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Simply A Masterpiece

Good movie, but best of all time? Hardly . . .

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

I love how the Japanese are not afraid of the human body and nature and moved forward while back in America retarded corporation bans leggings!!! This is by far the best Japanese movie and possibly the best Sono movie to date. It is up there and it deserves to be. Everything paid off in this film and I don't even like rap. It is emotional. It is explosive. It has heart. It is sexy. This is everything anyone who is young or young at heart has wanted in a futuristic film. By the end you will feel like humanity has progressed and it becomes hard to say goodbye. Don't get me wrong it is dystopian, but has a happy ending. The final scene in this movie was one of the most powerful scenes and that and the beautiful flaunting add up to a masterpiece and the fact that human haters are angered make it perfect

Insane rap musical about warring gangs in Tokyo. This grows to be a lot of fun, but I had to get over a lot of annoyances before I could get into it. First and foremost, I had to get into the music itself. It's certainly not great hip-hop, and, at first, I found it kind of lame. As the film progressed, I don't know if the music got better or I just accepted it as it was, but I started to kind of like it. Second, the plot is a huge mess. I certainly wouldn't recommend you go it hoping for a clear plot, because you're not going to get one. It's just kind of your standard yakuza turf war stuff, with a good gang and a bad gang and a bunch of other, lesser gangs. Then there's something with a runaway princess or something that never quite gels into a coherent story. What you will find is a ton of cool bits scattered throughout, augmented by weird and wild costume and production design. The action is also very good. Sono continues to be a flawed director, but he's clearly one of the most interesting people working today.

Sion Sono seems to be entering a new phase in his career that is just incredible. With 6 films set to be released in 2015 alone, and putting the insanity of Why Don't You Play In Hell and Tokyo Tribe into consideration, I think it's safe to say that Sion Sono is the new Takashi Miike. Only better since Sono actually writes his owns movies.If you are asking "where can he go after doing Why Don't You Play In Hell?", the answer is Tokyo Tribe. The movie is an instant cult classic and one of the most ambitiously original films of his career that I doubt any other director could pull off. He dubs it as "the worlds first battle rap musical", and it definitely is. Over 90% of the dialog is rapped. Most of the shots are in long masterful takes. While it's not as gory as Why Don't You Play In Hell, the action is nearly non stop and absolutely mind blowing. The sets in this film are truly a site to behold. He said at TIFF that he employed a lot of students to make them. The all around visual style of this film is just unreal. The only film I could compare this to would be Sogo Ishii's Burst City. Both are musicals that chronicle Japanese music scenes of the time with a very loose plot connecting it all together. Like Burst City, it's not about the plot, it's about the visual and musical experience. Sion Sono took a risk that most film directors of his calibre wouldn't even dare and he pulled it off masterfully. Love Exposure will always be his supreme masterpiece, but I can safely say that I rank Tokyo Tribe among his best films, and i've nearly seem them all.Some people who hate hip hop may hate this movie. I myself am a major hip hop nerd but I don't see that as bias, If anything It made me more concerned before watching but wow. This movie rules and is the best musical in ages and the only good hip hop musical ever produced.Neva Eva Die

the rapping parts were good, fighting scenes mostly good, had a good ending. There were some kind of lame parts but only maybe twenty percent. It was impressive how the Japanese rapping was rhyming and the English translations rhymed as well. Another part I thought was really cool was how this karate school-girl's panties would be showing during her high kicks. This movie was a little reminiscent of Crow's Nest Zero but this was superior. Five years after the Shibuya riots, the Tribes of Tokyo have been enjoying a period of relative peace, until Kim and two other members of the Musashino Saru intrude on the territory of the Wu-Ronz in Bukuro. Mera, the leader of Wu-Ronz kills the three Saru, under the assumption that they were members of the Shibuya Saru. Two days later, after searching for who killed his friends, Musashino Saru member Kai runs into Mera. Old friends in their high school days, the two get into a confrontation that ends up leaving Tera, the leader of Musashino Saru, dead and setting the stage for violence between the Tribes.