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Memorable, crazy movie

From my favorite movies..

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

My bad that I didn't like this romance. Wanna-be song writer Henry (Ben Rosenfield) gets hit by a cab and in Brooklyn and goes into a coma. His sister Franny (Anne Hathaway) travels back from across the world to be with him. Apparently they had some minor falling out. She retraces his foot steps and meets James Forester (Johnny Flynn) an old indie singer/writer whose best days were past. Henry idolized this guy and now his sister is dating him, going around the cities' diverse music scene. Henry becomes secondary as our wondering boring couple make eyes at each other.There is one thing that women want. If someone writes a song for her, they love it no matter how bad it may be. The same is true for poetry. Women will carry a poem you wrote for them through an infinite amount of lovers and husbands. It is simple romance that appears to be dying in the electronic age and that may be the appeal of the film. As for me, I was bored to tears.Guide: Sex scene with no nudity.

Female student returns from her travels to be near her brother, comatose after a car accident; to 'bridge the gap' between them, she befriends her brother's idol, a folk musician. Anne Hathaway is an intelligent young actress whose savvy self-awareness defeats her here; she seems too aware of her sad smile and her sensitive gaze--she overworks both, trying to get us to feel something. Unfortunately, neither her quietly beatific face nor her constant walking up and down city streets (the camera tracking her intently) does much to build a character. Writer-director Kate Barker-Froyland throws a pity party for this child-woman, who blushes and squirms adorably when her mother brings up the long-ago past (1992!) and stares with pretty sadness when music conjures up tucked-away bittersweet memories. It's a forlorn valentine to phoniness. *1/2 from ****

A pleasant if not especially memorable indie, Song One would have slipped completely under the radar and off the grid if not for Anne Hathaway, its star and producer. Hathaway's name alone - not to mention her singing chops, as demonstrated to Oscar-winning effect in Les Miserables - would have brought in audiences eager to hear her sing her heart and soul out again about the horrors of life and men. Here's the thing though: she doesn't sing (much), though her character does experience quite a few ups and downs where the men in her life are concerned. Instead, the film uses its frequent musical interludes to sketch out a sweet if rather underwhelming story of family, loss and connection.Franny (Hathaway) is working on her thesis in Morocco when she receives a call from her weeping mother, Karen (Mary Steenburgen) - Henry (Ben Rosenfield), the little brother she barely understands and had stopped speaking to after a fight, is in a coma after a car accident. Returning home to take up a vigil at Henry's bedside, Franny tries to connect with her brother through the music and musicians he loves. As she retraces the path of her brother's life through tiny hole-in-the- wall clubs across New York City, she meets and finds herself drawing closer to James Forrester (Johnny Flynn), Henry's favourite indie musician.You can't fault writer-director Kate Barker-Froyland for ambition. She blends three story lines, each capable of carrying its own film, into Song One - there's the heartwrenching family drama about how people must try to survive when death hovers nearby; a quirky romantic comedy about two unlikely souls finding each other; and a brooding treatise on the vagaries of the indie music industry. She mixes and mashes up the ideas and concepts reasonably well, as Henry's coma prompts his sister to explore a world composed of song and lyric - one in which she previously had no interest.The first half of the film is grittier and grimmer in tone, buoyed by a pair of sad, weary and very truthful performances from Hathaway and Steenburgen - mother and daughter smarting at the thought of losing Henry, while pushing each other away with all the love in their hearts. The unexpected friendship that Franny develops with James also begins in a charmingly bittersweet fashion - he turns up out of the blue to strum his guitar at Henry's bedside, providing the soundtrack to Franny's desperate pleas for her brother to wake up.But Song One unravels a little as it goes on. Gritty gives way to predictable, and it's hard to care as much when the family tragedy takes a backseat to the unfolding romance between Franny and James. This shift in focus isn't helped by the fact that Flynn, who possesses a good singing voice, is a slightly blank presence on screen - he's never outright bad, but it's hard to glean much of James' supposedly sensitive soul from his performance, forcing his words or music to do the job.Speaking of the music: the score and original songs by indie rock duo Jenny & Johnny are amiable enough - they've evocative, in parts, but never so catchy as to be really memorable. The exceptions are Afraid Of Heights, a cute little improvised ditty that nicely sums up the relationship between Franny and James; Silver Song, a heartfelt number that ties itself in quite effective, heartbreaking fashion into the narrative; and Little Yellow Dress, which sports lyrics so strange that the song threatens to jolt viewers right out of the film.Like the deeply earnest clutch of indie songs that form its soundtrack, Song One is a largely pleasant, if not entirely pleasing, experience. The film hints at depth and layers that don't quite bear up under scrutiny. At least Barker-Froyland doesn't descend completely into mawkish predictability in the final frames, instead bringing the film to a close on a sweetly tentative note that could hold as much grief as hope. It's an ending (or, perhaps, a beginning) that makes the entire journey worth it - almost.

-Song One (2015) movie review: -Song One is a romance based drama about a girl who seeks out her brother's favorite musician after her brother is hit by a car and put into a coma.-As a described that, I realized how much this film sounds like a generic music film combined with a generic Lifetime drama. That is about as thorough as I can be to how not-good this film is.-The story lacked any motivation, and therefor dragged on without cause.-The pace is the same as the story, which means it just drags on…. and on…. and on….-The acting was unimpressive. It stars Anne Hathaway who just moped around the entire time. Mary Steenburgen who plays the same character she always plays. And Johnny Flynn as the most introverted musician I have ever seen.-The characters are just how I described the actors.-The music was very forgettable, for a film about music.-A film like this did not need an ambiguous ending.-I am trying to think of anything else to say about it. It is not terrible, it just is not good. I smiled once. Once.-Song One is rated PG-13 for some brief language and a very suggestive scene.-Song One was not impressive or entertaining, and even though it was not terrible, Song One is not worth the 2 hours.