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Don't listen to the negative reviews

Although it has its amusing moments, in eneral the plot does not convince.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

A hitman and his driver retell a story about "Gun Woman." A rich sick individual (Noriaki Kamata), who would rape and kill women (not necessarily in that order) kills the wife of a doctor and cripples the doctor (Kairi Narita). In order to obtain revenge, the doctor buys and trains a meth head to do his killing. That is Asami , the title character.The film has slightly more depth and a minor end twist, but that is basically the film. Toss in some blood, killing, and rape and you have a mediocre Japanese grindhouse.Parental Guide: F-bomb, sex, rape, full frontal nudity.

Premises don't get either more outlandish or extreme than writer & director Kurando Mitsutake's far-fetched, gruesome, but riveting revenge thriller "Gun Woman" with Japanese actress Asami as the eponymous heroine. For the record, Asami is the same actress who appeared in all five installments of the "Rape Zombie: Lust of the Dead" series. Although it isn't a ten-star masterpiece, there is more going on in this absurd but satisfying epic about an insane doctor who exacts vengeance on the deranged killer who murdered of his wife in cold blood. The Mastermind (Kairi Narita) is a brilliant surgeon with an uncanny ability to erase knife wounds. After the exiled son of Hamazaki (Noriaki Kamata of "Samurai Avenger: The Blind Wolf") rapes and kills the Mastermind's wife, snapping her neck in a fit of glee, he kicks the poor doctor nearly to death, breaks one of the guy's legs, and then—the ultimate indignity—urinates on him but allows him to live! This psycho villain is surrounded day and night by a squad of bodyguards and he indulges in the worst kind of pleasure know to mankind—Necrophilia. The revenge driven Mastermind learns that Hamazaki's son likes to go to a remote place known as "the room" where he can screw the dead. The site is maintained by some weirdos who thoroughly check out the corpses and the customers before they allow them on the premises. This is the only place where Hamazaki's son can venture without his army of bodyguards. This off-the-grid place provides guards of their own. As it turns out, the Mastermind bribes one of the employees who verifies that the dead are really defunct. Next, the Mastermind buys a drug addict, Mayumi (Asami of "The Machine Girl"), from human traffickers and rehabilitates her so she no longer a meth addict. Afterward, he teaches her how to dismantle an automatic pistol, reassemble it, and empty a magazine of 13 cartridges into a target in under 20 seconds! He explains to Mayumi that she will masquerade as a corpse in the room. Since the naked bodies are inspected before they are brought into the site, the Mastermind gives her an injection of a drug that will make her appear lifeless. Meantime, he surgically implants the two main parts of a 9mm automatic pistol in her breast and abdomen with the clip stuffed presumably in her vagina. Basically, she smuggles her gun inside her body since she has no other way to take it into the facility. Before our heroine embarks on this outrageous mission, she watches as the Mastermind murders another girl as a demonstration to show Mayumi that once she has extracted the firearm from her body, she has 25 minutes to carry out the execution of Hamazaki's lunatic son. After the 25 minutes elapses, she may die from loss of blood. Naturally, nothing in life is a picnic. Our death-defying heroine makes it into the facility and recovers from the effects of the drug that enables her to play possum, he tangles with a brawny guard. Although the guards and employees have weapons, these weapons have been modified so that only they can discharge them. Our heroine has to kill three of these guards before she can get a crack at the heinously demented son. Mitsutake frames the story with another story about an assassin—a bespectacled, mustached American (Matthew Floyd Miller) who shoots a woman twice in the head while she is taking a shower—and then is driven to an extraction point in Las Vegas by a contract wheel man (Dean Simone) who discuss the bizarre death of Hamazaki's son while they cruise from Los Angeles to Sin City.Of course, "Gun Woman" wallows in nudity, blood, gore, and violence. Nevertheless, writer & director Kurando Mitsutake has designed it strictly as a soft-core porno potboiler. The pay-off from the book-ends of the framing story set up is terrific. Now, the acting is nothing that the Oscars would recognize, but "Gun Woman" will hold your attention throughout its 85 minute run time, and Mitsutake never deviates from the main plot or squanders a second. Not for the squeamish, this imaginative but graphic shoot'em up gives new meaning to carrying concealed weapons.

"Gun Woman" is a fairly ludicrous movie in terms of the story, because it is so far out there, that it borders on stupidity.The story is about a doctor whose wife is raped and murdered by a lunatic. Left for dead, the doctor recovers and eventually buys a drug addict woman in order to train her to become his tool for revenge, a trained assassin to kill the man who wronged him and took away his wife.Yep, that was the entire storyline wrapped up in a few sentences. The storyline actually makes no sense at all, given the concept of it and the whole idea.That being said, then "Gun Woman" is actually entertaining enough for what it is, even though a bit too much of the movie was spent on the assassin training sequence, which just dragged on and on.The acting is as expected in a movie such as this, and with Asami as the lead role, you know exactly what you get. Hand on heart, then I found the acting to be wooden at best, and the dialogue is usually delivered in a nonchalant way.While "Gun Woman" is not a milestone in cinema history, it is still entertaining enough for a single viewing if you enjoy movies that have no roots in realism at all.

I won't tell you anything about this movie. I'll just tell you that no matter if you'll like it or not, it is unlikely that you'll feel bored.It may look as a B-movie because of its B-locations and soundtrack but don't let them fool you: images are outstanding and each framing is destined to stay for long into your brain after you watched it: who wrote and directed this (Kurando Mitsutake) is without any doubt a competent artist.It's an impressive movie with a lot of blood: dark, thick, sticky blood. Violence however will be soon forgotten. And any drop of blood will seem appropriate in the end.