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Pretty Good

For all the hype it got I was expecting a lot more!

As Good As It Gets

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Something I set to record more on the basis of its setting than anything else, Far North is something of which I'd never heard, nor indeed would have by anything other than chance. Chance was in my favour however, thrusting me and this little production together.Saiva and Anja are two women, the former the adoptive mother of the latter, living an isolated life away from the community from which they originally came, Saiva alleged at birth by a shaman to be cursed. Their lives are interrupted when a wounded soldier stumbles into their camp, affecting the routine of their days.The tundra-central setting—the primary motivation for my opting to devote recording space to this film—is the first thing about Far North to attract our attention. The vast whiteness of this unoccupied land is explored beautifully through the usage of wide angle lenses, a sweeping opening shot, and the sole spot of blackness that is the yurt of our protagonist duo. Theirs is a quiet relationship, the intimacy they share communicated through the slightest of gestures rather than expository dialogue. The film is impressively silent, much of its running time featuring no sounds other than the constant bitter wind which pervades the soundtrack. The combination of image and sound in the film is meditative, such beautiful images as the Aurora Borealis, the great snowy mountains, and the rolling hills so covered in impenetrable whiteness that it is hard not to be lost in their banal perfection entirely unforgettable. Largely a three-hander, the film's performances are the tent-poles which support it, the particularly commendable quietness of Michelle Yeoh lending a dignified tragedy to her character. The relationships form the film's centrepiece, the evolution of these over the course of the narrative compelling and unpredictable. Twist is an inaccurate word to apply to a film of this sort, but it stores a number of surprises up its sleeve, the particular paths taken towards its denouement rather unconventional and, often, shocking. It is an emotional film, structured masterfully around these three characters and reinforced fantastically with splendid cinematography. The cold whites and blues of the arctic are contrasted wonderfully with the warm yellows and oranges of Saiva's flashback to times when she was with her community: when she had love, friendship, and hope. It is difficult not to be saddened by the melancholy the film presents, punctuated though it is by moments of silent beauty.An entrancing spectacle, Far North offers the very best of the fine combination one can craft with cinematography and setting. Expressing itself slowly and almost silently, it is a film that relies on artistic expression rather than speech; on the strength of its performances rather than action. Added to unquestionably by its wonderful score, it is a highpoint of modern independent cinema.

This is a dark slow ride film with minimal dialogue. Hard and brutal life, death, survival, escape from evils of society, clash of tradition and civilization are presented here in a not so violent way, but still mind crashing and a few disturbing scenes that will make some people hate this film.The cinematography is stunning. The arctic landscapes, low light, sounds of wilderness make it worthwhile to watch the film. The main actress Yeoh is perfect, the younger one Krusiec is good too, but Bean wasn't quite inspiring for some reason.If we put aside the fact that we definitely can't be sure where and when exactly this is supposed to have happened (and many of us do have doubts in it being realistic), then it's a lot easier to accept the film's unusual story and dive into it our own way It's a film you can only like or dislike. Shocking, whether in good or bad sense, so suit yourselves.

Having a movie with very little dialogue is a risky proposition. In my opinion, it almost never works. "Far North" is a case in point. This could have been a devastating and disturbing tragedy, but the way it's presented, it's boring and tedious.A woman named Saiva (Michelle Yeoh) lives with her daughter, Anja (Michelle Krusiec) outside of human contact. Because of past experiences, Saiva avoids other people like the plague. Then an outsider, Loki (Sean Bean) comes into their midst, which changes the status quo.The acting is not the problem, nor is the cinematography (which is stunning). Yeoh and Bean are well-known faces (both have been in Bond movies) and are capable actors. But there is little they can do with such limited material. Michelle Krusiec may not be as well known as her co-stars, but she matches them.The problem with the film is that with almost no dialogue, it's too simple, and with the resulting minimal character development, it quickly becomes a sleep-inducer.I will say that the ending is a great twist, but not even that can make up for the 80 minutes of tedium that come before it.

This film truly is Far North of anything you've seen before. It caught me by surprise. Had second thoughts before seeing it. Was very happy to have seen it. Unusual story. Interesting. Well made. If there is something typical here its the way the director takes his time to depict the entire situation of the characters. He is not unlike other directors who are not concerned about not showing something every few minutes just to engage, excite or keep his audience. Patience is a virtue I am happy to have and which served me well in viewing this film. Those who are more into usual Hollywood fare (and those who like their films to be easily explained/understood) will probably not like this film. If you want to appreciate this film (and most works of art), you have to keep an open mind. I highly recommend this film.