Watch Death Trance For Free

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

Blistering performances.

By the time the dramatic fireworks start popping off, each one feels earned.

When I read some of the other reviews for this film, I was quite excited to see this. It turns out this is probably the most abrupt about-face I've ever taken on a movie. My Beef with the crap-fest that is Death Trance:1. I love Asian movies but I hate Anime. The themes are always absurdly sensational and even downright kinky. This movie seems like it was written after an anime or maybe with a particular manga in mind. It has everything in common with anime from the extreme focus on visual appearance to the unreasonable number of static face shots. I'm looking down but up through my eyebrows while my head is tilted cockily to the side. Aren't I a bad*ss now?2. No. Despite the movie being listed under action, there is little or no real tangible action. Granted I'm a Jackie Chan fan so I"m used to seeing actual stunts and solid blows. Death Trance is full of action scenes where most of the time is spent in build up and aftermath. It's obvious how fake the fighting is. The "heroes" show minimal almost pitiful athleticism. Some parts of the fight don't even make it onto the screen when they pull stunts like "look at my face while I kill a guy" instead of "look at me kill a guy" and the classic "it was so fast even the audience couldn't see it" when the killing blow turns into a simple 2 frames; before and after.3. The main characters are simply obnoxious to look at. They are also completely unlikeable. On top of that they are almost never dynamic and never properly introduced. One of the characters has a heat seeking rocket launcher out of nowhere and we're supposed to think "How cool!" and not ask any questions like "who makes a point of carrying around a rocket launcher anyway? And in Old times magical Japan too, when everyone is using katanas still. Today a man with a rocket launcher is a terrorist or something. In the movie's setting though, it would make him Satan himself or something. This same character has God's Final Insult of a mullet. Hate it. The other hero has robes that part to show his inner upper thigh, hairless and smooth. If I'm gonna see man flesh I want it to be hairy and muscular like in 300 dammit. The third character seems to be a complete wuss in comparison because he doesn't fight, and the other 2 are eager to kill everyone in earshot of their meager "hiyaah!"s. I could not force myself to watch too far in, but judging by the first 20 minutes, the middle and end can't have been that great. Overall the highest quality went into the makeup and costumes and props. The acting was bad. The action was bad. The story was bad. Personally I'm not even into Gothic styles and all the black and white color themes grew very tiring. So even though the makeup and costumes were good, they were bad. For someone without my anti-anime bias and an open mind: 3 out of 10 Me: 1 out of 10 For those who cream themselves about anything and everything Japanese: 5 out of 10. Princess Blade and Versus were also bad but way better than this.

The hero drags a coffin behind him, an overwhelming number of enemies attack him, but only when the coffin is opened, hell really breaks loose... sounds like the summary for "Django" with Franco Nero, but actually it's "Death Trance" with Tak Sakaguchi. This rare coffin motif is something that will make you remember a movie which otherwise is fun, but not outstanding. Lots of fight scenes in a fantasy world where sticks and swords meet guns, motor bikes and an ultra-cool rocket launcher. Calling it a "historical costume movie" as its star did in an interview is not quite true, but few in the audience will care about history as long as it is fun. And it sometimes really is, e.g. when Grave (Sakaguchi) enters a "saloon" followed by a maybe 6 year old girl, orders a big glass of milk for himself - while the child drinks a whiskey. Or when Grave kills vampires by biting their necks in turn. No grave yet for Grave. Don't expect a masterpiece as "Death Trance" hasn't got the depth. Still worth a look if you like such kind of things.

It was good in the sense that it kept you interested somewhat because you are watching it to figure out what in the world is going on. There is no plot, there is no reasoning to what and why things are going on. You don't know what era you're in and you don't know who the characters are and where they are from or why they are there. The movie is a mix of everything. But there is a lot of action but it's nothing to be excited about. You won't love it neither will you hate it, but its a watchable movie. In terms of setting it is almost like Lord of the Rings being that it takes place in a forest but with swords and swords that shoot like guns and one person had a motorbike. The best way I can describe this movie is Lord of the Rings meets Inuyasha meets Zombies meets Vampires, meets Samurai Jack gone completely wrong. LOL, hope that helps!

This insane genre hybrid from a majority of the team that brought us VERSUS is quite a surprise. Grave (Tak Sakaguchi) steals a coffin from a monastery and drags it around (shades of DJANGO) with a little kid following close behind (shades of LONE WOLF AND CUB). A lone monk pursues him in order to regain the coffin. Everyone thinks the coffin will grant you wishes but it actually houses a Goddess of Destruction who was banished from heaven. Director Yuji Shimomura, who choreographed the action in VERSUS, should get credit for making such a unique film that, despite sharing the same lead, sets itself apart from VERSUS. It is essentially a period piece except people sometimes use guns and ride motorcycles. There are some truly surreal set pieces (a human spider forest, a sword fight where blood floats around the participants, dead angels falling from heaven) and great fights. But the most surprising film is the amount of dry comedy featured in the film. One of the co-stars is Steven Seagal's son Kentaro who is quite good as comic relief Sid. Unfortunately he has inherited his father's hairline. Poor kid.