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Andersonville
This lengthy docudrama records the harrowing conditions at the Confederacy's most notorious prisoner-of-war camp. The drama unfolds through the eyes of a company of Union soldiers captured at the Battle of Cold Harbor, VA, in June 1864, and shipped to the camp in southern Georgia. A private, Josiah Day, and his sergeant try to hold their company together in the face of squalid living conditions, inhumane punishments, and a gang of predatory fellow prisoners called the Raiders.
Release : | 1996 |
Rating : | 7.3 |
Studio : | Turner Pictures (I), |
Crew : | Director, Co-Producer, |
Cast : | Frederic Forrest Ted Marcoux Carmen Argenziano Frederick Coffin Cliff DeYoung |
Genre : | Drama History War TV Movie |
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Reviews
good back-story, and good acting
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
This is one of my favorite Civil War movies ever. Ted Turner must be given much credit for bringing these entertaining and educational movies to the screen. Set in Andersonville prison in the last years of the Civil War, this movie follows the fate of a group of prisoners captured at Cold Harbor. Superbly directed by John Frankenheimer, this movie was very well done, and all the actors involved did a great job. I thought that Frederick Coffin and William Sanderson really brought the villainous 'Raiders' to life. Also special mention to Frederic Forrest and Jan Triska. Having recently visited Andersonville prison site, thoughts of this movie ran thru my head as I walked the grounds of the old stockade. Movies like this help us remember the great sacrifices made by both the Blue and the Gray during our nations Civil War.
My opinion is that Andersonville is the best Civil War movie ever made, period. As a former Civil War reenactor, I'm not going to sit here and nitpick at all the "mistakes." Were there mistakes? Sure. The timeline was a little fuzzy for one. But that does not detract from the power of this movie. The guards were not well fed regulars either, but so what? You don't have to take a test after watching this movie!I think the REAL factor in Andersonville being such a great production was the fact that you had no real "name" people involved. Fredric Forrest may have been the biggest name in the film and is a career role actor - but WHAT an actor! These guys busted their balls for this film and it really shows. I heard one reenactor complain that the characters seemed "cartoonish," and I don't buy it. I bet he was refering to Jan Triska who played Wirz. Well, read up on Wirz. I think they got it pretty close.Forgive me, my reenacting brethern, but alhough Gettysburg was a tolerable film (I got to be an extra in that) and Gods and Generals was a disaster, the problem with these productions was the fact that they relied way too heavily on reenactors. Reenactors are NOT actors! They were used most effectively in Glory, not so well in Gettysburg, and Gods and Generals? Don't want to even go there. Andersonville followed Glory's success formula in using reenactors as background with small parts filled in by them (my buddy Martin Leibschner playing the banjo in the Raider camp was a good use of the talent reenactors can bring to film).Frankenheimer must be given a lot of credit, as should the writer. The script did get a little cheesy here and there, but not enough again to trash the overall production. Jarrod Emick (sp?) as Josiah Day did a nice job, but until that point he had been a stage actor mostly, and his voice inflections projected that. Still, he did a great job. Peter Murnik as Limber Jim added that "mystery character" to the film well (as the real Limber Jim who was at Andersonville is a mystery to history). Again, I can't think of one lame performance by any of the key actors here. They put 110% into the job and I commend them for it. And whoever was involved in the set design was on the ball too. To try and recreate that place was no small task.I remember a reenactor bitching because for the "filling" of the stockade for the wide shots, they had to use women and even cardboard figures. Big frekin deal! When they are dots on the screen, did it REALLY matter?I can't see this movie being topped in terms of a Civil War period piece. Hollywierd is always bent on turning just about every period piece into some type of romance for the younger target audience. Andersonville is certainly a refreshing change of pace to that drill.
As a Civil War buff, this is one of my favorite films. If you enjoy romantic war stories, don't rent this. There are no romantic plot lines or even women in the movie. The closest thing to a romantic plot line would be when Martin speaks of his wife and asks Josiah to send her his wedding ring.If you enjoy war films that are not cluttered with cliche romantic plots and are more like buddy films this one is for you. The acting is amazing, and the story if fresh look at a little known part of Civil War history. The only problem with the film is time spent watching the men weaken and starve. Those scenes could have been cut a bit, but overall they are needed in order to feel the despair of the men.The story and characters are completely enthralling and I recommend this film to everyone. Just be prepared to cry.
"Andersonville" is John Frankenheimer's most pivotal step in his quest to regain a perch on Hollywood's "A" list of directors, and he is in true Frankenheimer form in this latest of TNT, Civil War-oriented mini-series. Quite simply, it's about a group of Union soldiers and their span of a year doing hard time in the most infamous of Southern prison camps, and one of the most infamous of prison camps in recorded history, Andersonville, Georgia. Andersonville the prison is literally a fenced-in cesspool of humanity: it's grossly overcrowded, there's not enough food to go around, there's no shelter from the heat or cold, the creek used for drinking water is the same used as a latrine by the camp's entire population, and, on top of all this, there's a vicious gang of marauding prisoner's that prey on their weaker counterparts, taking their clothing and what little food they may have for themselves. I began watching this film expecting a smaller, tamer, less original version of "The Shawshank Redemption", and at several points you'll think likewise: we witness acts of both harsh brutality and stirring compassion, and follow our hero's as they decline physically and struggle to succeed morally. But the period setting and the freshness of the subject make it appealing more often than not. What's interesting about this big-budget, well-hyped production, though, is that the entire cast are relative unknowns, the lead role being held by a young Broadway actor named Jarrod Emick, who's acting demonstrates he is just that: a Broadway actor. He projects his voice and over-emphasizes words as though onstage, and when a dramatic monologue is in order, his facial contortions rival the worst case of constipation one can imagine. The length of "Andersonville" is a problem, as after awhile it just runs out of stuff to say, and appears to be chipping away at the minutes until the conclusion. After all, how many scenes can one sit through of watching deteriorating men rot away in sheets of rain or stifling holes in the ground . . . look for a deliciously vicious role by Frederick Coffin as the evil prison gang's leader, and William Sanderson as his cowardly right hand man. There's also a small role by William H. Macy as a Confederate prison inspector who discovers the camp's horrors and condemns it . . . great score by Gary Chang.