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As Good As It Gets

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A surprisingly complex thriller from Ringo Lam, a noted director in the action genre, making his first western film. The amount of sub plots help to make this one more interesting than most, as throughout the film Van Damme is being chased around by four or five different groups of people, this makes for entertaining viewing. Loyalties change, baddies come and go, and the film flies by with many varied and exciting action sequences filling out the time. I liked it a lot.Thankfully, the film is not solely full of martial arts or just plain shooting. It's a mixture of both. The various shoot-outs are well staged and choreographed, while Van Damme gets to deliver some really hefty kicks to his enemies. And it's a memorable group of baddies this time around, including corrupt FBI agents, Russian assassins and the Russian Mob. One blond-haired hulk is virtually indestructible, and the three or four fight scenes between him and Van Damme are probably some of the slickest, neatest fights that Van Damme has ever put on film. The final battle in the lift is great.The characters in this film are slightly more fleshed out than usual, and the baddies at least have a reason to want Van Damme dead. There are also plot threads, including a romantic one between Van Damme and Henstridge, although thankfully this is kept to a minimum. Also, we get to see some surprisingly poignant moments, which are not necessarily laughable (although you may scoff). Jean-Claude Van Damme looks pretty old and tired in this film, but I guess that's because he was suffering from the cocaine addiction thing at the time. Still, he's as powerful and agile as ever (or is that the stuntman?), jumping through windows, falling from heights and generally being an all-round action man (but more believable than most, thanks to his everyday hairstyle and clothes, this Van Damme is closer to reality than in his other films). Natasha Henstridge is adequate as the love interest, but quite shallow really. The rest of the villains are all memorable and eminently hissable.However, the acting is not really the main priority with Van Damme's films. It's the action people watch for, and this film does not disappoint. So many different things happen in so many places (the film keeps shifting location), and there are some inspired set pieces (the entire bank thing is memorable), and even a fight between Van Damme and a chainsaw-wielding villain at the end. What more could you possibly want? I know Van Damme is not one of the most popular stars, far from it, and the general consensus is that his films are cheesy, but I'm just finding these early ones to be better and better as time goes on. MAXIMUM RISK is criminally overlooked and deserves far more respect than it currently has.

In the south of France, Mikhail Suverov (Jean-Claude Van Damme) dies after a car chase. His doppelganger Alain Moreau is a policeman from Nice. It turns out that his mother had given up Mikhail to be adopted. He traces Mikhail back to NYC tracking down Alex Bohemia. People mistakes him for Mikhail. Alex (Natasha Henstridge) at the nightclub Bohemia is Mikhail's girlfriend. Mikhail had been trying to leave the Rusian mob run by Dmitri with lieutenant Ivan Dzasokhov. Corrupt FBI agents are also after evidence of their involvement with the mob hidden in a Nice bank.The story is messy. It's too complicated. A little bit of simplification would allow the movie to concentrate on the action. It should have fewer bad guys and I don't know why he doesn't get help from his french police friends. A long distance call to his partner would have really helped. Van Damme and Henstridge are not necessarily great actors but they give their best effort. There is plenty of action. There are fight action, gun action, stunts and car chases. One of the problems of a complicated story is the need for exposition. It slows down the movie when it's not done well. The movie slows down in many spots.

This is a sad thing seriously i love Van Damme but this was Ringo Lam's Hollywood debut film & it goes horribly wrong the guy is a good director but not like john woo still his Chinese films are better then this any day the script & screenplay is faulty even action scenes could not save this project alone.Few of the things are repeated many times like this double role story line of Jcvd looking for who persons responsible for killing his brother,Jcvd did similar roles in early 90s,& even after this a film came The Replicant which was also directed by Ringo Lam.The action here is weird too in the start Van Damme is on the bike & gets killed in a hilarious manner after a long chase sequence the final climax is filled with unnecessary fire balls,massive shootout,explosions & smoke the viewer gets confused the camera even shakes a little too.The Plot:a cop finds out about his unknown twin brother is killed by some bad guys now he also has to take Alex his brothers girlfriend along with him to hunt the bad guys involving FBI & Russian mafia.The Cast:Jean Claude Van Damme looks uninterested but highlight is Natasha Henstridge she looks stunning.This this is boring & it never excites the fans of the genre this is where Hard Target 1993 surpasses even new films it is one of Jcvd's best that film made me a action & hardcore Van Damme fan.The editors were sleeping they forgot to to trim some of the useless stuff,the pace is the slowest ever yet here out of most Van Damme films & that taxi driver was nuts.Overall Maximum Risk 1996 fails to deliver everything a action lover looks for in a film Ringo Lam should have made some movies with Steven Seagal too but this combination with Van Damme never works main reason is Jcvd is a high octane super mode action type guy my rating is 3/10.

"Maximum Risk" would have been a good picture, except that there were so many fight scenes and shoot outs, so much vandalism, and so many explosions that they almost crowded out the film's human characters. And this is the main flaw of "Maximum Risk": it should have been about its human characters. The story of Alain Moreau's (Jean Claude Van Damme) search for the people who killed his brother Mikhail Suvurov had the makings of a good film and maybe even a great film, as British director Mike Hodges proved when he directed Michael Caine in Get Carter (1974). Moreover, this film also makes it clear that Alain did not know he had a brother, until he learnt of Mikhail's premature and violent death -- and this was another opening that the filmmakers of "Maximum Risk" should have exploited more fully by writing better dialogue and better scenes for the actors and cutting back on the explosions and vandalism. Yet all of these opportunities were squandered because the filmmakers decided to dumb down this picture. Jean Claude Van Damme, for example, gets even fewer lines than the ones delivered by Natasha Henstridge (who plays Alain's love interest, Alex Minetti), even though he is supposed to be the protagonist in this picture.Now this film is not all bad. The set-up for this picture was good and I also liked the small twist two-thirds into the film, where we see a rare thing in a JCVD movie: Jean Claude Van Damme successfully making a cogent argument involving some sophisticated analysis. But the main strength of this picture has to be Natasha Henstridge's performance as the JCVD love interest, Alex Minetti. Henstridge may not have the best dialogue to work with, but she is able to imbue her lines with enough emotion and intensity to make her character seem plausible. She is probably the most interesting thing in this picture. Jean Claude Van Damme, by contrast, can do little more than reprise his bad boy (who always gets into fights and gets his face bruised) role from films like "Death Warrant," "Double Impact," and "Nowhere to Run." He is not doing anything new in this picture that he did not do far better in previous films and, what is more, we do not even see him do much of his choreographed karate either. Overall a disappointing film.5.4/10