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Surprisingly incoherent and boring

It’s sentimental, ridiculously long and only occasionally funny

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

it is strange to expect more than a nice comedy, not very sophisticated but good occasion for discover the art of Fernandel. in fact, it is one of examples of the seduction of Orient, not very far by the original story but a lovely version, less dramatic and using in smart way the classic clichés. Fernandel is the perfect Ali Baba, giving to his character a sweet vulnerability and a specific charm. and Morguiana, she is the belly dancer who knows to inspire her role from the easy elements of Oriental civilization. so, one of refuge - comedy. after a long work day.

... can't stop this turkey stinking up the screen. It's difficult - make that almost impossible - to imagine that Jacques Becker had just made the exquisite Touchez pas au grisbi immediately before moving on to this piece of cheese. Almost nothing about it works and the only minor point of interest is that leading lady Samia Gamal had starred in an Egyptian version of the same story twelve years earlier in 1942. What Becker and Fernandel were thinking of remains a mystery given that both were tops in their respective fields. Insipid, anaemic, uninspired, lacklustre, lifeless are words that spring to mind in connection with this entry though on the other hand if those adjectives light your fire you'll love it.

is only actor of this movie. nice, charming, naive. a page from an old book. leaf of a death tree. a film who explore, not very well, the Arabian fascination. the recipes - Hollywood cuisine. the cast - beautiful girls like shadows of autumn. the action - childish and too precious. result - an amusing trip, few nostalgic memories and nothing else. bad thing - the possibilities to make a real interesting movie. and the choice for a sketch about fake universe. film of a legendary comedian, Ali Baba is not just temple on shoulders of Samson. it is only exercise for a public of ""plaisanteries and wist of time. but in every thing is measure. this movie is exception. for few middle expectations. so, the thief is the director. and Ali Baba is only shadow of a great comedian t end of his career.

Considered in France Jacques Becker's worst film,the only one that has nothing to recommend it.The story is not very well told ,which is a shame for a very famous Arabian story.Walt Disney did a whole lot better with his Aladdin.Anyway,the man who could achieve such a task in France had not yet made any movie at the time:of course it was Jacques Demy who worked wonders with "Peau d'Ane" and "the pied piper".It was to be Becker's only color movie (he was to experiment wide screen in "Le Trou" with stunning results)and it's a pity that it was not ,say,"Casque D'or". Fernandel was too old to be a credible Ali.And the woman's lib will moan and groan when they see him on his donkey,followed by his wife who runs behind him.