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Simply A Masterpiece

Good concept, poorly executed.

Crappy film

A story that's too fascinating to pass by...

BOCCACCIO '70 is an Italian anthology film based on medieval writings by the author Boccaccio, updated to the Swinging Sixties. The three stories are totally different but each looks at love, romance, and mild eroticism in different ways, and all of them feature glamorous Italian leading ladies.The first tale is a whimsical piece about a moral crusader who is outraged by an advertising billboard featuring the buxom Anita Ekberg. What follows is a piece of fantasy with lots of satire and character humour added to the mix. It's fun and light. The follow up is about an aristocrat's predilection for prostitutes and the action his wife takes to right things. I found it a little dull by comparison, although it's nice to see Tomas Milian in an early role; previously I've only known him for his work in Italian crime cinema. The final story is the best, featuring the glorious Sophia Loren as a fairground worker who hates men but nonetheless sells herself in a lottery in order to raise funds. She gives a towering performance in this and is a real delight.

I have not seen all of the components of this multi-director opus, but saw the Fellini bit and it was quite weak, in my opinion. Fellini's short film, "The Temptation of Dr. Antonio," revolves around the prudery of a middle-aged man, played by Peppino De Filippo. Dr. Antonio's rigid morality cannot abide a billboard of Anita Ekberg advertising milk because Ekberg is showing a bit of cleavage. Perhaps in 1962 this "comic device" was conceivable but in 2011 it is absurd and painful to watch. On top of the extremely dated and un-funny antics of Peppino vis-a-vis Ekberg, there is a young child (a putti, actually) narrating the film... perhaps this narrator is the "glue" holding all the films within this film together. The singing of this little kid about milk and her various other sundry contributions is super annoying and another reason to avoid this short Fellini movie.

I assume the title "BOCCACCIO '70" was picked as a reference to the famous Renaissance work THE DECAMERON, though instead of ten stories, this film is made up of only 4 (3 in the international release). Why "'70"? Perhaps it was meant as a film for the 70s and a new era of sensual films--I don't know. Regardless, it debuted in 1962, so I am confused about the title.The first film (the one that was dropped when released internationally) is a pretty cute little film about a couple whose experiences as newlyweds are just awful. The segment is directed by Monicelli and I heard it was dropped partly due to the excessive length of the overall film and because his is the only portion without a big name international star. The poor couple are forced by finances to live with the bride's family (who won't give them a second of privacy--with a glass door to their bedroom and a noisy meddlesome house), but for some odd reason the lady was told she would lose her job if she got married! This is all very strange and I can't imagine any job enforcing this in this day and age. So, they can't tell anyone other than her family that they are married and it creates many complications--particularly when her boss makes advances on her! The film is cute and very watchable but suffers some from being a bit too long (it probably would have been better to end it a few minutes sooner--right after they moved out of her parents' home). Also, for the faint of heart, you get to see the boss in a very skimpy bathing suit--he was so unattractive and yechy in it, my eyes are still burning! I'd give this segment a 6 or 7.The second segment, and by far the best, is the Fellini film. Now I am NOT a fan of most of his work--I truly believe some of his films are overrated and too indulgent. This time, however, his film, while not perfect, is not to be missed. It's a very silly and rather surreal piece about a nasty little man who spends all of his energy trying to enforce his crazy views about sexuality on EVERYONE. Practically everything he sees he thinks is dirty and even the most innocent things are attacked by this self-appointed crusader for virtue. The old prudes in town like him but most others think (correctly so) that he's a nut. The last straw for this guy is a giant billboard featuring the voluptuous Anita Ekberg for a milk commercial. I goes up right outside his apartment window and he practically becomes unhinged and tries in vain to get it removed. Later he even resorts to tossing paint on the 80 food image! Eventually, the man becomes so wrapped up in the fight over the advertisement that he begins hallucinating! At first he sees or hears her--such as an arm here and a voice there. Then later, the film gets REALLY weird as Ms. Ekberg walks off the billboard and chases the man because she apparently finds him irresistible! It's a lot like ATTACK OF THE 50 FOOT WOMAN but much, much funnier! The only negative at all is the billboard--it sings and sings and sings the same jingle again and again and might drive some of you crazy! Still, this one deserves a 10!The next segment by director Visconti I frankly found pretty dull. It's about a young couple who have two problems--their marriage is in trouble and they are young, attractive and rich! This is a rather familiar theme in many of Visconti's films--rich bored folks. I really felt no connection to them and people whining about their lives when they have SO MUCH made me frustrated that I almost skipped ahead on the DVD to the next segment--it was THAT dull and irritating. Despite having a very sexy Romy Schneider dressing and undressing (again and again), there was nothing memorable about it. This one, at best, gets a 5 or 6--and that's just for Schneider.The final was a cute short by director DeSica--my favorite Italian director. It was the second best segment but just couldn't keep up with the Fellini piece--and you really can't blame DeSica for this, the Fellini was definitely at his best. In this odd piece, an illegal lottery is being conducted but instead of the usual prize, sex with Sophia Loren is the prize!! All the ugly old guys in town are pushing and shoving, scrimping and saving to sign up! Despite being a very sexy segment, it really isn't all that explicit and ends very well. It's very good and quite cute. It's deserving of an 8.Overall, it's a very interesting but inconsistent film. Some portions are must-see segments but others are not--but the overall effect is excellent.

I've seen "Boccaccio" just few days ago and so I can express my fresh opinion of it. And I have seen FOUR segments of it - including "Renzo e Luciana" of Monicelli which is quite good. It puts some accent on social criticism and tells about young consorts that due to their poverty and constrained conditions have to bear many difficulties in their family life. The second of Fellini I almost forced myself to look to the end - I'm not fond of big bust and hips like ones of Ekberg. This segment seemed to me too flashy and tasteless (just imagine the plump Cupidon with the silky wings and nuns in the paper burlesque frock)though it's main idea concerning with the sexual complexes that obsess the most convinced moralists is very clear. I regret to write this as I didn't expect such a disappointment from Fellini whom I esteem much for his wonderful "Le notti di Cabiria". The third segment - 'Il Lavoro" ( The job) - is the most exquisite, thoughtful, plastic and stylish. Here Visconti tried to subject to his rigorous analysis the question of what lies in the base of a modern marriage. It's also the story of a young well-off little woman ( Romy Schneider) that one day faces the necessity of earning money by her own (thanks to her light-minded husband's behavior) and understand that she has nothing to offer in this men's world except her body. Romy dressed up by Chanel is very sexual (but when I use this word it means something very far from vulgar, something surrounded with the mist of secret and desire) and touching; after the number of the roles of cheerful ingenuous girls she for the first time found the image suiting her real abilities and qualities. The forth segment is "La riffa" (The raffle) be de Sica. De Sica made some good film in the time of realism but then yielded to the commercial cinema and seemed to be unable for the more or less significant criticism. Thus his segment is very light and benevolent with a lot of spicy humor and a lot of Loren