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The Maidens' Conspiracy
Constantinople, 1401. The emperor of Byzantium asks the famous knight Tirant lo Blanc to free the city from the siege of the Turks. After his victory, Tirant will have to face a more difficult task: to overcome the natural opposition of Carmesina, heiress to the Ottoman Empire, to surrender her most precious treasure.
Release : | 2006 |
Rating : | 4 |
Studio : | TVE, TV3, Canal+ España, |
Crew : | Art Direction, Art Direction, |
Cast : | Esther Nubiola Leonor Watling Ingrid Rubio Jane Asher Charlie Cox |
Genre : | Adventure |
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Sadly Over-hyped
Just perfect...
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Tirant lo Blanc is a brilliant satire on the conceits of European knighthood, as well as the absurdities of the Byzantine empire which were responsible for its paralysis and downfall. Many who have seen the film seem to have missed this point, probably due to the fact that the satire is entirely solemn and straight-faced, as it should be. The knights and the Byzantine court nobles do take themselves very seriously, but the audience gets to see them for what they are (just as readers of the book do.) It's a lush and lavish film full of surprises;Tirant's absurd courtly love for the shallow, vain Princess Camesina, the doddering old Emperor reduced to entrusting the defense of his country to a foreigner, the lusty cougar Empress who can't wait to bargain away her daughter, even to the infidel Turk, and the lover who is young enough to be her grandson!-these are some of the characters you'll meet. The ladies of the court are very active schemers and plotters in the course of events, culminating in the incredible sight of Tirant forced to lead his knights into battle when he has two broken legs suffered from a fall incurred while attempting to breach the princess' bedchamber.
War between Constantinopolis and the Turks; a good looking Christian warrior and lustful damsels; and castle intrigues. Good elements for an adventure and love story. Package this with a rich production, luscious imagery, elaborate carnivalesque costumes, and famous actors. Sounds good? Alas, this titanic effort meets its iceberg in the form of dumb and Disneyesque bombastic dialog. The intellectual level is that of children, though young teens may find pleasure in the action. I could tolerate such dumbing down for just an hour. A wasted evening.I felt sad for Giancarlo Gianini, an actor for which I have great admiration. To see him in such a wreck! I guess the pay must have been good. He redeemed himself when, after one bit of shaggy-dog dialog, he looks askance at the perpetrator of the utterance with a disgust filled sneer. Yes, Giancarlo, that the way I felt throughout the time I endured this albatross.
Of course it's not the book, but what screen adaptation ever is? There's no way a work of over 800 pages and full of digressions can be adequately condensed into a two-hour film. As some people have said in the Message Boards section, we should be grateful that the film will make this neglected masterpiece known to a wider audience.So Aranda does what so many other screenwriters have done in the circumstances: chooses one incident or aspect out of a multitude, elaborates on that and tries to remain faithful to the spirit of the book. But does he remain faithful? That's the trouble. Certainly there's a love story with sensuality in the Tirant and not the platonic stuff of other mediaeval romances, but Aranda piles on the sex until it becomes a bawdy romp. It's a pity that people will get the impression the whole book is like that.That said, the acting is good, the hero is handsome, the heroine is delicious dressed and undressed, Yvonne Blake's costume designs are truly gorgeous, and the film has humour - in fact it could be classed as a romantic comedy. I especially liked the ending, but no spoilers! You can also learn a bit of romanticised history about the Turks and the end of the Byzantine Empire. (Tirant goes to Constantinople to defend it, but truth is that Constantinople had already fallen before the book was written.)A special tribute to the dubbers is in order. I saw the version in Valencian, and the dubbing was so perfect that it could well have been the original.
I hadn't read the book prior to seeing the movie, so I can't compare them. Honestly, I expected it to be deadly bad. And I was really surprised. The story is beautiful, filled with both humor and drama. It's not the "Troya" kind of film, the battle scenes are somehow poor (maybe due to a bad production?) yet Aranda gives them a personal touch. Aranda surprises again with his ability to investigate love, passion and human feelings. I loved the fact that Tirant is not the typical hero. Shame that the actor is sometimes empty...specially in comparison to the women of the film. Sure that Esther Nubiola is a discovery, we can read everything from her eyes and she's the perfect image for sensuality. Leonor Watling and Ingrid Rubio bring brightness to the movie, as well as Victoria Abril,able to catch the eye of the camera even from the back. A special congratulations to Giancarlo Gianini, this guy is always perfect whatever he does. Amazing dresses,by Ivonne Blake and beautiful music, with those breathtaking child chorus. The only shame, that Vicente Aranda didn't have the right producers and sometimes you can feel it through the movie.