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Wonderful character development!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

The late eighties was very experimental and risk taking in films. And that's why I'm not going to lambaste this movie.This is an experiment that fails.It probably should have been good, but this has to be one of the worst 100 directing jobs ever.It's too confusing to tell you what it's about. You won't be able to stay awake for any ten minute stretch, so you will have to watch it in chunks. "Plodding" is the huge understatement for this movie.It's a supernatural piece about a woman who hallucinates seeing a man who has died, and what occurs in the movie is something you could never possibly guess without looking at the "plot synopsis" in the guide. There's nothing in the movie to tell you what it is about.The mistake here is that the director tries too hard. Technically, things look good. The women who occupy most of the screen time are very pretty. There is some good scenery in rare spots.Technically, the dramatic suspense is text book, but it isn't inspired. It simply drags and drags. And the good scenery is rare compared to the bland city scenery. Hospitals, cars, streets, homes are dull. Making them duller with actors plying their "suspense" acting makes it a debacle.I don't care about the accents. The actors try, and that's the problem. It's all "trying". The director extends every scene to make it last forever. Roughly 90 minutes is what this runs. It should have been 8 minutes.The experiment here, by the director, was to suspend everything, to try to make the most out of a simple movement. There was a popular poet-teacher who held a "Writer's meeting" in Louisville named Leon Driskoll, who loved that sort of boredom, but it bores me to tears. Still, I realize there are people like him who love boredom.

Got this cheap on a sale. I've been having this 80's season with watching movies and decided to purchase it without any prior knowledge of it. I was just surprised it's a McTiernan movie I hadn't heard of.I wasn't completely convinced at first and thought that it was 2 euros flushed down the toilet. The story picks up quite slow and the beginning is executed in a style I wasn't very fond of. Brosnan portraying a frenchman was a bit annoying too. But after 30 minutes or so, I was pretty hooked to see how the movie would eventually unfold.Even tho it turned out to be "ok", it's got a lot of flaws. It feels as if it would've needed a lot more substance in script. The whole nomad story is pretty vague and there's not much background info on Brosnans expeditions, which would've made this movie more gripping and interesting. The connection is there, but to me it didn't deliver. I was left a bit confused with a lot of things. It almost goes into David Lynch territory at times, which isn't a completely bad thing, but you need to have that "something" to pull off a supernatural mystery like this. To me this wasn't such a movie, even tho it may not be too far from succeeding. Something was missing from the story.I was also left wondering if the movie had worked better without the doctor lady completely, concentrating on Brosnans character. The whole flashback/hallucination thing was mostly just confusing. There was some nice editing at times and it added to the tension, but I still feel this movie would've worked better in a more linear fashion, dropping the doctor character completely.So, the initial story was interesting, but the execution made it a mess. Maybe I should watch it again to appreciate the structure, but at the moment I don't see myself spending another 90 minutes on it. I'll keep it in my movie library tho, just in case I wan't to revisit it at some point.As a side note, the movie contains one of the most brutal scenes I've witnessed on screen. It's not graphic at all and is portrayed from a distance, but it comes very unexpected. It really made me feel uncomfortable.6 points for the story and originality, may be a bit generous tho. Maybe it was worth the 2 euros I payed for it, but not more. McTiernan continues to be a mystery of a director, having made classics and my favorites Die Hard and Predator, but still capable of creating an artsy movie like this and some complete garbage like Rollerball remake.

And the theory is, as spelled out by Chelsea Quinn Yarbro in her book of the same name, that there are earthbound, malevolent spirits who bring madness to any human that makes camp with them. That people don't realize that a percentage of what they see or hear is not.....there! Most people are luckier, they don't look so closely. But Pierce Brosnan's character, being the inquisitive person he is, has looked.......too closely. Now, these nomadic beings, who are attracted to places of calamity, have taken an interest in Brosnan and he is warned by someone, who may or may not be one of 'them'. Warned to leave, change his job and move away. It's all very interesting to watch. And afterward, you can't stop thinking about it. Yes, it contains flavors from the 80's but it is still thought provoking. Read the book too!

~Spoiler~ Watch as Adam Ant and Mary Woronov chase Pierce Brosnan to an 80's soundtrack with guitar licks provided by Ted Nugent in Nomads. I really have no idea what I just watched. Let me see if I can attempt to make this thing make sense for myself. Pierce Brosnan is a French anthropologist who studies nomadic tribes around the globe. He moves to California and, at the film's opening, we find him at a hospital. He dies there and whispers his last words to nurse Leslie Anne Down who then becomes possessed by his memories. Through flashbacks she witnesses Brosnan's last days as he tracks a modern nomadic gang through the city. However, these nomads may not be human. They may be mythological spirits who have actually been tracking Brosnan all along. Sounds complicated, no? Well that's not really even scratching the surface with this movie. There's a lot more going on but I'll leave it to you to answer some of the more nerve-wracking questions. Let's just say there's no linear narrative and the convoluted script is unapologetic. We see twist after twist after twist and hope the end is in sight soon. I must confess, I was getting really restless towards the end of the film. I can say that the end image does bring some coherency to the first 90 minutes, but I'm still missing a piece of the puzzle. It's not at all what I expected out of director John McTiernan (Predator, Die Hard). Surprisingly subtle stuff for a McTiernan film. Nomads is a film that will benefit from repeat viewings.