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A lot of fun.

This story has more twists and turns than a second-rate soap opera.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The movie really just wants to entertain people.

In New York, the French director of the World Bank Mr. Devereaux (Gérard Depardieu) is a pervert and womanizer, partying and participating in gang bangs with women. When he tries to rape the hotel housekeeper in his room, the woman reports to the police. Devereaux is arrested, affecting also the life of his wife Simone (Jacqueline Bisset)."Welcome to New York", by Abel Ferrara, is a long, uneven and inconclusive film based on the New York v. Strauss-Kahn case. The story shows the lead character Devereaux as an egocentric, pervert and sick womanizer through excessive sex scenes and his relationship with his daughter and wife. When he is released in house arrest, the screenplay is developed at a very slow pace and is boring. However the lack of conclusion is terrible. My vote is seven.Title (Brazil): "Bem-Vindo a Nova York" ("Welcome to New York")

Anyone acquainted with the Dominique Strauss-Kahn scandal that rocked international media would find Welcome to New York interesting. The movie gave us some time in private with the main protagonist, although it's clearly been a work of fiction, as the introductory notes underlined.In this movie the aesthetics of Abel Ferrara were put to gut use. As it usually has been the case with his movies, it was difficult to say whether the look and feel of a TV docudrama was intentional or the budget didn't allow a better postproduction. Either way, it sat well with Welcome to New York. It was a gritty insight into the daily routine of an important man who, after a hard day's work, relaxed in some debauchery.From there we go to a cordial welcome at NYPD until the big international capital intervened and charges were dropped. The last section of the movie, although the least exciting, gave the main protagonist the opportunity to spend some time under house arrest and open his heart. And it wasn't the possibility that both himself and Dominique Strauss-Kahn could have become "the future president of France" that made my stomach turn. It was rather his/theirs inability to perceive any wrongdoing and the unwillingness to repent.

They can deny it all they want, but the blueprint of the story is too close to a real person to not be immediately linked with it. Maybe they fear lawsuits by Sarkozy, though I doubt he still has the power to do anything like that, but that would be the only reason I can imagine. Obviously the portraying of a french man is not the best. Maybe some would feel that it does put all male from France into a doubtful light, but that would not be a fair assumption. We're talking about a spoiled guy, the nationality does not matter.There's also a lot of nudity in this (also from Gerard Depardieu, in case you were wondering). The subject matter is also very harsh, but shows what addiction and loss of sense (or senses?) can do to a person. Maybe therapy can help, maybe not. Bottom line is, there is bad things happening. All shown in a very slow pace (like a "body search", which has some fun dialog as well) ... can you bare it? (sorry for the pun)

could this be that this film was made out of spite or jealousy? besides a few naked bad looking women, this film tried to portrait Dominic Khan as a woman eater - puffing and punting like a dog - i think its peculiar and stupid. no element of the intriguing follow up of the juridical case, no insight as why Mr khan needs to poof like a dog when he clumsily touches a woman, like a wild fifteen year old kid.i cannot see anything that could possibly come close to portray the man called "the seducer" - a man who allegedly had the worlds prettiest at his feet. I've never rated a film so badly, nut this is totally petty.