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Cocoon
When a group of trespassing seniors swim in a pool containing alien cocoons, they find themselves energized with youthful vigor.
Release : | 1985 |
Rating : | 6.7 |
Studio : | 20th Century Fox, SLM Production Group, Zanuck/Brown Productions, |
Crew : | Production Design, Set Decoration, |
Cast : | Steve Guttenberg Tahnee Welch Brian Dennehy Don Ameche Wilford Brimley |
Genre : | Drama Comedy Science Fiction |
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Sadly Over-hyped
Good start, but then it gets ruined
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Fascinating, wonderful feel-good film about friendly aliens. Fantastic uplifting plot, wonderful chemistry between characters, good acting and excellent visual effects. This is an alien movie everyone can enjoy!
I haven't seen Ron Howard's "Cocoon" (1985) for about twenty years and am so glad I purchased it recently.On the surface the film's about elderly folks at a retirement home in Florida unknowingly discovering the "fountain of youth" via a pool on an adjacent property. A peculiar group of people rent the property to store boulder-like objects they take from the bottom of the ocean. As such, the pool acquires healing powers and restore's the old folk's youthful vigor, to say the least.Steve Guttenberg stars as the likable protagonist, the boat owner/operator who helps the people get to the objects in the ocean, but he has no idea what's really going on. The stunning Tahnee Welch -- Raquel's daughter -- plays one the members of the peculiar group to whom Guttenberg takes a liking. Unlike Raquel, who's known for being a bit biyatchy, Tahnee shines with a winsome disposition. Brian Dennehy is also on hand as the leader of the odd group, and he does very well.Most great movies have a deeper subtext, and so it is with "Cocoon." The story is a commentary on aging, death, grieving and the yearning for eternal life. The people of the peculiar group are types of angels or, better yet, the redeemed in glorified bodies. What they offer is the gospel, the key to eternal life in the "new heavens and new earth, the home of righteousness" (2 Peter 3:13). By "the redeemed in glorified bodies" I'm referring to the glorious bodies that are promised to believers at the time of their bodily resurrection (1 Cor. 15:42-44); these bodies will be imperishable, powerful and spiritual (not carnal) in nature. Believers will be able to defy gravity with these new bodies, walk through doors and teleport from one place to another, all of which can be seen in Jesus Christ after his resurrection.Needless to say, "Cocoon" has an incredible subtext. But it's not necessary to get so deep. This is just an entertaining movie with a good heart. More than that, it's inspiring.The film runs 117 minutes and was shot in the Clearwater/St. Petersburg area of Florida and the underwater scenes in the Bahamas.GRADE: A
An E.T. fairytale for the elderly with a rejuvenating therapeutic gambit for visual and subconscious entertainment and a belated fulfillment to slam the ageism towards the senior. Setting against a Sci-Fi backdrop, the special effects might not be cutting-edge even at its time (in a post-STAR WARS era, it is an insurmountable pinnacle, the same could be deduced now are in a post-AVATAR era), but serves benevolently to entice the concentrations and unleash a wacky but improbable plot of the expedition to the mystifying eternal longevity. The extra- congenial extraterrestrial Antareans are merely a wishful thinking, as human behavior has no exception will spoil their plan to rescue their companions sooner or later, their counter- behavior is inexplicably dumbfounded to be taken seriously. The film has locked two Oscars, one for the visual effects, another is an utterly surprising Best Supporting Actor win for Don Ameche (whose pivotal showcase is a stupendous street-dance stunt in the film, apart from which there is scant room for him to testify his flair), which could be divined that it is no more than an acclaim to the film's pandering penchant for the demography as most academic members are over-50 white male, this film might help them to mitigate the fear of aging uselessly and hopelessly. Anyway the entire prestigious cast has stuck together to make the indulging fantasy more refreshing than off-putting, ironically the film itself has not aging too well, unlike the characters in the sanitarium, after a minimal 27 years span, it seems that the film backfires on Ron Howard and the team behind it, who in my opinion is an excellent Hollywood hack than a venerable filmmaker.
Pretty decent light sci-fi, kind of like E.T. except with old people instead of children. Brian Dennehy plays an alien come to Earth looking for cocoons left in the ocean a long time ago by their race. The cocoons they find are placed in an indoor pool next door to an old folk's home, and a few rascally old men (Wilford Brimley, Hume Cronyn and Don Ameche) sneak in and use the pool. The water has become rejuvenating, and the three men, along with their wives on subsequent visits, become reinvigorated. Steve Guttenberg plays a ship captain whom the aliens hire to take them out to sea, and Raquel Welch's gorgeous daughter, Tahnee Welch, plays one of the aliens for whom Guttenberg falls. Don Ameche somehow won an Oscar for his role, most likely for a silly break dancing sequence which he obviously did not perform. In my mind, Jack Gilford, as the guys' buddy who refuses to go into the pool, is the best actor in the film, though I don't think anyone deserved an Oscar nomination for it.