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Very best movie i ever watch

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Exactly the movie you think it is, but not the movie you want it to be.

I don't know much about French film director, Alain Resnais, until now. This film is strange to say the least. I bought the French films when the video store closed. I have spent this summer catching up on DVDs and videos in hopes of cleaning up my collection. This film is about two people, Georges, and Marguerite. By chance, Georges finds her red wallet and returns it to the police. The red wallet symbolizes Marguerite's life and identity. Both are unhappy with their lives. They find something in each other. Marguerite has red hair and it sticks out just like her red wallet. Georges is married for a long time to his wife. Their interaction is more like a partnership. The ending is abstract, strange, and ambiguous. The film has its moments. The actors are great.

I don't know why I keep hiring these films. This is another of a genre that I've dubbed 'Eurotwaddle'. The French are its most skilled producers (look out also for "Celine and Julie go Boating") I've given it 2 stars because I thought the acting was really quite good. Unfortunately the plot was utterly implausible nonsense and I got a distinct feeling that the scriptwriters had painted themselves into a corner by the end. Hence a not very convincing finale to a not very convincing story. I sometimes think French directors are stuck in a time-warp, endlessly trying to re-create the next "Jules and Jim", but failing miserably. Funny thing is, I once saw a film by the same director, made 50 years ago, called "Last Year in Marienbad". It was equally plot less, none of the characters had names and nothing really happened. For some reason it worked and I loved it. Maybe it's just me getting old. . . .

Wild Grass is filled with visual joy and playful surprises. It left me smiling from beginning to end. With a brilliant cast and incredible cinematography that will playfully take viewers from blue skies above to the very human folly down below, the story celebrates cinema storytelling itself, as well as our human wish to find some of that movie magic in our daily lives, no matter the consequences. Resnais is now 88 year old (or perhaps 88 years young, more appropriately), for he has created a cinematic cocktail that leaves viewers dizzy with delight and ready to ask the local projectionist to: "pour me another. I want to experience that again!"

Holy Moly! I looked forward to this with great expectation based on reviews, awards and the director's deserved reputation. Now, after having just seen it, I wish I could get not just my money but my time back. The opening production credits were a warning...an 'official co-production' of France and Italy (that means subsidized by the govts.) and half a dozen production companies (nobody in charge)...are both signs of a project that probably should not have been made. There is no arc, no cohesion, no true story, no definable character, much over the top emoting, much 'look at us, we are so clever' nodding and winking. There is great camera work though, which on its own earned this a five out of ten.