Watch Five Minutes of Heaven For Free

Best movie of this year hands down!

The Age of Commercialism

Don't listen to the Hype. It's awful

Simple and well acted, it has tension enough to knot the stomach.

This movie takes place in northern Ireland. It begins in 1975 with the murder of 19-year-old Jim Griffin by 17-year-old Alistair Little (you can find more info on the real Alistair through searching the forgiveness project on the internet). The second part of the movie takes place in 2008. That second part is very interesting because it shows the effects of the murder on the two main characters (and their surroundings). I liked that this movie showed both sides. The acting of James Nesbitt is also very good because you can see his struggle about what to do when actually confronting the man who killed his brother.If you are interested in the reasons why people in present day can kill for what they believe in, and also like movies based on actual historical events this is a must-see movie.

For this movie, some parts of the plot seem to be a bit over-dramatic and off-the-mark in that sense, which compromise a little bit off its credibility. However, I still note that the core subject is being elaborated with meticulous detail, and the ending is i find very much quite appropriate...Because, as highlighted in this film, the question of forgiveness is not about erasing or escaping from the past but rather embracing it and find where the things left behind from the past, doesn't matter whether they were sweet or sour, fits to help bring out the most in life. The acting performances by both lead roles are commendable.

Remarkable interior acting; never caught him acting once! Amazing resources; 3-D characterization, turning on a dime, caught my breath more than a few times. I'm 79 years old,a stage director, still looking for greatness in acting; this is the first time I've ever bothered commenting on any actors other than my own students. That last scene is unforgettable. Nesbitt is a wonder! If I've seen him in motion pictures before, he never registered. This role gives him a chance to stun. Great joy watching him. Having acted myself, I can't imagine how he achieved the depth of his characterization. Technique? Some. Style? Lots. Method? How about lightning flashes from one method to another, seamless. Stellar! I'm better for watching him in this flick; too bad I don't remember him from others. But I'll be watching!

Five Minutes of Heaven (2009)I have a confession--when the movie started I thought, okay, another pro-IRA movie with a heart. And it's not--it's a beautifully balanced movie about the personal horrors of the Northern Ireland bloodshed and the longterm aftermath as participants struggle to keep going.The two main actors are both from Northern Ireland. Liam Neeson plays a Protestant who as a teenage killed a Catholic worker as part of the tit-for-tat violence of the time. James Nesbitt, a Roman Catholic, plays the brother of the man who was killed, and as a witness to the crime he holds a deep grudge about the murder. And in a key act of political insight, the actors were born on the opposite sides--Neeson was raised Catholic and Nesbitt raised Protestant. The theme of the film is reconciliation in the mold of South African leader Nelson Mandela. The core of the movie is shot in a fancy Irish mansion where television crews are going to watch as the two men, mortal enemies decades before, make an effort to somehow move on, in public, on t.v.How it goes is for you to see. The murder in the 1970s is fact, easy enough to believe, and the meeting of the men is fiction. Nesbitt is utterly terrific. You might think he's overacting (he is, of course, overacting) but it's appropriate, and gives this non-action film some intensity. Neeson is strong in his restraint and in the one main scene where he gives a well-written speech about how to understand these horrors he is also terrific.The filming is extremely simple and in fact the whole scenario is relatively linear, even with all the flashbacks. There are some turns to the events by the last half hour, and in a way this is both the dramatic high and the disappointing low of the film (it resorts to somewhat corny and not quite smartly filmed sequences I won't elaborate). But overall the point is so strong and well meant it's hard to worry too much about whether it's a masterpiece. It's not. It's sometimes slow, it says stuff we probably have absorbed pretty well by now, and it isn't very complex. But what it does do it does with compassion and conviction.