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Keys to Tulsa
Richter Boudreau is on a bad streak: Languishing in the shadow of his celebrity mother, he loses his job as a film critic for the town paper, and now he's been approached with a dangerous proposition that ultimately leads to blackmail. Richter's friend Ronnie ropes him into a scheme to steal the inheritance of his wife, Vicky.
Release : | 1997 |
Rating : | 5.2 |
Studio : | Gramercy Pictures, ITC Entertainment, PolyGram Filmed Entertainment, |
Crew : | Production Design, Director of Photography, |
Cast : | Eric Stoltz James Spader Deborah Kara Unger Joanna Going Michael Rooker |
Genre : | Drama Thriller Crime |
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Reviews
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
By the time the dramatic fireworks start popping off, each one feels earned.
I am glad to see most other people here don't think much of this movie, either. It has some big names in the cast, but that's it. There is nothing else to recommend, save ogling a few pretty women which you can do in a thousand films.The story involves nothing but unlikable, self-centered, chain-smoking, "hip" characters that national film critics all seem to like....and most of the public can't stand. The Oklahoma accents are so fake they are laughable, the southern racist stereotypes are right from Liberal Hollywood 101 and the story is depressing.
"Keys To Tulsa" is not completely uninteresting - that would be impossible with the cast it has (including a made-up-to-look-like-Elvis James Spader and a HOT Deborah Unger). But the story never seems to build and the movie drags from one purposeless dialogue scene to another; it goes on so long that it begins to resemble a soap opera. Certainly the only two tense scenes are not enough for the "thriller" this was misleadingly promoted as. (**)
This is a genuinely horrible film. The plot (such as it is) is totally undecipherable. (I think it has something to do with blackmail, but I'm not entirely certain.)Half of the dialogue consists of useless cliches. The other half is spoken by the various actors in such unintelligible imitations of "southern" accents that (thankfully) the words cannot be recognized.But the one true tragedy of the movie is that such a historic talent as Mary Tyler Moore apparently was in such dire financial or personal circumstances that she appeared in it.
Forget what some of those other reviewers said--this is a good movie! (Perhaps the plot twists were a little too challenging for them to follow.) The acting is great--especially Deborah Unger and James Spader. And Mary Tyler Moore does a great holier-than-thou slut-turned-society-swell. And Cameron Diaz is dead-on as a ditzy blind date. And Joanna Going does a hot striptease. And ... and ... hell, just see it.