Watch Peter's Friends For Free

From my favorite movies..

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Often dismissed (probably fairly) as an attempt to transplant "The Big Chill" into the English countryside, "Peter's Friends" is even more striking now for showing some familiar faces looking way younger than we now see them and for deploying co-writer Rita Rudner so far outside her familiar, Emo Phillips-in-drag persona. Peter (Stephen Fry) hosts a new year's reunion of college friends and their partners at the English country house (read: mansion) he has just inherited from his father. Nostalgia, crises and comedy ensue. It's as well acted as one would expect from the ensemble cast (oddly, Brannagh, the most distinguished actor among them is most the uneven, possibly distracted by directing duties) but the writing is inconsistent. The pace is too pressured with no time for reflection between constant emotional highs and lows. It's all a bit too frantic and formulaic. Despite all that the film is compelling. The characters are sufficiently well-rounded and likable to keep the viewer interested and Brannagh manages to make England in the dead of Winter look more lovely than bone-chilling. If you're the same age as the cast or up to about ten years younger it's intriguing. Outside of that demographic it's more likely to come across as puzzling or dull.

I love all the actors in this film, and the idea of them all still being friends after so many years was nice but I sometimes thought the acting was weak in parts and the ending was quite anti-climatic. I won't post the ending, but for those who have seen his "secret" was yes, a huge secret, but I was expecting more about it. Like a follow up or something.Also I think Hugh Laurie didn't have a big enough part, and there was too much focus on some of the minor characters such as the American wife (can't remember her name) and the sex addict's boyfriend.But a great film, with classic British (and Fry) humour, and also a great sound track!

Dear IMDb, Here is an excerpt of the first draft of my proposed sequel, "Who Cares About You And Your Snotty, Self-Possessed Friends Anyway, Peter?"Kenneth Brannagh (smiling coyly)Isn't my life just so terribly interesting that the world would line up to see a thinly-veiled fictionalization of it?The World (yawns)Not particularly, no.This movie is the very definition of "vanity project" by a pretentious actor-director who's canon of work seems meant to bring "culture" back to mainstream cinema but always does so in a heavy-handed fashion. Kenneth, I am sure you and your real friends are oh-so charming as you sit around your country estate sipping wine and saying clever things, but please don't make the rest of us sit and watch it.

For those of us who have experienced countless "reunions" in our mature lives, there is much to recognize here. No matter what the year in real time, the more things change, the more they stay the same.This is basically an intelligent script. That is why I am reluctant to have to fault the director's overwrought interpretation as evidenced by a good deal of melodramatic interplay where understatement would be so much more effective. Only Kenneth Branagh manages to carry it off well, especially in the final scene. I was particularly annoyed by the waste of talent in making the character played by Emma Thompson something of a comic figure. The line "fill me with your babies" is an example of bathos rather than something antic or farcical. If read properly, it should evoke pity for someone who is only mildly neurotic and fully capable of mature insights -- as further scenes demonstrate.An audience expects greater depth from a serious play that has as its center the otherwise trite scenario of disparate guests coming together for a weekend in the country. Unless farce is intended, the laughs ought to come from wordplay, not pies in the face or anguished physical disintegration.Still, I like the idea of fresh characterizations that pop up from time to time like that of "Peter" as the centerpiece here.