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Satantango
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
Release : | 1994 |
Rating : | 8.2 |
Studio : | TSR, Von Vietinghoff Filmproduktion (VVF), Vega Film, |
Crew : | Production Design, Set Decoration, |
Cast : | Mihály Víg Putyi Horváth Miklós Székely B. Alfréd Járai János Derzsi |
Genre : | Drama |
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Reviews
Wow! Such a good movie.
As Good As It Gets
It's a feast for the eyes. But what really makes this dramedy work is the acting.
Blistering performances.
Sátántangó deserves to be among the best movies in IMDb Top 250 films page without any doubt. This, unfortunately, will never happen, due to its seven and a half hours of length and its slow pace and atmosphere, for many boring. However, this film is beautiful, melancholic, poetic and also pessimistic, very pessimistic. This can cause that the viewer may feel unable to finish it. But when you reach the point when you get into it, it is very difficult to leave it. It is probably one of the strongest cinematic experiences I've ever have, one of the most immersive, making me feel, in the middle of August, the rain, wind and cold the characters suffer during their endless walks.
Satan's Tango: You can tell from the first 10 minute enormous tracking shot following cattle meandering in the rain through a devastated, crumbling, seemingly deserted village, that it was going to be THAT kind of film.This is Hungary after the withdrawal of the Soviet occupation of 40 years, and we are at a collective farm on the Hungarian great plain that has collapsed along with Communism.Surreal, mesmerizing, sinister it challenges the mindful viewer to look closely, and listen, rather read closely, except I was lucky to do both. This film is for more mature audiences. I would compare it to plunging into Shakespeare drama that is really hard to follow at first, but pulls you on regardless, even if you are not getting everything, with a big payload.I could not believe I was watching it from when I got home from work till after midnight. One main theme that stuck out for me was how developing a public persona, and the art of speech can be so powerful. The enigmatic central figure, Irimiás, is an epitome of this. Good looking, tall, educated, and with a golden tongue, he sure has a Satanic allure for whom the disparaged, uneducated villagers dance the tango.There are some really funny parts too, the old doc watching and writing everything down in an alcoholic haze, then especially when the two officers rewrite Irimiás' letter and how they describe the villagers. The scene with the little girl and her cat is a heart stopper. I did not get everything to a T and want to read more about this, and want to watch it again.
If you agree with the following statement, then read on; otherwise skip my entire review.The torturing/killing of living things is NEVER justified if the reason is "for entertainment", or worse, "for art".Good, you're still here which means there's hope for the human race. SATANTANGO features a scene where a real cat is shaken, flipped around, rolled in the dirt, rolled over, shaken again, stuck in a bag and hung on a wall. The torture lasts about 10 minutes and can be seen on Youtube by searching "Satantango cat".Not all countries have animal protection laws, and not all directors respect animal life. Oddly enough, it's often the "enlightened", well-respected filmmakers who are the worst offenders. Watch out for Tarr (Satantango - cat tortured), Tarkovsky (Andrei Rublov - cow lit on fire, horse shot and thrown down stairs), Herzog (Even Dwarfs Started Small - monkey crucified, chickens thrown through window), Von Trier (Manderlay - donkey slaughtered), Coppola (Apocalypse Now - water buffalo partially decapitated), Ki Duk Kim (where to begin?), and the list goes on. You can check all my 1 star reviews for more.To all of the above films I say no thank you, just as I'd prefer not to cheer at a bullfight or adore a Nazi lamp made of human flesh, no matter how "beautiful". I'll stick to directors who show sensitivity and compassion, in front of the lens as well as behind it: Kurosawa, Wenders, Jarmusch, Anno, there are plenty enough films to keep me busy.
Bela Tarr's seven hour rambling film about the people in a collective in Hungary around the fall of communism.Its good but seeing this in what was a largely single marathon sitting was trying.It's got some wonderful segments and is good over all, but it's a long slog thanks to Tarr's style of long takes and shooting things like the table while action happens off screen. It's a good film and I intend on watching it again down the road, but I don't think I'll be able to sit for the 7 plus hours it took to watch this in one sitting the first time. I'll break it up by sections.Yes I know the length of the film should not come in to play,a good film is a good film, but at the same time this is a slow seven hours.Worth seeing but in bits and pieces