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Curdled
Gabriela, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
Release : | 1996 |
Rating : | 5.9 |
Studio : | Miramax, A Band Apart, Tinderbox Films, |
Crew : | Production Design, Set Decoration, |
Cast : | William Baldwin Angela Jones Bruce Ramsay Lois Chiles Barry Corbin |
Genre : | Comedy Thriller Crime |
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Pretty Good
Powerful
The film makes a home in your brain and the only cure is to see it again.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
From it's uninspiring title to the flat acting performances, Curdled is very much an unremarkable film throughout. The film has gained some fans by way of the fact that Quentin Tarantino's name is attached to it, and the silly and out of place nod to the Rodriguez/Tarantino flick 'From Dusk till Dawn'. These things do not make a great movie, however, and this is more than evident all the way through 'Curdled'. The film suffers from an all too obvious lack of ideas, and it tries to mask this with murders that are meant to be stylish and events that are supposed to be disturbing. The Mexican music score that accompanies many of the sequences in the film is obviously meant to be cool, but it's becomes annoying very quickly; especially as aside from the fact that the lead character is Mexican, it doesn't fit with the tone of the movie. The film's plot is typically offbeat and it follows a gorehound who, because of her obsession with grisly murders, takes a job with a firm that cleans up murder scenes. It sounds boring and it is.William Baldwin is the only 'name' on the cast list, and even he doesn't make an impression. He hasn't been given anything to do in the movie and aside from talking to his victims and standing around trying to look menacing, he's pretty much wasted. Angela Jones, or rather; the taxi driver from Pulp Fiction, takes the lead role as the murder obsessed young woman, and it is always clear that it's her involvement with Pulp Fiction that won her this role, not her acting ability. She may have been good enough in her small role in Tarantino's masterpiece, but she doesn't have the talent to lead a film by herself. She looks lost and out of place for the majority of the film, and if it weren't for her Latino accent; she wouldn't convince the audience that she's a weirdo on any level. Curdled is a one hundred percent-proof piece of forgettable trash. Films like this often win themselves praise for invention or black comedic antics; but this one fails on all levels. Whether you're a Tarantino fan, William Baldwin fan, horror fan or just a movie buff; this is one to miss.
Thoughtless, ignorant, ill-conceived, career-killing (where is the talented Angela Jones now?), deeply unfunny garbage. It's no wonder Reb Braddock hasn't directed anything else since - anyone who has a chance to make his first film on his own rules, based on his own script, with the help of Quentin Tarantino himself, and creates something like THIS, anyone who feels that THIS was a story worth telling to the world, doesn't deserve a second break. Under the circumstances, the performances are good - the actors do what they're told to do, and they do it well. It's just that they shouldn't have done it in the first place. 0 out of 4.
I really liked this movie, especially the main character. It was really cool linking the similarities between her and Esmerelda Villa Lobos from Pulp Fiction-besides both had Tarantino having some role in them- both characters exhibited an almost childish facination with death and murder. And, I have to admit, Billy Baldwin was really stylish as the Cold Blooded killer. This movie is definitely unique, and a treat to watch.My only complaint is that, the movie, as a whole, is rather strange. It doesn't decide whether to be a dark comedy or some weird, violent romance. It is definitely dark and weird, but never steps into a comfortable niche to decied which one it really is. This really isn't that big of a deal, really, and after awhile, you learn to just forget the analyzation, and just enjoy the madness being thrown at you. This movie is definitely not for everyone, in that the gore is played so casually, as if it were a normal fixture of a room, like a table or a rug. It also has a few scenes that b\c of the conversational build up during the movie about what it's like to see a crime scene for the first time, and the casual way that the gore is treated, it may not be suitable for everyone. However, I enjoyed it b\c of it's pure creativity and of course, wonderful acting by the two main leads. A give it a strong 8/10 stars for having the courage to be different. That is my story and I am sticking to it.
This movie had the potential to be a great black comedy with the idea behind it, but it falls very short. There is very little in this film that impressed me or made me laugh. It's like a black comedy without the black (the film tried to be violent and gory, but looked little more than ridiculous) or the comedy. The film is about a woman (Angela Jones) who quits her job and decided to go work for a company called PFCS (Post Forensic Cleaning Service) when she becomes fascinated with a serial killer known as the "Blue Blood Killer", a psychopath who goes around Miami beheading rich women. The company is a cleaning service that is called in to clean up the blood and guts left behind in homes in the aftermath of a murder, after the Cops haul the body and evidence away. The premise for a company like this is funny (one of the only moments in the film that caused me to laugh was their T.V Commercial), but the end result is not.I can see why Quentin Tarantino was attracted to a project like this. Word on the street is that this was originally a funny short film that was shown at Sundance in the early 90's and after the success of "Reservoir Dogs" and "Pulp Fiction", Tarantino bankrolled this full length version of the movie and released it later on video with his "Rolling Thunder Pictures". Tarantino seems to be very amused and fascinated with the idea of a cleaner or cleaning service to clean up the mess of the deceased. He surely watched Luc Besson's "La Femme Nikita" many times in the later stages of his video store clerk days and used the idea of "Victor the cleaner" for his Winston Wolf character in "Pulp Fiction". The idea of a "cleaner" is quite funny and worked very well in both films, but here, it simply does not work beyond the admitted hilarity of the T.V commercial and of the mock-up sensationalist reality-TV show excerpt in the middle of the film. The rest of the movie is boring and pointless and the acting, apart from Angela Jones, is pretty stale. If you want to see real black comedy that will make you laugh (and cringe, that's another thing this film was missing), I would suggest seeking out the early works of Danny Boyle ("Trainspotting", "Shallow Grave") and the Coen Brother's "Fargo" over a boring film like this. 4 out of 10