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How sad is this?

As Good As It Gets

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Blistering performances.

After all that sturm und drang for Ingmar Bergman, Liv Ullmann tackled a comedy, Forty Carats, based on the hit Broadway play. It originally starred Julie Harris (succeeded by June Allyson, Joan Fontaine and Zsa Zsa Gabor), with Gretchen Corbett as her daughter, and Glenda Farrell as her mother. It later became a summer stock vehicle for actresses such as Lana Turner, Ginger Rogers, June Lockhart, and others.Forty year old Norwegian-American divorcée Ann Stanley (Ullmann) is a successful real estate broker. She lives with her mother (Binnie Barnes) and her daughter (Deborah Raffin). Ann's ex-husband is an actor, Billy Boylan (Gene Kelly) and she hasn't had any romance since their breakup.While in Greece, she meets a 22-year-old young man, Peter Latham (Edward Albert) and the two sleep together on the beach one night. Embarrassed, Ann leaves without saying goodbye. When she meets him again in New York, he still wants to be with her. Ann is not able to deal with the age difference, and her mother wants her to take up with a wealthy southerner who is after her, J.D. Rogers.When it was to be directed by William Wyler, many top stars, such as Audrey Hepburn and Elizabeth Taylor, were up for the role. For me, Liv Ullmann, as likable, lovely, and beautiful as she is here, was not quite right for this role. For one thing, I had trouble understanding her English. For another, she is not adept at comedy. They say a great comedian can do drama but not vice versa. Also, there was not much chemistry between Ullmann and Albert. Both he and Deborah Raffin died too young. Albert only a year after his father. He is very good and at the peak of his career here. The stunning Deborah Raffin is a good Trina. This was Binnie Barnes' last film, and she and Raffin played well off one another.Gene Kelly was over the top. I think this could have been directed with a stronger hand.Nowadays, 40-year-old women sometimes do date younger men so it's not such a big deal, and Ullmann looked like 40-year-olds look today, meaning she looked younger than what we used to think of as 40. This is a sweet film about the heart wanting what the heart wants, and that love can sneak up on you when you least expect it under less than ideal conditions.

I do love this little film. I also think Edward Albert is the only actor is this film who isn't overacting. Or miscast. I could watch this film all day, just to watch Edward. He has to be about the most beautiful young man ever put on the planet. In this film he is charming and a complete breath of fresh air, however quaint that may sound. The premise of a woman old enough to be the man's mother become romantically involved was BIG at the time. When the scene is relaxed and the acting natural, it's a lovely film to watch. In scenes of awkward overacting, Edward stands out as a natural, his uniqueness, talent and intelligence radiate from his face. I am not so sure of the comedy rating of this film. It's actually quite serious part of the time. I wish he had been given more excellent parts to play throughout his career.

Liv Ullman, lovely in a series of chic early-'70s outfits, is not quite right for the cougar part played memorably onstage by Julie Harris (and Lauren Bacall on tour). She never relaxes, she doesn't look like she's having fun, and the chemistry between her and Edward Albert, as the 22- year-old she falls into bed with, is hardly overwhelming. The miscasting doesn't end there, with Gene Kelly rather creepy as the weak but loving ex-husband who sets things right for the mismatched couple; not for the first time, he seems more in love with himself than anyone around him, and it's embarrassing to watch his character try and pass himself off as 40. Some good character actors hang around and do what they can to make the stage machinery work-- Binnie Barnes, Don Porter, Nancy Walker--and there's some picturesque Greek location filming, and a pretty Michel Legrand theme. But the stage-rhythm dialog doesn't resonate, the outcome's never in doubt, and Liv looks like she'd be much happier being miserable in an Ingmar Bergman opus.

I first saw this movie when I was in high school in the 70's. I love old movies and have an extensive DVD library. This movie takes me back to high school memories. I took a movie class in high school and this was the first movie I ever saw with this actress. I collect all kinds of movies and this one will soon be in my collection. This is my first writing of any comment on movies that I have seen or would like to see. I saw an article in a book about Liv Ullman and got to thinking of movies I have seen her in in the past. 40 carats was one of them. I just wanted to say thanks for the opportunity to let me write to you and tell you this.