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Terrible acting, screenplay and direction.

If you don't like this, we can't be friends.

Bad Acting and worse Bad Screenplay

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie offers what would seem to be a remake of "The Master of the Flying Guillotine", even if they put out something akin to it might have been OK. This convoluted mess is not sure what it wants to be a movie? a political statement, a Morality tale? It's none of the above it is a poorly directed and written disaster. The opening scenes offer us some cool if unreal weapons and some nice action. After that you will feel cheated as their isn't any action it's just slaughter whether it be brutal beatings, decapitations, firearms or even flame shooting cannons! The whole thing is a silly mess with no real plot other than these Guillotines being eliminated to get rid of a "stain" to the new Emperor. As if one could remove a stain from Qianlong and he'd come out rosy clean. he being guilty of genocide among other things in his reign. This movie want's to be The Last Emperor meets Crouching Tiger Hidden Dragon but comes off more like Shanghai Noon meets 1911. The main characters are decent actors and the dialogue isn't that bad if they would just stop weeping for Five minutes this might have been OK. Ah well I can not recommend enough to not see this film please do yourself a favor and PASS.

At first I made a judgment based on the opinions contained herein and even agree with some of them. But after watching closely this beautiful film I could understand how we are led to hasty conclusions based on opinions, mostly unsubstantiated, who judge the book by its cover. You are right that in the first 10 minutes the film has plenty of action and logic had to show how the guillotine works. I found this very original idea. For many of us, especially the younger generation, do not know and have never seen or talk at the beginning of the Flying Guillotine. After the first 20 minutes the film tends to show what happens with the team obsolescence due to technological developments of the time because of the advent of the Gun. And that has an impact, as well as today, the team members because they feel they are no longer needed. The film also shows how the Empire was maintained, in error, and then the next Emperor, despite being a man on the changes of time, did not seek to change the form of government inherited from his father. Something that only happened after. I confess I was touched by the spirit of the movie and cry with the courage of the directors to show how "the people" Han were treated back then. And that made ​​me very shocked. They were summarily executed for whatever the reason. I advise that before you issue a previous judgment, just as I did, take a chance and watch the movie. Then come back here if possible, send your opinion is worth it to help many. But counsel. You must undress climate "I want action." In my opinion this movie deserves note 6.5 at least.

When the trailers were released, it seemed that The Guillotines will be packed with action with the titular weapon. And with Andrew Lau at helm, what could go wrong? The fact that Andrew wants this to be more of a drama about brothers rather than a guilty pleasure is disappointing. But it is not that bad and this still has some value of entertainment.The story: The movie starts off with a cool action scene with The Guillotines, a group, using the titular weapons against some 'bad guys'. After that, Wolf escapes from being executed. It leads to another action scene with the briefly appeared titular weapons. However that is all you see for the weapons in action. The Guillotines is tasked to find Wolf. Those waiting to see the weapons appearing again will be disappointed. There is plenty of action but the weapons are not featured in other than the first two action scenes. The climax is a huge disappointment. I thought the climax will the next action scene that will feature the weapons. The climax contains lots of explosions and that is about it. No epic fight scene. Acting wise is okay, not distracting.Overall: It should not be called The Guillotines. It is one of those misleading title. Without the special titular weapon, this is just an ordinary action drama movie which feels over-long at times. It is not bad but it is a disappointment.

Just so you are under no illusion of the lethalness of a flying guillotine, a thrilling opening sequence sees the titular group of assassins under Emperor Qian Long's command using the feared weapon against a gang of rebels known as 'The Herders'. Dispatched from its wielder like a flying wheel, it locks around its target's neck, activating a volley of blades within capable of decapitating a head right off its body. It's not a pretty sight no doubt, but still a perfect precursor for what is lined up.'The Guillotines' is not a pretty movie; rather, things look perpetually grimy and gloomy- much like the fate of the assassins led by Nala Leng (Ethan Juan). Plucked as orphans from a young age, they know no family but their own fellow comrades in arms. Then despite being the most formidable of the Emperor's soldiers, their status was never made official; lest the throne be accused of resorting to "dirty" methods to get rid of its enemies. And when the Emperor decides it is time for reformation, they are regarded as threats and hunted for dead. In the hands of a lesser producer, such material might have been just the subject of another run of the mill big-budget period action blockbuster; but with Peter Chan on board, you can be sure that 'The Guillotines' will be so much more. And indeed you will not be disappointed, as Chan assembles some of his best screenwriters – Aubrey Lam ("Perhaps Love", "The Warlords" and "Wu Xia"), Joyce Chan ("Bodyguards and Assassins", "Wu Xia") and Jojo Hui ("The Warlords") – to pen a compelling story on power, leadership and loyalty.Of the three, it is the last that gets most prominent play – not only are the Guillotines forced to re-evaluate their blind loyalty to the Emperor, their leader Leng is faced with an even bigger dilemma as he is made to choose between the brothers he has fought with and his childhood buddy and Imperial Agent Du (Shawn Yue) with whom he had sworn their allegiance with to the Emperor when they were mere children. Leng and his fellow agent Musen (Li Yuchun) are further challenged when their arch enemy Wolf (Huang Xiaoming) – the leader of the "Herders" – turns out to be much more than just an anarchist.As bit by bit of each character's background and motivations are revealed, the viewer is challenged to put aside conventional archetypes of hero and villain, good and bad, right and wrong. Even as the movie begins with an action-oriented approach, director Andrew Lau adroitly adopts a much more elegant character-driven narrative towards the second half – and it is indeed an achievement when each character turns out to be more morally complex than we would have expected when we are first introduced to them.Yet even while maintaining an intimate focus on the characters, Lau doesn't lose sight of the larger context against which the character struggles unfold. At the crux of the turmoil is the Emperor's thirst for power, the need to enslave the Han Chinese perceived to be antagonistic to his authoritarian rule. Then when the Emperor first sends the Guillotines and subsequently a whole regimen of fire-armed soldiers to quell the unrest and demand obedience, the film thrusts into prominence the consequences of a rule by force, even if it is meant to serve a greater purpose of unification. Right until an empathetic speech at the end on the importance of a rule founded on respect, the movie cleverly earns real-world relevance in its lessons on reform and revolution – especially given the recent leadership transition in Mainland China.Such lofty ambitions rest on the shoulders of a young and fresh cast – thankfully, each perform at least adequately according to the demands of their respective roles. Up and coming Mainland actor Huang brings an appropriately rebellious yet grounded touch to Wolf; while Juan and Yue are well paired with each other as the "brothers" whose friendship is tested by their supposed unwavering loyalty to the Emperor. Li, who also sings the theme song, is surprisingly affecting as one of the Guillotines forced to re-assess everything she knows when she is taken hostage by Wolf. And with Peter Chan's assistance no doubt, the movie gets a nice boost from veteran actors Jimmy Wang Yu and King Shih-Chieh, who shine in their bit roles as the leader of the Guillotines and commander of the border Army respectively.Compared to the excellent drama at play, the inevitable action sequences choreographed by veteran Lee Tat-Chiu seem to be merely perfunctory. Only two sequences – the first described at the start of this review and the second when Wolf's men conduct a daring ambush in broad daylight to rescue him – see the famed 'flying guillotine' deployed in its full glory, with the rest consisting mostly of some of the biggest explosions you've seen in Chinese cinema. That's not to say they aren't well done, but the most absorbing parts of the movie still belong to the character drama.Considering the troubled production history behind the film – conceived first as a remake of the classic Shaw Brothers' film 'Master of the Flying Guillotine' and then losing first choice Teddy Chan as director – it's to both producer Peter Chan and director Andrew Lau's credit that the film is this outstanding. Deftly balancing complex character-driven drama with gripping action, Lau delivers one of his best and most challenging films since 'Infernal Affairs' – with Peter Chan proving once again that his Midas touch in films (whether as a producer or director) is still very much alive. Even though the Guillotines only lived as myth and were never officially recognised, this movie will go down as one of the finest examples of Chinese cinema this year.