Watch Sherlock Holmes and the Voice of Terror For Free

best movie i've ever seen.

In truth, there is barely enough story here to make a film.

The film makes a home in your brain and the only cure is to see it again.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Even the date says a lot - September 1942, the dark before the dawn, as the world wondered whether it would ever know freedom again. And into this grim atmosphere, the producers must still try to inject believable propaganda on a shoestring.Reviving Sherlock Holmes and Doctor Watson for World War II might seem laughable to us now, but when the film ends with Holmes saying "Good old Watson, the one fixed point in a changing age", he is providing what the public desperately needs: fixed points by the bucketload. That word 'elementary', repeated so often, you think Holmes must have got a stutter. The statutory crisis, with "Watson, there's not a moment to lose!" And then, Holmes pointing out the villain's careless mistakes, just as though it was Baker Street in 1890. This could have been a hack job, with no budget for colourful locations or grand costumes. But they exploit their limits by turning it into a drama of the airwaves, clearly referencing the controversial English-language broadcasts from Germany by Lord Haw-Haw (the one who prodded Mosley into going the Hitler route), and the radio-set becomes the star of the show for many long minutes. The mysterious announcer has acquired a terrifying new credibility, predicting attacks on the UK, which follow almost at once. It is left to Holmes to deduce that these broadcasts are not what they seem, and that there is treachery at the top. Only the unmasking of the villain, with a little piece of sub-plot involving plastic surgery, somewhat stretches credulity.Although Basil Rathbone and Nigel Bruce are stuck in their cliché double-act, with creative effects firmly ruled out, there are some surprisingly good performances by the others, especially Thomas Gomez, an unlikely New York Hispanic in his first film (at thirty-seven), acting as an enemy agent, linked to the London underworld, where patriotism is thin on the ground. And when the intelligence team comes under scrutiny, the sinister cad Henry Daniell makes a too-obvious suspect, as events prove.

It's 1942 and Sherlock Holmes had Survived the Reichenbach Falls (decades earlier) so why not Suspend Disbelief and Update the Setting to WWII and Tap into His Universal Appeal and Uncanny Intellect and Ability to Aid in the Fight Against Fascism. Why Not Indeed?Well, if Holmes Purist had Anything to Say about it Sherlock would be in the Old Folks Home or Pushing Up Daisies. Point Taken about Victorian England and All and the Atmospheric Differences between Buggies and Cars, but it was done by Universal Studios and its 12 Modern Highly Entertaining Holmes and Watson Movies. Its History, Move On, Get Over it, Your Dissension is Duly Noted.So here We are, the Deerstalker Hat on the Rack and the Fedora on Top of that Attention Grabbing Hair-Do and it is the Beginning of the "New" Series and Basil Rathbone and Nigel Bruce Continue Their Fun Portrayals with a Fine Supporting Cast of B-Movie Character Actors and some Excellent and Dark Cinematography.Propaganda in the Form of a Media Presentation, the Radio's "Voice of Terror" is as much a Villain here as the Nazis and the Titled Central Theme of Mass Communication is More Important than the Singular Human that is Uttering the Persuasion. This was After All Hitler's Greatest Asset, the Joseph Goebbels Ministry that Caused so Much Damage.

SHERLOCK HOLMES AND THE VOICE OF TERROR (Universal, 1942), directed by John Rawlins, marks the return of Basil Rathbone and Nigel Bruce in their now legendary screen roles as Sherlock Holmes and his friend/associate, Doctor Watson. Having been last seen in a pair of 1939 releases ("The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes") for 20th Century-Fox, this edition was an easy attempt for a new film series (1942-1946). Aside from its lead actors now performing their original roles for another studio, the Victorian characters of the 1890s have been modernized into the now contemporary locale set during the London blitz of World War II. For this rather drastic change, the opening title explains its reasoning for it: "Sherlock Holmes, the immortal character of fiction created by Sir Arthur Conan Doyle is ageless, invincible and unchanging. In solving significant problems of the present day, he remains - as ever - the supreme master of deductive reasoning." And there you have it. In true Hollywood fashion, Holmes and Watson, having moved fifty years into the future from a trip down the Time Tunnel, physically showing Holmes, Watson and their landlady, Mrs. Watson, all haven't aged a bit. The only change would be their clothing. Gone are the horse and buggy replaced by automobiles. Gone are the gas-lit street lamps replaced by electric light-bulbs. What retains here is Sherlock Holmes masterful reasoning of crime solving that never goes out of style. For this newly formatted series opening, the story, based on Conan Doyle's "His Last Bow," starts off with a view of Germany before revealing those listening to a radio broadcast from an Axis enemy mastermind known as "The Voice of Terror" predicting various acts of sabotage that are to take place in their homeland of England. Sir Ryan Barham (Reginald Denny) of the British Inner Council, calls in ace detective Sherlock Holmes (Basil Rathbone) and Doctor Watson (Nigel Bruce) of 221B Baker Street, to help stop Nazi saboteurs working in England. During his latest assignment, Holmes soon finds his life threatened, followed by Gavin (Robert Barron) stumbling into his apartment to keel over with a knife in his back. His last words before dying is "Christopher." Later, Holmes and Watson, come to Limehouse in a very rough section of town to notify, Gavin's girlfriend, Kitty (Evelyn Ankers) of what has just occurred. Holmes acquires further assistance from the young girl whose determined to fight for England and get the one responsible for Gavin's death. Because of her secret meetings with R.F. Meade (Thomas Gomez - in movie debut), it is uncertain whether Kitty is secretly working for or against this supposed Nazi, adding more suspense to the story, which is the writer's intention. Also in the supporting cast are Henry Daniell (Anthony Lloyd); Leyland Hodgeson (Captain Roland Shore); Montagu Love (General Jerome Lawford); Olaf Hytten (Admiral Fabian Prentiss) and Hillary Brooke (Jill Grandis, a female taxi cab driver). Mary Gordon as Mrs. Hudson appears with no screen credit.Placing Sherlock Holmes in contemporary times is nothing new, having been done previously in some earlier screen adaptations, notably SHERLOCK HOLMES (Fox, 1932), where Holmes (Clive Brook) and Watson (Reginald Owen) are seen in 1930s Chicago. Universal's view of modernizing Holmes was to take advantage of its dated wartime propaganda theme commonly used in countless other films in the early forties. After a few more similar war-related themes, the writers of this series eventually had it phased out in favor of either original screenplays or those adapted whole or in part from the Conan Doyle stories. Many Holmes fanciers label Rathbone's initial Universal entry to be somewhat on the weak side, making its 65 minute presentation to feel a bit longer that it actually is, but overall, it does have some good points, too. Fortunately under Roy William Neil, who was to direct all future films in the series, some even improving from its predecessor, even to a point of reviving Holmes' arch enemy of Professor Moriarty such as THE WOMAN IN GREEN (1945) as played by Henry Daniell, the same Daniell who appears in this edition of THE VOICE OF TERROR.Sherlock Holmes is ageless, and quite popular, proving so to what developed into a 16 film theatrical series that lead to Sherlock Holmes festivals quite commonly broadcast on television on any given weekend from the 1950s to 1980s, mainly those Universal editions that open with Holmes and Watson, with credits superimposed over their images as the camera follows them walking through the street of uncertainty. Distributed to home video in the 1980s and later DVD, SHERLOCK HOLMES AND THE VOICE OF TERROR's most recent cable TV offering turned up on Turner Classic Movies where this, and others in that series, premiered December 26, 2009, to commemorate the release of the latest theatrical SHERLOCK HOLMES as portrayed by Robert Downey Jr. Though the 2009 edition of Holmes retained its turn of the century outlook, it's even more contemporary through its actions. Regardless of how many actors have played Holmes and Watson on screen, the best remains for many, to be the one and only Basil Rathbone and Nigel Bruce. Next installment: SHERLOCK HOLMES AND THE SECRET WEAPON (1942) (***)

This entertaining little melodrama does a decent job of moving Sherlock Holmes and Dr. Watson from the Victorian comforts of Baker Street into the WWII London of blitzes and blackouts. I have been watching this movie off and on for over 30 years, and it has never looked as crystal clear as it does in UCLA's stunning print on the recent DVD. Sound is sharp and clear, too, with some lines of dialogue understandable to my ears for the very first time. Speaking of dialogue, it's quite an indictment of today's Idiots-R-Us culture that a cheap B-movie from 60 years ago sounds like Shakespeare now. For example, when Basil Rathbone's Holmes reminds Thomas Gomez that the English believe every life has value, the sweaty little Nazi sneers "A quaint notion of an even quainter nation." Not bad. The plot purports to be based on Sir Arthur's wonderful endpaper Holmes story "His Last Bow," but it uses nothing beyond the villain's last name and the great closing lines. In its day, the British were outraged at this movie, with its suggestion of treachery and treason at the highest levels of government, and the country owing its salvation to the noble bravery of a prostitute. Doesn't sound so shocking now, does it?