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Angels in America
Playwright Tony Kushner adapts his political epic about the AIDS crisis during the mid-eighties, around a group of separate but connected individuals.
Release : | 2003 |
Rating : | 8.1 |
Studio : | Avenue Pictures Productions, Panorama Films, HBO Films, |
Crew : | Art Department Coordinator, Art Direction, |
Cast : | Al Pacino James Cromwell Jeffrey Wright Meryl Streep Ben Shenkman |
Genre : | Fantasy Drama |
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This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
for a long time, I was fascinated by this series. without a clear explanation. sure, great cast, impeccable story, different themes in a splendid combination. and something else. special. unique. impressive at whole. a film about the roots of present. like a family album. like a remind about the forgotten details who, each, defines the present . a kind of poem about the small things and about the purpose of decisions. nothing surprising. only reflection of a state. a film about illness and motherhood and love and abdications and sort of death. a film about the truth and about the levels of the fear. about the need and courage and madness to be yourself. that is all. and, maybe, it is enough.
All of the weaknesses in this mostly spectacular production of Angels in America are inherent in the play on which it's based. Except for one serious mistake in casting, Mike Nichols did an astounding job of turning a deeply flawed but occasionally brilliant play into a much better movie.The biggest problem with Angels in America is the angels. The entire "heaven" theme that's only hinted at in the first half comes in with such force in the second that it nearly torpedoes this hugely ambitious production.Poor Emma Thompson is given such stupid, pretentious lines to read, lines that I'm not sure the greatest actor who ever lived could have spoken without coming off as a moron, that it's amazing her career survived this.Her long, LONG, excruciatingly bad speech to Prior about the history of the universe is unbelievably stupid, so stupid and so awkward that at best it may be a bizarre attempt at comic relief by a writer with no sense for comedy.But the nurse she plays isn't much better, even though those lines are better written. Thompson is just miscast in those roles. In large part it's because her clumsy American accents make it a strain to accept those characters as real. She's working so hard (but failing) to get the accents right that it sounds like she has marbles in her mouth.But, as I said, I'm not sure any actor on earth could do much better, at least with the insufferably stupid angel character (although I'd like to see what Meryl Streep would have done with that role). Even the otherwise well-written (and impeccably acted) role of Belize degenerates into pretentious gibberish near the end when Kushner has him telling Cohn what the afterlife is like.A writer who doesn't know anything about or even believe in the afterlife shouldn't make it such an important part of his work. Those scenes are SO false and SO pretentious that they almost sink an otherwise unique and often fascinating play.If Kushner had stuck to the human beings and left out the angels (and the whole absurd supernatural construct they represent), if he had sidelined his own petty, personal, spoiled-childish animosity toward God instead of making it central, he'd have had a much more powerful play. It's completely appropriate that the first half won a Pulitzer Prize but the second half didn't.The other actors are fine, especially Streep as Mother Pitt and Ethel Rosenberg, Mary-Louise Parker as Harper and Jeffrey Wright as Belize, a role he obviously was born to play. Mike Nichols is a genius, and the overall production is among the best ever filmed.The sets, costumes and effects are brilliant and flawless. This is a fully and richly executed movie - it was released as a TV miniseries only because the movie studios wouldn't finance it. Except for the stupid angel and afterlife parts in the second half, the nearly six hours fly past, which is a huge compliment from someone with a short attention span like me.(It's funny to see how many of the negative reviews are from clueless people who watched this based only on its title and ran screaming when they discovered it's not a sterile, patriotic, inspirational product of the Billy Graham Studios.)
I had no idea what to expect when I started watching and then recording the series! I loved every minute of it! It was a most humble journey, which was probably very painful for some, but strong, emotional and unbelievable for others. I found myself riveted to the television, which doesn't happen often! The fact that this has been aired so long after the subject itself hit the headlines, and we as a nation have evolved with knowledge and help, has meant that Angels was in it's own time an incredibly controversial film, that we can look back with hindsight and be thoroughly disgusted with our attitudes towards the 'gay' communities. I personally feel that it would most definitely benefit a second viewing. Well done to all who were involved.
Its amazing how such a boring, ridiculous and unimaginative story has attracted such a high profile cast. The characters lack depth, the surreal sequence of scenes lacks any discernible storyline to the point were even the sad parts of it turn out unintentionally humorous.Furthermore the movies outlook on future events give away its limited, childish view of the world. The shock and awe of some scenes combined with the immature stereotypes that should have better been spared leaves any viewer scrambling for a message or intelligent spark with nothing to do but shake ones head.Instead of a time period, the movie depicts a small minds view biased by a specific mindset and fails to grasp the spirit of that era by pushing this immature and unobservant point of view on its audience.If you could (insert utterly boring task here) instead, do it. Your time is better spent than watching this movie.