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Shall We Kiss?
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
Release : | 2007 |
Rating : | 6.7 |
Studio : | ARTE France Cinéma, TPS Star, Moby Dick Films, |
Crew : | Production Design, Director of Photography, |
Cast : | Virginie Ledoyen Emmanuel Mouret Julie Gayet Michaël Cohen Stefano Accorsi |
Genre : | Drama Comedy Romance |
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Reviews
The Age of Commercialism
An Exercise In Nonsense
An action-packed slog
Although it has its amusing moments, in eneral the plot does not convince.
Everything about this is a little off kilter, which I mean in the very best way. The characters proceed as if in a fantasy and it all winds up in hilarious scenes. A Rom-Com with a difference, this is hard to categorize.
"Shall We Kiss?" is a French romantic comedy film directed by Emmanuel Mouret.It features starring Virginie Ledoyen, Mouret, Julie Gayet, Michaël Cohen, Frédérique Bel and Stefano Accorsi.The story begins with two strangers who end up attracted to each other, even though they both are involved in relationships with others. The woman refuses to kiss the man goodnight after a dinner together, explaining that a single kiss can alter a life. This set-up acts as a framing device for the main story, a tale she shares with him about friends who complicate their lives by becoming sexually involved. After an enjoyable night together, Gabriel attempts to kiss her but is rejected. To explain her reaction, Emilie tells a second-hand story of some complex Paris relationships.Refreshingly, here comes a movie which shows that marital infidelity is not without serious repercussions.This winning comedy only hits its romantic high when we return to that framing story, the storyteller who won't casually kiss because she knows, damn well,that sometimes a kiss is just a kiss, and sometimes it's a lot more.And what's great about this film is that it turns out to be an entertaining film that also ends up being more sophisticated and thoughtful about love and morality than it first appears.Watch it and see it for yourself.
"Shall We Kiss?" is a pretty good little film--mostly because the story is very unique. It begins when Gabriel and Emilie meet. They spend a happy evening together and as they are about to part, Gabriel is about to kiss Emilie. However, she stops him--saying that even an innocent kiss COULD lead to unanticipated consequences. She then goes on to tell him a story about two people she knows of--Judith and Nicholas. It seems that both were lifelong friends and Judith was in a relationship with Claudio. However, after Nicholas breaks up with his girl, he's depressed and full of repressed sexual needs. To relieve this, he suggests, quite haltingly, to Judith that she sleep with him--as friends. However, starting with a little kiss, the two slowly fall in love and then they are stuck--Nicholas is now with a nice lady and Claudio is also a nice person. While Judith and Nicholas WANT to be together, they can't let themselves hurt their partners. Where this all goes next is something you'll need to see for yourself.While the film is a bit unsavory for its elements of adultery, it is handled in a delicate and occasionally funny manner. The overall production is quite nice--not brilliant but clearly worth your time due to nice acting and a fresh story."Before a kiss is given, no one knows if it will big or if it will be small"
Emmanuel Mourcet is quietly carving out a niche as a master of the bittersweet love story, not only writing and directing but also starring and anyone who saw his last effort, Changement d'addresse, will want to catch this follow-up. Playing opposite him are two of the loveliest actresses in current French cinema, Julie Gayet and Virginie Ledoyen with Frederic Bel - who was also in Changement d'addresse - thrown if for good measure. Not a lot happens; Gayet asks directions from a stranger, accepts first a lift then a date but refuses the goodnight kiss she longs to accept. By way of explanation she tells a story of how another girl, Viginie Ledoyen, DID accept a kiss from Mouret that ultimately changed both their lives and it is, of course, more than possible that Gayet is using the 'a friend' ploy to speak about herself. You may not go that far to find a more charming and delightful movie but certainly farther than the corner drugstore, even a corner drugstore in the next town. If I were you I'd catch this one when it plays a cinema near you.