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Little Sister
After several years without contact, Martijn visits his sister Daantje, who just started to live on her own in Amsterdam. He tells her he is going to make a documentary from her life, and enters her home life with a video camera.
Release : | 1995 |
Rating : | 6.9 |
Studio : | Grote Broer Filmwerken CV, |
Crew : | Camera Operator, Costume Design, |
Cast : | Kim van Kooten Romijn Conen Hugo Metsers Roeland Fernhout Herman Brood |
Genre : | Drama Mystery |
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Reviews
So much average
Please don't spend money on this.
Great movie. Not sure what people expected but I found it highly entertaining.
This movie feels like it was made purely to piss off people who want good shows
This movie took me by storm.This is a great movie about love between siblings.I loved it and I forgot everything else when I watched it. The theme for the movie is not common, and something like this just catches your attention by it's provocative nature.The filming is a bit of the Danish Dogma style, since most of the filming is made from the brothers hand-camera, from his point of view. It is all right, it does not disturb me, but rather gives it a documentary feeling.The script is very nice, and it is not that easy to figure out just what is coming to you.The acting is also very good. I love the actors. They play well, convincingly, and are charming in a natural way.I can only recommend this movie to all serious movie-lovers. Movies like this, that not only are not afraid of sensitive themes, but also dare to present them this beautifully, is the reason I love movies.
Although already 10 years old, this movie remains one of the most inventive films ever made in the Netherlands, and launched the careers of Kim van Kooten and the director, Robert-Jan Westdijk. The captivating performance by Kim van Kooten and her talking into the camera gave me the feeling that I was intruding in something very private.Her fantastic looks in a "girl next door" kind of way, made that feeling even stronger. The supporting cast are also very true to life. I do not want to give anything away of the storyline, since the viewer really has to let himself get drawn into the story and experience the fantastic twist at the end.It is still a shame that dutch cinema is not seen on a bigger platform, due to the language barrier and that it seems that even academy award winning films like The Assault, Antonia and Character are largely unknown outside the Netherlands and the relatively small group of European film lovers in America.
This film is a real "turn-about". In the world of film production we have a host of amateurs trying to become professionals, but here we have professionals setting themselves the task of creating a look-alike amateur film. And they do it very well. We the audience see all the action through Martijn's view-finder and we see all the faults too - the too-quick panning, out-of-focus shots, scenes which are superfluous, moments of blank film and all the mistakes that every amateur is prone to make. Martijn's camera concentrates on his sister Daantje (Kim van Hooten) for this is the story of her life and Martijn tries to capture it all, even the most intimate and personal moments. Ramon (Roeland Fernhout) persists in attempting to seduce Daantje and demonstrates in close-up how to kiss a girl. Ramon in my opinion runs off with the acting honours in this movie. He projects his personality exceptionally well and is a likeable no-hoper of a character. As for Martijn we see very little of him because most of the time he is behind the camera. Daantje maintains her character as the unco-operative sister. All the youngsters are equally convincing in party mood. I liked especially the ironic ending where the videos end up in a junk sale and Martijn's "masterpiece" will sooner or later be completely taped over. Such is life! As good as this film is, I hasten to add that I hope it does not set a whole host of other movie-makers on the same path. Once is enough! Did I hear someone mention "The Blair Witch Project"?
My own little sister asked me to tape this while she was on holliday (how ironic) last night I was browsing through my tapes and I caught the end of Zusje, I was in love with it. So complex, so sensitive and extremely close to reality. What a great therapy movie, though the viewer does not know what for. At the end as the movie (seems to) unravel(s) we (think we) see what happens, it is powerful!! I wish the movie had more international (ie American) recognition...