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Telefon

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Telefon

Nicolai Dalchimski, a mad KGB agent steals a notebook full of names of "sleeping" undercover KGB agents sent to the U.S. in the 1950's. These agents got their assignments under hypnosis, so they can't remember their missions until they're told a line of a Robert Frost poem. Dalchimski flees to the U.S. and starts phoning these agents who perform sabotage acts against military targets.

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Release : 1977
Rating : 6.5
Studio : Metro-Goldwyn-Mayer, 
Crew : Art Direction,  Production Design, 
Cast : Charles Bronson Lee Remick Donald Pleasence Tyne Daly Alan Badel
Genre : Action Thriller Crime

Cast List

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Reviews

GamerTab
2018/08/30

That was an excellent one.

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Acensbart
2018/08/30

Excellent but underrated film

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Robert Joyner
2018/08/30

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Quiet Muffin
2018/08/30

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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JohnHowardReid
2018/03/20

The other side is the good side in this ingenious thriller which also benefits from an extensive use of real locations. The screenplay, however, is somewhat thin on characterization. The narrative is fleshed out with two plots which only come together via the odd telephone call. Nonetheless, the pace is brisk and there is plenty of boom-boom action.Constant changes of locale also keep our attention focused. All in all, the film is reasonably enjoyable for those of us who don't pay too much attention on the dopey plot and are just along for the ride.The ever-reliable Pat Magree presents us with a brief but enjoyably hammy performance. Badel, however, is reduced to stooging. Donald Pleasense is not presented with many opportunities for fine acting either, even though his role is comparatively large.!

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Bolesroor
2010/08/28

Okay, I have to admit I love Charles Bronson. After starring in some classic 60's films like "The Magnificent Seven" and "The Great Escape," he turned into a B-movie action star in the 70's, pumping out a bunch of exciting, entertaining movies that were great to watch with friends. "Telefon" is one of them.It seems Russia has brainwashed average Americans, who go about their daily lives having no idea that they have been programmed to kill when they hear a particular poem over the telephone. Donald Pleasance is the rogue spy activating these sleeper agents with a series of phone calls, and Bronson is the bad-ass Russian Major determined to stop him. He gets sent to America where he partners up with CIA Agent/love-interest Lee Remick. And we're off...First, my love for Bronson. He has to be the ugliest man ever to become a major star, but he doesn't care so why should we? Second, his acting is less than spectacular, but he gets the job done, and his stiffness actually works FOR him instead of against him. Third, although none of his 70's action flicks were by any means great cinema, they still had clever plots, shocking violence, and have stood the test of time as watchable and fun. Whether you're making fun of the movie or completely engaged at face-value, you're never going to be bored. I saw a lot of Charles Bronson movies with my grandmother (who loved him) and it's impressive that movies this old could entertain people with such tremendous age differences and tastes.The movie has its flaws: the cinematography switches between pristine and perfectly lit (the finale) to sloppy and out-of-focus (daytime exteriors)- which was probably the result of the film having two directors. The production values don't seem very good- like many Bronson quickies- and the movie has a made-for-TV visual look about it. Plus, there is one scene featuring Lee Remick in a late-70's leisure outfit (with matching sun visor) that makes her look like a renegade Burger King drive-thru clerk. ("Have it YOUR way... baby") But the movie is light and fast enough that you won't notice the weaknesses.The finale rocks: Bronson comes face to face with Bad Baldy Pleasance in a country roadhouse, and in the ensuing mêlée a real rattlesnake has his head really blown off with a gunshot! (Take THAT, PETA!) For a fun movie check out "Telefon," along with Bronson's classic "Death Wish" and the awesome "Mr. Majestyk"!GRADE: B-

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Benoit Vanhees
2010/06/27

Telefon has several good trumps, but suffers here and there in a painful way from budget restrictions. The latter becomes clear within the 5 first minutes, as we see KGB people using a Mercedes van, while a top man sits waiting in a limo from the same German car company. Not really substantial, but it nevertheless gives the movie instantly something cheap, a made for TV-only label. One could debate about whether the presence of Donald Pleasance is helping or not. His acting is always a double edge sword: on the one hand, it is funny to see him exploit at the maximum the small roles he got, by using the most futile objects like a handkerchief ("Hell is a city"). On the other hand, he often portrayed the bad guys in a somewhat too pronounced and stereotypical way, which takes away a part of the suspense. His role in Fantastic voyage is a good example, and the same happens in Telefon. His blond whig he uses in the beginning of the movie adds to the "cheapo" character of the movie. Maybe the budget was somewhat mismanaged ? The blowing up an entire valley surely was impressive, and added credibility to the real menace the USA was facing. On the other hand, a few fireballs less here and there, but eastern European looking cars in stead would have been a nice compromise. Not withstanding these small imperfections, I quite liked this decent movie. Using brainwashed people to perform dirty jobs of course wasn't a new idea. In movies such as the Manchurian Candidate and Parallax View, this road already had been explored. What gives Telefon that extra menacing touch, is the fact that the 50 people on the KGB list live ordinary lives, unaware of the looming danger. We briefly meet a mother planning to make pancakes for her kids, a priest busy decorating his church, the owner of a helicopter taxi with money and marital problems, the owner of a car repair shop etc. And then, each of them is abruptly called away from their ordinary day-to-day lives. It almost would make you look quite suspiciously at friendly neighbors, who might or might not be too on a KGB-list, waiting to be activated and perform one specific task of death and destruction. The fact that one of the victims is used to destroy a disaffected military installation even adds an extra dimension to that lurking menace. This juxta-position of potentially dangerous people amids an innocent surrounding is of course no new formula. Still, it is used with cleverness here in Telefon. Still, maybe the generally somewhat too mild tension needed some extra punch here and there to make this a classic spy movie. (By the way, was it the CIA who was taking pictures from Borshov and Barbara, when they met at the airport ? It's not really followed up) Bronson was strictly "mission first" during 90 % of the movie, and immediately set the tone by asking Barbara not to be "so damned cheerful." But the American sun and beautiful all American girl Lee Remick had no trouble at all to melt the Soviet ice, and working at a détente at personal level. They look a bit like an unlikely silly pair, with no sparks flying around, just some decent double entendre (miles and miles to go...) Still, I always liked silly pairs ! Certainly much more than the all too obvious and slick matches such as in Hitchcock movies à la North by Northwest. Urk !Anyway, don't let such details spoil the fun. Nor should you be distracted by the very 1970's cheap looks of the motel rooms etc. "Domino principle" too had similar shortcomings, still it is fun to see that movie again every now and then for its own merits. Telefon is indeed –as another reviewer pointed out- "the ultimate détente movie", made in an era in which strategic arms limitations were agreed upon, and the Helsinki agreements were signed by 35 countries. Before that, in the post-Watergate period, we already got some movies, critical of the CIA or more shadowy agencies and security companies, such as "The Conversation", "Three days of the Condor" and "The Domino Principle". Here, things are even taken a step further: Russian agents are on high alert, because one of their own renegades is trying to trigger off a Third World War. So they send their top agent to the USA to clean up the mess... If a new McCarthy would have emerged under Reagan,Bronson and Remick would have been blacklisted because of what would have been labeled this "pinko" movie. In a way, the international diplomatic situation got once more reflected in the history of movie making. In 1943-45, there were some very pro Russian movies made by Hollywood,such as The North Star (1943) or Mission to Moscow (1943). After that came red scare movies such as the Red Menace or I married a Comminist. Things chanced again after the death of Stalin and the disgrace of Sen. Mc Carthy. The Bette Davis movie "Storm Center" (1956) for ex. is one of those movies that takes a more balanced approach to communism. Sputnik and Cuba once again made the pendulum move to the other side, while it swung back to the center left with efforts like Telefon. As such, this movie is an interesting witness of its time.

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jrs-8
2006/01/24

I was never a big Charles Bronson fan. His movies usually followed the same predictable patterns of revenge and violence with Bronson usually coming off dry and stiff. His performances were usually always one note.Of the few films of his I have enjoyed (see also "The Mechanic" and "Hard Times") from that era, "Telefon is a surprisingly gripping thriller even though the story is downright silly at times. Bronson plays (and doesn't even begin to resemble) a KGB agent out to track a killer who have been brainwashed. One call from this guy and the reciting of some lines from a Frost poem and that person is hypnotized into going out and committing an act of violence that resembles terrorism in many cases. Donald Pleasance convincingly plays the bad guy and that, I think, is what makes the movie work. Pleasance is credible in the role, thus we fear him and route for Bronson to catch him. Also on hand is Lee Remick as an American agent assigned to help Bronson but who also has a hidden agenda of her own.Director Don Seigel handles the silly material in a straightforward manner never taking things too seriously. Bronson is less stiff then usual and the action scenes are well done. The ending is a bit abrupt but that is minor nit picking. It's a silly thriller I enjoyed and, if you are a Bronson fan, I am sure you will enjoy it too.

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