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Best movie of this year hands down!

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Time flies when it's a bad movie, guess what... it's still a bad movie! Tushka Bergen would be the worst actor I have ever seen, she is so wooded and very forgettable. I hate to even give this movie a single star but that is for Brian Brown who is an Aussie icon. I read on a site that Ms Bergen no longer is acting and this is a good thing - motherhood is for her!If you really want to see 'journey to the center of the earth' just watch the version done in 2008 with Academy Award-winning visual effects artist Eric Brevig. His feature directorial debut with this adaptation of the classic Jules Verne fantasy starring Brendan Fraser. The acting is more professional with better production values too!

I went into this movie expecting crap, because it was made for TV, but I was pleasantly surprised. The acting was very good, with each actor seeming very comfortable in their characters. Treat Williams and Jeremy London worked very well as a uncle/nephew team, and Hugh Keays-Byrne delivered some serious laughs as Scottish gun smuggler-turned-guide McNiff. Bryan Brown portrays the film's antagonist with equal arrogance and intensity; very entertaining.The problem is most people were expecting a good quality movie. The reality is, this was made for TV, and if you lower your expectations completely, it's actually a good movie.The science is flawed, but so was Verne's, so no harm no foul. The special effects are bad, but like I said, it's made for TV. The scenery and locations are engaging and very cool. The caves are somewhat cheesy at times, but that's easily unnoticed if you pay attention to the characters. The action is visibly fake at times, especially the gunfire and fistfights, but not in a bad way.All in all, the film contains very likable characters, genuine humor, and a very good soundtrack (another thing most reviews fail to mention). Just watch it in good humor and enjoy the story.

The achievements of animation in adapting this story in preceding years would continue to overshadow the resumption of live action versions in the 1980s and 1993. In early 1996, executive producer Robert Halmi, Sr., whose Hallmark Entertainment was simultaneously making a new version of 20,000 LEAGUES UNDER THE SEA for CBS (which eventually formed the basis for a two-hour telefilm and a one-hour children's special the next year) announced a two-hour version of JOURNEY TO THE CENTER OF THE EARTH for the Sci-Fi Channel, from a script by John Ireland. In the wake of the commercial success of the USA Network's four-hour mini-series of MOBY DICK (1998), the project was switched to USA, the Sci-Fi Channel's parent company, and the two-hour telefilm was expanded to four hours (including commercials) with Thomas Baum enlarging Ireland's script. Director George Miller, already attached to the project, was eager for the change, and produced with Connie Collins. Shooting began in April 1999 in Australia and New Zealand on a $12 million budget, and the miniseries premiered five months later on September 14 and 15.The setting is given as 1868 and adapts the nationality and names of its protagonists to the cast. Instead of the German Professor Otto Lidenbrock, the hero is the American name-alike Theodore Lytton. As portrayed by 47-year-old Treat Williams, Lytton is as much an action hero as part of the world of science, thereby surmounting the unlikelihood of a man of his constitution surviving the expedition. He studied with Darwin in the Galapagos, and is a rather dominating father-figure to his initially fearful young nephew, Jonas, who is indispensable to his uncle for having a facility for languages that Lytton lacks.Alice Hastings, a wealthy American mountaineer and member of the Carnegie family, hires Lytton to search for her husband, Casper (Bryan Brown). Casper had climbed down in a remote part of New Zealand, the Ruapehu caverns, that descend deep inside the Earth and are rumored to be an area of monsters and mystery. This new narrative strand is only one of several changes that incorporate aspects of another Verne novel, his 1867 epic, The Children of Captain Grant, much of which is set in Australia and New Zealand. Just as Mary Grant is part of the trek looking for her father, which will end in her marriage, Alice is part of the expedition in search of her husband, which will eventually bring her a new spouse.Verne's phlegmatic Icelander Hans is replaced with the burly, kilt-wearing MacNiff. He integrates the Scotsman MacNabbs and the underhanded Ayrton from The Children of Captain Grant, and is wily enough to steer the Lytton party through the dangers of a colonial rebellion and hostile Maoris.Unlike previous films of Journey to the Center of the Earth, the descent is in a tropical climate filled with vegetation. Wind blowing Alice's hair reveals a passage emerging on the shore of the underground sea, with the cavern roof supported by pillar-type columns of rocks, perhaps the most impressive visualization yet achieved. A shift of natural colors is used to convey an other-worldly impression, with a yellow sky and blue plants.On the shore, Jonas glimpses and follows Ralna (Petra Yared), a remarkably agile, tattooed redhead, who leads them into a jungle were they encounter two new races. There is a primitive but more physically developed humankind, together with a reptile race, Saurians, that has developed on a parallel path, with its own language, science, and urban centers in a world where human and dinosaur coexist. Alice is abducted by the Saurians, and in the human village Lytton, Jonas, and MacNiff find Casper, living as their ruler, in a manner reminiscent of a cult leader or Kurtz in Joseph Conrad's Heart of Darkness.While the subterranean world is offered as an example of a different outcome of Darwin's theories, the theme is insufficiently explored, and the second half of the miniseries is disappointing, the filmmaker's refusing to allow the journey itself to serve as the goal, as in the novel.Miller's version further demonstrates how films of Verne's novel and Conan Doyle's Lost World, itself inspired by the Frenchman's book, have become a source of shared inspiration for filmmakers. Conan Doyle's novel was even more concerned with the rivalry of races of prehistoric man than the better-remembered perils provided by dinosaurs. During the production of this version, two new films of The Lost World were made, one a pilot for a television series shot in New Zealand, so certainly the ideas from the Conan Doyle novel were very much "in the air."Casper dies on the return journey, and crossing the underground sea again, Jonas, Lytton, and Alice are abruptly sent to the surface by a vortex phenomenon. Lytton and Alice decide to honeymoon in Iceland, and explore fresh caverns that may offer a more direct route to the center of the Earth (which has the curious effect of making the Verne novel seem like a sequel to this film adaptation).Jonas must recover from an unknown virus transmitted by Ralna, that leaves him with dreams of her and causes him to return to New Zealand and a life of adventure--clearly leaving the way open for a sequel. The theme of Jonas's initiatory trajectory and his gradual emergence as a hero during the course of the journey remains from the novel, despite deviating from Verne's own romantic conclusion (which the Lytton-Alice nuptials render superfluous).

To all viewers, do not be fooled by what appears on the front cover for the VHS of this made-for-television movie. If you want to see explorers running away from a tyrannosaurus rex or from velociraptors as the cover indicates, you will be disappointed. "Journey to the Center of the Earth" is not a film about dinosaurs. There are a few dinosaurs in it, but they're just a minor, almost unimportant subplot. The film revolves more around explorers in a prehistoric world deep underground making friends and relations with a tribe of primitive humans who are at war with a race of humanlike reptiles called Sauroids. The film was made on a limited budget, as one can tell by its at times, bad graphics. But what it does manage to do is to become entertaining with a well-acted cast, at times silly dialogue, fun action sequences, and is overall, a film that is just as long as it should be, at least for me.