Watch Oliver Twist For Free

I love this movie so much

Simply A Masterpiece

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

An old-fashioned movie made with new-fashioned finesse.

I got to know the importance of relation with people, seeing this movie. Oliver, the hero of this movie, I thought that he has beautiful heart truly. I angry that Fagin who made a good child like Oliver steal. The criminal put the blame on one of Oliver.In the Orphanage in which Oliver was employed, there are not only a bad child. A woman called Nancy differs from everybody. Nancy protected Oliver in front of everybody. I regard Nancy having protected, for she would not want he to be deeply involve in crime Oliber wrong. I think that Nancy has learned theft since she was child, so she would like you to become like her.In the middle stage, I expect that he is deeply involve in crime, but thanks to her help, he regained him. I thought it important to live obediently. I would live like Oliver to stick to own will to the end.

I'm surprised that this adaptation of the Dickens classic has received so many negative reviews and that there are comparisons with the musical which is a whole different type of production. All the performances are very strong, although I think that the Artful Dodger could do with a few more acting lessons. I thought that Tom Hardy, Sophie Okonedo and Timothy Spall were particularly outstanding. Viewers seem to expect the characters to be fairly one-dimensional and stereotyped - just because Bill Sykes is a psychopath doesn't mean he has to yell all the time! I think that the director did a good job of portraying the harshness and grime of Victorian London and the cruelty and depravity of the era also. I don't want to see Dickens adaptations through a soft focus lens, this is what I want from a period piece. I do agree about the randomness of the music though.

Dickens' Oliver Twist has been the subject of many adaptations, including the movie version of the god-awful stage musical. It is this one, and a subsequent version made for American television in 1997 that I have seen most recently and it is with those that I make my comparisons. (I have seen all or part of at least 3 others, but not recently, including the Roman Polanski version). In terms of overall realism, this version far outstrips many of the others. This may or may not be a good thing, depending on whether you want a jolly fairy-tale or a sobering social commentary. If the former, don't bother with this version. Despite the presence of a number of good actors, I found some of the performances a bit disappointing. In particular, the lead William Miller was sometimes lacking in emotion. However, this performance brought out something quite different than other versions. In those Oliver is often presented as a gentle innocent. Miller's Oliver, on the other hand, conveys something steely under his youth. He is no victim of circumstance, swept along by events, but a character who has the potential to grow into someone even a Bill Sykes would fear. The performance of Hardy as Sykes was almost completely lacking in the menace that an actor like Oliver Reed could convey even in the silliest of musicals. As Nancy, Sophie Okenado conveyed a totally new version of the character. After the initial surprise, I forgot about the issue of "colour" and could believe in her totally as a character of the time. The savagery of her death, however, was strangely low-key in comparison to the rest of the movie. I thought Timothy Spall was excellent, perhaps the best thing in the movie, giving this Fagin a depth. When he would rather hang than renounce his religion, Spall's Fagin achieves near nobility. Finally, the end of the series was very thought-provoking, contrasting as it did the fates of two young boys: Dodger and Twist. Oliver Twist, child of an upper-class family, is shown in a happy Christmas scene reunited with his loving family and destined to a life of ease. Dodger, on the other hand, who is shown with particular sympathy in this version, is left to find the body of his beloved Nancy and to listen to his protector Fagin's death by hanging. In the end, he walks away a little Sykes in the making. The message is clear.

This was an enjoyable version that held my attention despite familiarity with the material. It was more detailed than most dramatisations. Timothy Spall was very good. I had some problems with it, however:* The music was intrusive. * Bill Sikes was well acted, but seemed, unless my eyes deceived me, to have perfectly plucked eyebrows. After so much effort was taken with makeup (especially teeth), this was strange. * Julian Rhind-Tutt was weak as Monks, and his hair seemed out of period. * Edward Fox has become a mannered caricature of himself.