Venus pattern (do not think about it that way), I want to sincerely congratulate You on my awesome interpretation of Your offering the Soul with this, to the Catholic Church to possibly brainwash and transform the Priesthood with. What I want to point out at large is the virtue of Steiner's mental gymnastics about the "etheric body", especially those "warmth eggs on Saturn" he went on about. What is happening with this whole ExpectoPatronum is realistically a final necessary inflection of collective consciousness towards normal liberation, like humours crusting away the clown. I do not mean consciousness like Jung did, rather in a way of shared sensory pattern.PooYing, Tomasz Kapler