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Four Minutes
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Release : | 2006 |
Rating : | 7.3 |
Studio : | ARD, Journal-Film Klaus Volkenborn KG, Kordes & Kordes Film, |
Crew : | Production Design, Production Design, |
Cast : | Monica Bleibtreu Hannah Herzsprung Sven Pippig Richy Müller Jasmin Tabatabai |
Genre : | Drama Music |
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Reviews
Very best movie i ever watch
Thanks for the memories!
Simply Perfect
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
'Four minutes' is a 2006 German movie about a young woman prisoner Jenny and her old piano teacher Kruger. While the music class part by part the past stories of these women reveal to us. The flashback reveals that this prison used to be a hospital where the old piano teacher worked and her affair with another nurse. And another flashback about Jenny and her difficulty earlier life she went through. As a talented, Jenny is also the rough and tough with her inmates. Like all the prison story here too there be a trouble giving enemy and a tough warden who always eye on her. Their's target is Jenny, to stop her from taking piano lessons and entering the competition.Jenny was a musical prodigy and her initial portions of the story were portrayed as she's sorta some rebellion. There were many scenes I just don't get it like the security provided for Jenny during she was taken for the contest on the outside. And I don't know why the story had some racism remarks on Afro-European music in a couple of scenes and it never explained anywhere later. I guess those days are like that especially in Nazi Germany.Still I felt both the two main characters were not explained well especially Jenny's past were mostly told as a story than what we are expected to see as the actual one. In Kruger case it was different it showed the main portions of her flashbacks to match it with preset of her. The last four minutes of the movie are what represents the title before the credit rolls up. That was a grand finale for a movie with a story like this. The end scene was kinda good like the movies 'Sound of Noise' or 'August Rush'.8/10
I guess this movie is specially interesting for people who love music, good acting and intelligent stories. Two women, and old piano teacher and a young prodigy girl (the girl happens to be in prison and she is in a very, very bad mood, as you could expect) got involved in a relationship of teaching and learning. But this is not the typical movie about how music could save souls and make everybody happy and cheerful at the end, against all odds: complicated people and complicated problems remains complicated, of course, and music is a window to our tormented souls, not a sleeping pill or a wonderful happiness-tonic. Highly recommended. Specially the young actress who plays Jenny, a wild beauty with incredible eyes and full of passion.
The premise of this movie is great (if not super original), and the acting is outstanding. But as a whole this movie is a bit of a disappointment. I think my main problem with the film is the editing. The editor seems restless with the slow pace of the scenes and tries to speed things up by hard cutting. But this just leads to the fact that each scene ends at the very point where it starts getting interesting. The jumping back and forth between the subplot (the piano teachers love story in the past) and the main plot (the same teacher teaching a young criminal to play) is often confusing and creates distance to the viewer. The subplot also doesn't really tie in to the main plot and should probably have been left out altogether. The final scene where the girl triumphantly plays the piano would have been so much more efficient and touching if shot in just one long take, now the editor tries to compete with the girl's virtuous skills and again, it creates distance and makes the whole sequence feel fake and pompous. I still recommend this film because of the great actors and a nice story.
I saw this last year at a screening by the Desert Film Society. Director/writer Chris Keaus shows promise in this, only his second film. The film is set in a German penitentiary and revolves around two central characters, Traude Krüger (Monica Bleibtreau), an elderly spinster who is a piano teacher at the prison and working long past her retirement age and Jenny Von Loeben (Hannah Herzsprung). a young woman serving time on a murder conviction. Jenny is also a a naturally gifted pianist under her gruff demeanor who Krüger wants to tame long enough to enter her in a piano competition to give a four minuter recital in a prestigious concert hall before an affluent audience. Krüger lives and teaches order and conformity and comes from a past where the Nazi's were about order and conformity in their world of fascism and she had to adapt to that world while suppressing her the non-conformity of her lesbianism. Jenny has a violent temper and comes from a world of childhood abuse and has lived a life of disorder and non-conformity while suppressing the order and conformity of her protégé talent. Jenny likes modern music and the modern rhythms and passion of the street and experimental music scene while Krüger hates modern music. Ironically the piece Krüger has chosen for Jenny's recital is by German composer Robert Schumann who's own approach to music incorporated rhythm that was considered daring for it's day. Director/writer Kraus may have thrown in another little ironic tie-in to Schumann where a guard at the prison has a young daughter named Clara who Krüger had no patience with because she wouldn't curtsy. Schumann's wife and great love of his life was named Clara. This is a film that keeps your interest throughout but the screenplay has lots of gaps and implausible scenarios and runs a little long but despite its flaws, the two fine acting performances by Bleibtreu and Herzsprung are certainly noteworthy and I would recommend the film and give it a 7.0 out of 10.