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Tarzan the Ape Man

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Tarzan the Ape Man

James Parker and Harry Holt are on an expedition in Africa in search of the elephant burial grounds that will provide enough ivory to make them rich. Parker's beautiful daughter Jane arrives unexpectedly to join them. Jane is terrified when Tarzan and his ape friends abduct her, but when she returns to her father's expedition she has second thoughts about leaving Tarzan.

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Release : 1932
Rating : 6.9
Studio : Metro-Goldwyn-Mayer, 
Crew : Art Direction,  Director of Photography, 
Cast : Johnny Weissmüller Maureen O'Sullivan Neil Hamilton C. Aubrey Smith Doris Lloyd
Genre : Adventure Action

Cast List

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Reviews

Redwarmin
2018/08/30

This movie is the proof that the world is becoming a sick and dumb place

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Claysaba
2018/08/30

Excellent, Without a doubt!!

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Sarita Rafferty
2018/08/30

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Logan
2018/08/30

By the time the dramatic fireworks start popping off, each one feels earned.

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invisibleunicornninja
2018/05/28

We watched this at school around the 5th grade after having to take a standardized test. It was better than the test.

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A_Different_Drummer
2013/12/08

Let's start with a well-kept secret, but you have to promise to keep it to yourself since there are a lot of IMDb users, and they are all pretty nosey. Look at the star billing for this production in the IMDb billboard (main page). What do you see? Recall that IMDb gets their basic info on each film but sources directly related to the original release. Did you notice anything odd? OK, enough suspense. The answer is: Johnny Weissmuller is not billed as a star. Think about that. This is the first in a series that is both iconic and classic, that verily defines the term "action film" from this era; that was so commercially successful it not only created one of the first legitimate "franchises" in Tinseltown but led to 11 "legitimate" sequels (and a lot of dubious knockoffs, but that is not a topic for now). And the reason for the strange billing is, AT THE TIME THIS FILM WAS CONCEIVED, not only did the producers have no idea how it would catch on with the public, but the casting of Weissmuller, known merely as an ex-Olympian, and with no major dialogue in the role, was considered secondary, like a glorified extra. OK, now we have covered the big Reveal, allow me to opine that, within its class, this film (and the next one, TARZAN AND HIS MATE) are two of the best films OF THEIR KIND ever done, with superb acting, cinematography, story, and a very high fun factor. If you have not seen either (or both) prepared to be amazed. Final notes: the HAYES censorship code was still being "explored" at the time of these two films, so expect to be surprised at few scenes here and there you would not ordinarily expect from this period; and out of respect for the actors, I will merely suggest that these two films probably should not be compared to the 1940s analogues of the same name (by which time Weissmuller looked like he would have trouble climbing a flight of stairs yet alone a tree; and story lines like TARZAN in NEW YORK were beyond awkward.)

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berberian00-276-69085
2013/10/30

About 10 years ago I initiated campaign to build and sustain a Website on the Internet. The reasons for this initiative were two, maybe three. Firstly, I made an unsuccessful career in Academia and University which bolstered for ten years or so my ambition and energy in the field. Second, I was unsuccessful as playmate and marriage candidate which left me a lonesome dove in middle age. Third, because I had always a large family around and was obsessed with the elderly and the procreation on my brother's side. So willy-nilly I departed with my illusions to become a hero in real life and plunged into the imaginary. In the time elapsed I realized that I have become not only older but wiser - that means, I understood that "globalization" is the state of art being connected while the previous level called "totalitarianism" was sponsored by isolated people and societies. Consequently, today Internet has become more important than Movies or Books taken separately and has exempted our culture for future 21st century.I now give realm to Tarzan and his author Edgar Rice Burroughs. The author (ERB) has been my favorite reading since my early age in the 1970s when I studied both Bulgarian and English languages. My mastery in those two languages is equal although I live in Eastern European country by default. In those years before end of Cold War my time was occupied by gathering Movies and Books and associating with Friends. Now in my 50s the last component is missing and I am left alone with myself and whatever artifacts of Culture modern age has to provide in order to survive. Otherwise it will disappear like Dinosaurs and World Wars.After those gloomy memories let me present my Tarzan collection (on 6 double-sided DVDs, 12 movies in total with Johnny Weissmuller). The guy was sort of a hero now-a-days people like Arnold Schwarzenegger have become. He has also similar biography saying he was born in America while in fact he came from Banat, Austro-Hungary (formerly). Weissmuller was trained swimmer and won 5 gold medals for US Olympic team (1924-1928). He then became a Movie star in 1930s and 1940s, keeping constantly in good physical shape because the Tarzan films expounded on the image of semi-naked white ape-man as apotheosis of American supremacy over Germans and other Human Races. Johnny Weissmuller died age 80 leaving the Tarzan legacy to other actors not one of which could beat his productivity or expressionism.Edgar Rice Burroughs adapted to screenwriters format themes from his Tarzan's novels (originally 24 books dealing with this hero). He also wrote several other series of books all of which dealing with imaginary worlds, the most popular being about John Carter of Mars (originally 11 books that follow adventures of dying Captain during the Civil War whose soul transcend on the Red Planet to become there a Warlord of galactic civilization). The recent movies on John Carter aren't half intriguing as the books themselves.Finally, have a list of the 12 original Tarzan movies with Johnny Weissmuller the way they appeared chronologically: TARZAN, THE APE MAN (1932) TARZAN AND HIS MATE (1934) TARZAN ESCAPES (1936) TARZAN FINDS A SON (1939) TARZAN'S SECRET TREASURE (1941) TARZAN'S NEW YORK ADVENTURE (1942) TARZAN TRIUMPHS (1943) TARZAN'S DESERT MYSTERY (1943) TARZAN AND THE AMAZONS (1945) TARZAN AND THE LEOPARD WOMAN (1946) TARZAN AND THE HUNTRESS (1947) TARZAN AND THE MERMAIDS (1948)

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MartinHafer
2010/11/08

From the 1930s-1950s, there were a long succession of jungle pictures in theaters. And, for the most part, they sucked. These films featured grade-z actors and directors, significant use of bad stock footage (often of Asian or South American locations even though the films were supposedly set in Africa) and dumb writing. Because of this, after a while I stopped watching them--they are very dull indeed. However, MGM's "Tarzan the Ape Man" is an exception I am going to make--after all, instead of the usual poverty row studio, this one was made by the most prestigious studio on the planet. Instead of lousy actors, MGM pulled out their A-game with Maureen O'Sullivan, Neil Hamilton (at the time a big star--though mostly forgotten today except for his role as 'Commissioner Gordon' on TVs "Batman") and C. Aubrey Smith. And, not surprisingly, they cast a new actor as Tarzan--as it would be hard to accept an actor with an established reputation as a jungle savage! So, they obtained the services of Olypmic champion swimmer Johnny Weismuller to play the lead. I couldn't wait to see a good jungle film! Would this fit the bill? The film skips the story of the Greystokes being lost in Africa with their young baby who would grow up to be Tarzan. Instead, it begins many years later when an African expedition happens to find the young man---quite by accident. But before Tarzan meets the entire expedition, he meets Jane and they hit it off in some cute scenes.On the negative side for this film, there is STILL the significant use of stock footage--some of which clearly doesn't fit the film (such as the scenes where they show various tribesmen who are filmed in very different locations than where the action is set). And, unfortunately, there are some guys dressed up as chimps--something that just looked cheap (though these were a bit better than the usual chimp suits). There also is a fake crocodile that looked pretty silly (conversely, the fake hippos in this same scene were pretty good). And, because of all this, I just can't understand reviews that gave the film 10s. On the positive, despite the cheesy stock footage, the acting was lovely and the script very good. These were able to make up for a lot of the film's deficiencies. The mountain hiking scene is very impressive for 1932--and a very nice use of trick photography and matte paintings. Also, a few real animals were used on the sets--such as a hippo and baby chimps and fights with real live lions--not dead stuffed ones (which I HAVE seen in other Tarzan films). It clearly skimped a bit here and there, but also did have impressive touches a better budget would allow. As a result, the film is significantly more watchable than the usual jungle film--including many of the later non-Johnny Weismuller films. It's worth seeing, as it's among the very best of the Tarzan films--if not the best.By the way, the follow-up film, "Tarzan and His Mate", is a notorious movie. That's because it features a very, very risqué nude swimming sequence--one that ran afoul of the new toughened Production Code (in an effort to make movies more family-friendly. This very nude scene was anything but family-friendly)! And, by the time it was ready for release, the code was being strengthened--and these changes forced the scene to be severely edited. Recently, the edited footage has been restored--and it is rather hot--even by today's standards--and certainly not what you'd expect in what is seen as a kids' film. Both this risqué and the previous film excel, however, as they are quite romantic--something that CAN'T be said of other jungle epics!Also, in "Tarzan the Ape Man", they use Asian elephants. While I am usually a stickler for realism (especially since the animals often shown in jungle films are just the wrong species for Africa), I don't object to this in this particular case, as African elephants are a lot more dangerous and I wouldn't want the studio to use these beasts (though some circuses have--at much greater risk).

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