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Breaking Up
An aloof, struggling food photographer thinks he has found true love with a fiery grade-school teacher. At first, the relationship is all wine and roses, but as they realize they have little in common besides great sex, the romance wanes, and they struggle through a succession of break-ups and reunions as they try to work things out.
Release : | 1997 |
Rating : | 4.7 |
Studio : | Warner Bros. Pictures, Regency Enterprises, Greenlight Productions, |
Crew : | Production Design, Set Decoration, |
Cast : | Russell Crowe Salma Hayek Pinault Abraham Alvarez Mary Ann Schmidt |
Genre : | Drama Romance |
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Reviews
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Blistering performances.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
While someone must have thought this an interesting premise - watch a couple fall apart, rather than come together - its an experiment that didn't work. Without seeing why these 2 people were together in the first place, their constant arguing leaves you wondering what all the fuss is about. However, with that said, for those interested in seeing early films of Russell Crowe, this is a small goldmine. He doesn't get beat up, he doesn't die, and he actually has some love/sex scenes. Crowe also gets to show a little of his comic side, which has been under used since coming to the US to make films. So, while the script would have been better left on the film school floor, or at least left in the computer for more work, this film has definite goodies to recommend it. Any film with Russell in a bathtub can't be all bad....
The most dull film ever made. Completely devoid of any wit, charm or even plot. Uniquely depressing, wretched, uninspired, dragging, useless, sleep-provoking, irritating; I think I have already made my point.
I have always thought that we should fall in love with people for their dreams, and for their efforts to fulfill those dreams--not for their accomplishments. Love a man because he's a brilliant actor and aspires to greatness--not because he can take you to the Oscars when he's nominated for Best Actor.That philosophy informs my opinion of this movie. It sets out many lofty goals for itself. It wants to demonstrate and lay out for examination the entire plight of heterosexual love/lust. It wants two actors to carry an entire movie virtually by themselves, playing against each other, giving the film a stifled, claustrophobic feeling--where the viewer feels just like Steve and Monica. You love the movie, but you feel breathless and spent, like you've given too much. It wants to tell a story using live on-the-street interviews, black-and-white still photography, slow-mo vignettes, traditional Hollywood-styled cinematography, and a split-screen interview of Steve and Monica post-relationship. It wants to use music and sound to resonate with the storyline. My favorite ten minutes of the film center around the "carrot scene," where Steve criticizes Monica for putting carrots in the pasta. The action stops and moves to b&w stills, with the sounds of their argument carrying over. This technique highlights the alienation that Steve and Monica feel from themselves and their own relationship. Even in the most heated, passionate argument, it's as if they're just going through the motions.Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. For instance, it doesn't really pull off its attempt at using Freud, Einstein, and Marx to lend some credence to its own conclusions (or inconclusions) about love. Some people say they never do become very attached to Steve and Monica--indeed, as people, the characters kind of suck. I would not want either one of them for a friend. That does not mean that they do not deserve to be loved, however--they very much deserve each other, that much is clear. So, I bawl like a baby every time I watch this. (I've seen it about 6 or so times). And I love this movie for the greatness it strives toward. I would rather watch a film that fails at its grand project than a little movie that has low expectations and meets them. Big whoop, right? More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. Salma's fiery spirit is quite a cinematic match for Russell's own undercurrent of simmering violence (even if Steve is a bit whimpy for my tastes). I love this film. Technically, there is so much going on--the director had so many great ideas, so many dreams, and you see them right there, in the movie. I can't think of another Hollywood movie with such a major confluence of established styles and innovative techniques. Brilliant.Buy this film. It is absolutely worth it, and fans of Russell and/or Salma should know that there are some beautifully-shot, utterly sensuous and compelling love scenes in this film. Those two have *chemistry*.
(some spoilers) Boy and girl together. Girl leaves boy. Girl comes back. Girl and boy make love. Girl breaks up with boy. Boy begs girl to come back. Girl comes back. Boy and girl make love. Boy breaks up with girl. Girl begs boy to come back. Boy comes back. Boy and girl make love. Girl breaks up with boy. Boy asks girl to marry him. Girl accepts. (!!??!!) Boy and girl in front of the minister. Boy faints. Girl breaks up with boy. Forever.This is BREAKING UP. Good points: for the actors, Salma Hayek and Russel Crowe - very convincing in difficult roles. And also the idea of making a movie only with 2 actors. Bad points: the rest. Especially the story, most of the times pathetic and unbelieveble. Vote: 5