Watch Always: Sunset on Third Street '64 For Free
Always: Sunset on Third Street '64
The Tokyo Olympics are about to open, and Rynosuke Chagawa is excited to receive a new TV set to watch the upcoming events. His wife Hiromi is pregnant and he has built a second level on his shop to provide his adopted son Junnosuke with a private space to study for entrance to Tokyo University to set up a career with a major company. He dreams of sparing Junnosuke the struggles that he has faced as a writer. The family continues to rely upon Hiromi's income from her bar. Meanwhile a rival story, The Virus, by a new writer has appeared in the periodical that has been publishing his stories "Boy's Adventure Book" and he fears the new competition. Norifumi Suzuki also receives a new TV, but more of a deluxe model. Mutsuko Hoshino (Roku) is still the principal mechanic in the Suzuki family's auto repair shop, but she dresses up some mornings to go to a nearby street with the hope of a "chance" meeting with Dr...
| Release : | 2012 |
| Rating : | 7.1 |
| Studio : | |
| Crew : | Production Design, Props, |
| Cast : | Hidetaka Yoshioka Koyuki Shinichi Tsutsumi Maki Horikita Shota Sometani |
| Genre : | Drama Comedy |
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Reviews
Overrated
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
One of the worst ways to make a cult movie is to set out to make a cult movie.
Blistering performances.
The year is the year of Tokyo Olympic. Japan is celebrating the opening of the bullet train line. Roku-chan finds the love of her life, and Hiromi becomes pregnant. There's new development for the Suzuki family, and the country of Japan.I love Ryohei Saigan's comic, and this is the big screen version of his comic by the same title.But I'm not a big fan of this series because the behavior of the people are not all that high caliber. True, it depicts how people act in normal life, but it lacks class of say like the "Tokyo Story". I'm not quite sure if this movie succeeded in capturing Saigan's style. Saigan's characters has certain pity to them that makes you want to cry, but characters in this movie are just acting out the role.Nostalgia is artificial too. It wasn't quite like that back then. The only character that I liked was Tomoe. Hiroko Yakushimaru puts good punctuation to a rather bland story.Entrance exam to Tokyo University, hardship of a poor writer, young people coming out to Tokyo to work. All are part of the microcosm of '60s Japan, but something isn't authentic about this story. It's the first time I felt like watching CG filled movie that doesn't have that much CG, and I couldn't get into it.
The first two films in this series are absolutely wonderful, a mix of family entertainment, comedy, some sadness but ultimately exhilarating in their portraits of family life in Tokyo back in the 50's. This third film brings us to the time of the Tokyo Olympics of 1964 and the kids are growing up. Roku likes a doctor and looks for ways to meet him, the most substantive side story of this film. Otherwise most of the characters have barely changed, they are the same people they were in the other two films. In some series this could pose a problem, but in this it is welcome. There is still a mix of over the top comedy (Suzuki-san especially), pathos, overt sentimentality and somewhat skewed family values. While not quite on the echelon of the first two films, it carries the story forward and that is appreciated. You have to watch the first two before watching this, which will introduce you to the characters, but its well worth your time.
