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Mademoiselle Nitouche
Celestin works as an organist at a girl's school. By day, Celestin is the meek and mild target of the girls' incessant practical jokes. By night, however, he is the celebrated composer of popular operas -- and the romantic vis-à-vis of a celebrated stage star. When schoolgirl Denise stumbles onto Celestin's secret, she threatens to tell all -- but only if Celestin refuses to escort her to the opening night of his latest opera. As a result, Denise falls in love with a handsome young soldier, while Celestin is accidentally shipped off to an army camp. A series of silly coincidences brings happiness to all concerned by fade-out time.
| Release : | 1954 |
| Rating : | 5.7 |
| Studio : | Paris Films Productions, Rizzoli Film, Panitalia, |
| Crew : | Production Design, Director of Photography, |
| Cast : | Fernandel Pier Angeli Jean Debucourt Georges Chamarat Hélène Tossy |
| Genre : | Comedy Music |
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Reviews
Nice effects though.
It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
The acting in this movie is really good.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
A remake of his brother Marc's movie of the thirties which I have not seen,"Mam'Zelle Nitouche seemed to indicate that Yves Allégret,after making great movies in the 1947-1953 era,was a spent force .Even Fernandel was not able to save this dud ;the script is awful:the first half is a spate of clichés about mistaken identities (the earnest organist of the convent writes light operettas);the second is even worse,recalling the coarse comedies of the thirties ,with the obligatory funny trick of a female presence in the barracks .Louis De Funès appears (but you've got to be patient) as a sergeant .Pier Angeli ,the actress James Dean wanted to marry, is cast as the false ingénue.It was the first time Y.Allégret had experimented color,at a time when the French cinema was mostly black and white :pearls before swine.Word to the wise :take "Manèges" instead.
