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The Adventures of Pinocchio
Mastro Geppetto is a poor carpenter with no wife and no children. The man is very lonely, and after trading a piece of wood with his colleague Mastro Ciliegia, decides to build himself a puppet to keep him company.
| Release : | 1972 |
| Rating : | 7.8 |
| Studio : | Office de Radiodiffusion Télévision Française, RAI, Bavaria Film, |
| Crew : | Interior Designer, Director of Photography, |
| Cast : | Andrea Balestri Nino Manfredi Gina Lollobrigida Domenico Santoro Franco Franchi |
| Genre : | Fantasy Drama Comedy Family |
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Reviews
Excellent, smart action film.
This story has more twists and turns than a second-rate soap opera.
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
This Comencini version of the adventures of Pinocchio is the most fateful to the original novel and also perhaps the best, including some of the biggest names in Italian comedy of the seventies, like Manfredi, Lollobrigida and Vittorio de Sica. The score of the film (by Nino Rita) is FANTASTIC: the themes are airy, elegant and memorable. The slow carillon in "Fata turchina", the coupled piano-harpsicord motif of "Birichinata" or the magic, slightly psychedelic mood of "Trasformazione di Pinocchio e Lucignolo", the askance tango "Il Gatto e la Volpe": just a few of the excellent episodes giving the LP its old-fashioned countryside charm. Fun for all family, and undeservedly little known of outside of Europe. A children classic with a subversive undertone that adults can appreciate.
It's simply a masterpiece to collect. The best Pinocchio movie adaptation ever made. A strict adhesion to the Collodi's text and several genial inventions like Franchi and Ingrassia as "Il Gatto e la Volpe" or Vittorio De Sica as "il Giudice" or the Gherardi's costumes and the unforgettable soundtrack. The original tuscan speech, unfortunately available on Italian version only I suppose, enhances the philological value of the film. By the Comencini's Pinocchio the Italian TV production, at beginning of 70's, reached probably its quality top, rarely confirmed later. Forgot Benigni and his "colossal-flop", manufactured for US market! Only Comencini and Suso Cecchi D'Amico, uo to now, have been really able to adapt the Collodi's tale for a movie.
This is the 300 minutes version of the best TV-adaption ever made of "Pinocchio", a co-production of several European public TV-networks. Directed by Luigi Comencini, with Nino Manfredi as Gepetto, Andrea Balestri as Pinocchio and Gina Lollobridgida as the fairy. Great actors and a subtle poetry make this adaption a real masterwork of Italian television. The mini series consists of 6 episodes, each about 55 minutes long. See also "Avventure di Pinocchio, Le" (1972), there you have the very much edited one part-movie version, which in Italy (for example via internet) is available on VHS and DVD.
I'm a little afraid to watch Benigni's Pinocchio, because I think that Luigi Comencini has already reached the top in the human versions of this story. Great acting (especially the great Nino Manfredi, Franco Franchi and Ciccio Ingrassia and the superb little boy Andrea Balestri), great photography (just look at the wonderful still image of the final scene, with Pinocchio and Geppetto on the beach), and great costumes by Piero Gherardi (Oscar for Fellini's La Dolce Vita and 8 1/2). I think this movie is better to watch for grown-up people, who can fully understand the philosophical and moral implications of this representation. Definitely, a story that will touch you, and make you somehow richer inside. I expect wonderful things from Benigni, or maybe I just hope it, because this time I don't think he can do the best.
