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When Father Was Away on Business
Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison.
Release : | 1985 |
Rating : | 7.7 |
Studio : | The Cannon Group, Forum Sarajevo, Centar film, |
Crew : | Production Design, Director of Photography, |
Cast : | Miki Manojlović Mirjana Karanović Mustafa Nadarević Mira Furlan Predrag Laković |
Genre : | Drama |
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Reviews
For all the hype it got I was expecting a lot more!
Excellent, Without a doubt!!
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
"When Father was Away on Business" tells a complex story about life in Yugoslavia in the 50's. A man is convicted of what can only be described as an "inproper socialist attitude." However, his real crime is having an affair with the local hot socialist babe (a young Mira Furlan) who's attracted the attention of his brother-in-law, a local party official. The film outlines the impact of this man's arrest and imprisonment on his family, with special focus on his youngest son. The father is finally released, the family survives, but the scars on all sides will never heal. Noting some of the other reviews, there are details to this film that will likely be lost on the casual viewer. I believed the family was Jewish, only to learn from other reviews that they were actually Muslim. Also, awareness of Yugoslavia's strained relationship with the USSR is helpful. While I found the film interesting, the father's continued philandering made him a rather despicable figure. The young boy's retreat into sleep walking is probably a comment on what it took to survive in that society. The Father-in-Law's desire to act as if nothing had actually happened to his son-in-law is a hint here. The wife is the true martyr in this story, faithful to a cheating husband, willing to finally reach out to her brother who betrayed them both and trying desperately to give her boys a decent life.
When Father was away on Business (1985)**** This great feature is the combination of a genuine story, emotionally charged, authentic expression, supreme inner movie energy and director's ability (mastery) to transmit all of this into the perfectly balanced, aesthetically elegant, touching and effective form. Some people (I know) think this is pretty boring and ordinary story about young boy's maturing in a specific society. There is a BIG difference between this movie and others with the same topic. Difference = cogency, dimension of the used movie elements, involving ability, characterization, leitmotif, milieu richness, inward thrust, story heartbeat, delicacy, depth, implicit sense, specific movie efficiency...
I simply can't believe there are so few viewer comments for this movie, that won the PALME D'OR in Cannes in 1985! By the way, it represented Yugoslavia, a country wich no longer exists...It was much of a surprise back then, as Kusturica was totally unknown, and the movie was entirely produced at home with no financial contribution from abroad. No doubt, this is in the top 3 of best Yugoslavian films, if not he best one ever.This film is a historical, not only because it deals with a specific historical context, but most of all, because it was all done in SARAJEVO a mere six years before the outbreak of war, at a time when nobody suspected how things would eventually turn out. Note that the movie shows a place where Muslims, Christians and Jews coexist in peace, and this is quite a symbol today when you watch it knowing what came next. It is highly probable that some of the crew died during the Yugoslav conflict, which took place around that same city and cost 300,000 lives.The lead role by little Moreno de Bartolli is certainly one of the most amazing child performances on screen ever. Otherwise, two of the actors appeared in famous films after that. Miki Manojlovic who plays the father, is a Kusturica regular, and has become famous internationally; the late Davor Dujmovic who plays the elder brother plays also the lead role as Perhan in "Time of the Gypsies". Generally speaking, all the acting here is first class.Also, it isn't so often that the world of adults is shown through the eyes of a child, and when it's done, it is often in a twee or awkward manner. Not at all here. Besides, Kusturica's first work has a very honest and sensitive approach of themes like fatherhood, adultery and betrayal. It 's all lightyears away from the frenzy found in the artist's later work.Warning : this movie is highly emotional. When I saw it again recently after a long time, I'm not ashamed to say I wept twice, and I'm not a single case. Yet, it is often very funny as well. Note that, unlike many European movies, it ends rather well and on a hopeful note. If you like tragi-comical movies like "the Bicycle Thief", no doubt you will love this too.The very light sexual allusions and nudity caused an R rating in America. Quite a pity, as this work is far more decent than most releases, and would be a lot more interesting and appealing for young audiences than the idiotic stuff they are used to watch. I would even consider showing this in schools.Definitely a 10 out of 10, as far as I'm concerned.
I remember when I saw this movie back in 1986, the people I was with left the theater bored and puzzled because of my reaction to the movie. I can't explain quite well what was that fascinated me so much about the story. I think it was because you can breathe the reality of the story, I swear I was there with the little boy and the suffering of the family. I was there, understanding the complexity, but simplicity at the same time, of the people and history of that part of the world. It is a movie you have to watch to understand and let it take you where Kusturica wants to.