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I love this movie so much

Good concept, poorly executed.

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A movie about waiting. Doesn't sound too interesting, but when you have well written characters, their interactions become action. This is the story of a heist that goes a little awry. The gang must then hideout. This sounds easier than it is, as fingers begin to point at a setup, and a couple begin to drift apart. This whole time waiting becomes a time for the two protagonists to explore and experiment. It soon becomes obvious that money isn't the only thing at stake, but also pride and freedom, and not just the kind of freedom that involves keeping out of jail. The film, like the best crime thrillers, explodes into violence at a shocking speed. It emphasizes the realistic tone. I loved the 60's setting, and the music really captured the period. At times both frustrating and sad, it shows how humans will let their hearts take over, even if that means getting everyone killed/imprisoned and losing a lot of money in the process.

Well-acted, stylish Spanish crime-drama from Ricardo Piglia's book is allegedly based on factual account from 1965 involving estranged gay lovers in Argentina who re-energize their relationship with successful, brutal crime sprees (they call themselves "The Twins"); after one particular robbery ends in gunfire and dead cops, the two go into hiding along with their accomplices in Uruguay. Despite a skittering sort of continuity that keeps a breathless momentum going--at the expense of a well-wrought narrative--the film is highly adept at setting a sweaty, prickly mood. At first, the sexual clinches (which are actually non-sexual, as one partner keeps pushing the other away) are aloof and perhaps a bit self-conscious, but the actors improve along with the film; by the finale, Nene and Ángel really do seem like doomed soul mates, helplessly intertwined. Fascinating on occasion, and handsomely produced, the picture lifts bits and pieces from its American gangster counterparts ("The Godfather", "Scarface", et al.), yet it may be braver than those while digging into the characters' sordid lives. **1/2 from ****

I cannot forget the images that Marcelo Piñeyro conjured up and was able to capture in this film. Everything, the visuals, the literate script, with its sensitive, sensuous, heartbreaking dialogue, the suspense that does not leave you for a single minute, the violent finale that you expect and still keep hoping it will not happen, the exquisite acting of all the major players, it will all stay with me, forever, I am sure. This is film-making of the best kind: contemporary, mature, it relates to reality but transcends it and reaches a perfectly beautiful, artistic, poetic level. This is also a film that treats a gay relationship with total honesty and truth. The characters have their faults, but none of them has to do with their sexuality. They make, indeed, a beautiful pair, and I wish they would have had a chance to be happy together, somewhere, somehow, at the end.

I have always hesitated when seeing the DVD at the video store, but finally watched it. The only thing I knew about it was that it was about robbery and a gay couple. I also knew that I was going to see the leads 'behinds', which I thought would at least give me something to be happy about in case I didn't like the movie. My fears were confirmed.Having seen the user rating (7.4) and read the reviews posted so far I've concluded that most of grades/reviews must be on behalf of the "real", "not stereotyped", etc. relationship portrayed in the movie. That is true, but that alone doesn't make a movie good.I wasn't hoping for action (which in fact is there), but for good characters, for a good, well paced story, something to think about or at least mess with something inside me - good cinema. That didn't happen at all.The characters are poorly developed: we get to "know" them through their "thoughts" and the narrator's speech rather than through their actions and expressions, which doesn't help much to make the viewer sympathize with them. Just being gay and hot is not enough to make a -even gay- viewer like with a character, is it? The relationship between the three repeats its (poorly developed) pattern throughout the movie. Nene wants Angel, who also wants Nene but feel guilty (the "voices"), and El Cuervo makes fun/gets angry at them for being gay. Then, by the end, during the shooting, it all resolves itself in a cathartic moment: El Cuervo becomes tolerant and even sort of nice, and both lovers make peace shortly before dying. Come on, only because it's a gay couple it's not a cliché? And the movie is mostly just plain boring, as if the director was trying to stretch it for no reason with scenes that added not much to the plot and/or character development (and I'm not talking about "meaningful silences" either). Also the abuse of voice-over usually indicates lack of acting/directing skills to give the spoken message in a more artistic way. Plus the voice-over thoughts were sometimes pseudo-poetic and sounded pretentious.I don't recommend it unless you're really eager to see a gay couple on screen (and not much more).