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Best movie of this year hands down!

Beautiful, moving film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It really made me laugh, but for some moments I was tearing up because I could relate so much.

I am a great fan of early Fellini, and as late as Amarcord I still find much to admire. After that, though, there seems to me to be an inexorable decline in originality. By the time we get to this film the decline is definitely in evidence throughout. Freshness has given way to trademark, vitality to predictability. Mastroianni is still there, as cool and enigmatic as ever, and some of the cinematography remains dazzling. But an air of staleness hangs over the whole film, which apart from its other defects is far too long. Fellini fanatics admire it, that much is obvious, and good luck to them. But most simple admirers will pass it by. It is worth adding that in the troubled and deeply unequal world we live in, Fellini's later obsession with the idle rich is looking increasingly frivolous. But maybe that's just me.

Big dream/nightmare vision of a man in late middle age (dapper hot daddy Marcello Mastroianni) about women, gender politics, and death.Midway through 'City of Women' we are introduced to one Dr. Katzone (literally 'Dr. Big-Dick'), representing the phallocratic, pig-man archetype. He drinks, he bullies, he shoots guns, he objectifies women. He lives in a castle comprising an assemblage of phallic symbols, wherein he has built a giant gallery/pantheon, where framed sexy pictures of his hundreds of 'conquests' light up and speak sexy talk when you push their respective buttons.Fellini cast tough-guy actor Ettore Manni as 'Dr. Big-Dick' -- reportedly to type: the character merely a slight exaggeration of the blustery actor. The Legend: the hyper-masculine Manni was in the habit of tucking a pistol in his pants. During the film shoot, Manni accidentally shot his genitals off and bled to death. Absolutely true? I like to believe it.Anyway, this is a helluva film -- hilarious, surreal, honest. Art director Giorgio Giovaninni deserves many medals.

I loved this film! It is very funny especially the scene in the greenhouse. The film has fantastic visuals. The images and scenes from this film have influence so many modern films of today, such as the indoor rollerskating scene. My favorite scenes are the drugged up nymphet delinquent girls and Mastroianni sliding down a huge slide as his sexual history flashes before his eyes. The scene of the drugged girls reminds me of the glitzy 80s music video or a scene from an Argento horror film. Many believe that this film reflects women in a negative light, but I don't think it shows women in all their glory. Mastroianni is perfect in this role and quite beautiful to look at. I highly recommend it!

Although there are a couple of scenes that drag on too long and some special effect errors, this film is yet another Fellini classic. I would say that this film is almost as good, but not as good as 8 1/2.You will laugh harder than you ever have before at a Fellini movie. The scene at the doctor's house will have you rolling on the floor.