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Let's Do It Again
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
Release : | 1975 |
Rating : | 6.7 |
Studio : | Warner Bros. Pictures, First Artists, Verdon Productions Limited, |
Crew : | Production Design, Set Decoration, |
Cast : | Sidney Poitier Bill Cosby Calvin Lockhart John Amos Jimmie Walker |
Genre : | Comedy Crime |
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The film makes a home in your brain and the only cure is to see it again.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
I hadn't seen this movie since it came out. It was a pleasant and very funny surprise then and it still is. As others have said it's Bill Cosby's movie and he makes the most of it. Portier shows a somewhat more annoying side to his personality, doing more than his fair share of mugging but that and the cliché gangster/boxer motif aside or perhaps because of it this movie is very very funny. Jimmy J.J. Walker steals the movie as a very unlikely middleweight boxer. Denise Nicholas is beautiful and sexy and there's a score that could be sampled to death to make a new funky soundtrack for a party. I don't understand the low rating but then comedies generally get lower ratings for some reason.But don't let that discourage you. My general criteria for a comedy is if it makes me laugh out loud on at least three occasions then it gets an automatic 7. I give this one an 8.
Although not as good as its predecessor, "Uptown Saturday Night", this sequel always provides some good laughs, especially if you overlook the wide-eyed Amos & Andy style acting of the principals (the worst perpetrator, oddly enough, being the typically stoic Sidney Poitier). Minstrel-esque hamming for the camera aside, this one is just plain fun to watch. Calvin Lockhart and John Amos are great comedic villains, almost playing their roles straight amidst the tom-foolery surrounding them.As an African-American who grew up in the 70's, this and all the other Blaxploitation films provides a nostalgic, although somewhat exaggerated, look at life in the Black community. Put "Let's Do It Again" on a triple-bill with "Car Wash" and "Cooley High" and you'll have an entertaining blast from the past.
Jimmy Walker has never been given the proper acclaim for his comedic talents. Watch this film for proof of the previous sentence. He is a treat as Bootney Farnsworth. I've seen this film 7-8 times and I still laugh out loud every time Walker is on screen. And to top it all off, you get on of the best performances of Bill Cosby's career and a great, though subtle, portrayal of a church elder/hypnotist.
July 2008 Update:A sequel to "Uptown Saturday Night" in every real sense; though Cosby and Poitier play different characters it's the same guys in all but name, the film's title even a blatant reference to this fact. Though this didn't quite match the box office of the former it's arguably slightly the better of the two films, albeit uneven in tone.As a big fan of Poitier, it has to be said that he's not as good a director as he is an actor, and that his light entertainment gene isn't as developed as it could be. Even dressed up in an outrageous pimp zoot suit he casts a staid presence, a straight, slightly stiff foil to Cosby and a clash of styles against Jimmy Walker's cartoonish boxer.Back in May 1999 when I posted my original review, I described this as a "sublime vehicle" and "extremely pleasing", giving it 7/10. I can only conclude that I was fooling myself, viewing the film through youthful, Poitier-tinted sunglasses. Let's Do It Again is a decent enough film, but lacks sophistication on any real level and is, at best, undemanding entertainment.Two years after this movie came out Cosby and Poitier would try it once more, with "A Piece Of The Action", after which Poitier would retire from acting and only make sporadic returns. As a trilogy to retire on, then it's good that Poitier left by putting smiles on people's faces, even though comedy clearly isn't his thing in front of the camera. Indeed, after a stonefaced first half, Poitier indulges in somewhat desperate mugging throughout the second half of this movie, illustrating that he had more success with comedy behind the camera... three years after his retirement from acting he directed Stir Crazy.Trivia about the film includes a cameo from George Foreman (then a year deposed as heavyweight champion upon the film's release) and the inspiration for Biggie Smalls's nickname. Curtis Mayfield and the Staple Sisters add to a fine soundtrack that's almost as good as the sublime gospel in the first film of this unofficial trilogy.